As you could have probably guessed, my “Ask Betsy” feature of the blog is getting a lot of traffic. However, most of the emails are not questions. Most readers are using it to pitch their projects. So, it’s sort of a slush pile/question box. At first, I was really pissed about it. It’s not at all difficult to find my agency email for chrissakes. Then I thought maybe I was being too uptight. I mean for fuck’s sake, who cares where a great project comes from, my agency email, my blog email, my ass. So I dutifully read through the queries hoping to discover the next Ordinary People (according to publishing lore, it was found in the slush).
So far, no luck. Needle, meet haystack. What does bother me is that I actually do answer all of these queries and then the person writes again and asks me to look at a nonfiction project once I explain that I’m not taking on fiction. Or, they ask me to review an alternative pitch, or recommend other agents, or give them a detailed critique of their writing. I could do all of these things, but I have to charge. A LOT.
I really love the questions and if you have one I’d love to hear from you. If you want to pitch your project, then please send it to Mail@dclagency.com and address it to my attention. But please understand that I will not respond as your lovable self-loathing blogger but rather as the hard-hearted bitch agent that I am.
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When I was in the 11th grade, I read the Hite Report among a number of other books in a campaign to learn what I feared I might not experience. In my quest for “knowledge,” I learned a few things I had not known. At that time, I wrote a poem for my creative writing class and in it I used the word “masturbate.” Fair enough, except I spelled it “masterbate.”
1. The term “game changer” especially when referring to Avatar.
9. In advance, the movie of Eat Pray Love.
What was your first literary orgasm? Roger W. Straus, venerable co-founder of FSG, claimed it was The
Are all writers narcy? Is it an occupational hazard or prerequisite for the job? I once dated a writer whose bedroom was lined with framed jackets of all his books. After I slept with him, he loaded me up with copies of all of his books as I was leaving. Thanks! How narcissistic are you and does it help or hurt? What does it really feel like to sit down with that notebook or computer? Just you, beautiful, terrible you? And what of those pages staring back?
If you want excellent advice on how to write a pitch letter, go to
I’ve known authors over the years who balk at boiling down their book to a few sentences. “I”m not good at it,” they cry. I’m sympathetic; it’s extremely difficult to do, and may be impossible when you are in the middle of it. It takes time to figure out what a book is really about, as they are often about so many things. But it’s critical if you want to hook someone. Just imagine yourself at a party. You discover someone writes. You ask, what is your book about? They reply with a five minute plot description. I would guess that by the end of thirty seconds you find yourself wishing you were never born. Now imagine the writer responding, “It’s about a woman who kills her therapist.”
Can you teach writing? Asked another way, is talent god-given or genetic? How much does hard work matter? Where does drive come from? Are some people hopeless? What is a gift? How important is publishing in the writing equation? Asked another way, is writing fulfilling enough on its own or is it only consummated when you see the words in print? And what is it, exactly, to see those words in print? What is the charge?



