I’ve spent thirty years as an editor and now agent talking writers off the ledge. That’s what we do. And it’s never more intense than in the two months before publication when anything and nothing can happen. When all your hopes and dreams could fill a dirigible floating over the city. Your fears and anxieties florid and deranged.
HOw do I talk people off the ledge. First, I remind them their book is awesome, how much work it took, their dedication, their craft, how worthwhile it is even before a single copy is sold. Then I tell them stories the way you tell children stories to keep the bogey man away or stories to make them feel hopeful, about little trains that could. Or little books that grew up into mighty oaks. I get them thinking about their next book, about their inner life as a writer, about the long distance race. If all this fails, I suggest, they go shopping, to the movies, mani/pedi, hit the gym, start tutoring kids. If you’re in therapy: stay. If you’re not: start.
When I try to talk myself off the ledge, I realize something very scary. I am the ledge. Any advice?
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Someone recently asked me if I felt anxious about the book coming out because it is so personal. Get to know me. I’m anxious because it might not sell. I’m anxious because the New York Times might say mean things, or worse say nothing at all. I’m anxious because if I fail it’s not only in front of my friends and family, but the publishing profession where I work. I’m anxious because I’m not in therapy and I probably should be. I’m anxious because I don’t feel like myself, meaning I feel a little hopeful and that is just not part of the package. I’m anxious because it’s all out of my hands now with the exception of boosting Facebook pages and going up and down Fifth avenue in the sandwich boards I’ve made with the Queen of Hearts on both sides.
CONGRATULATIONS To my most G client,
Okay, fuck the query letter. But before I take my pre-holiday dive into depression, weight gain, and the return of the winter rash between my big and second toe, I have to tell you something, Nation. Tonight, from 6:45-8:30, I was in the GREEN ROOM of the Colbert Report. I was there, of course, with Patti Smith. Mr. Colbert is too big of a pussy to have me on his show and take me up on my challenge to eat through an interview. But the laugh is on him, because I ate through his green room: raspberries, blackberries, pineapple slices as thin a permanent paper. There were six kinds of cheeses, crackers, prunes (though maybe just large olives), and a HUGE JAR of m&m’s. Yes, folks, this is LIVING.
Dearest darling readers of this blog: it’s up! The
I’ve known authors over the years who balk at boiling down their book to a few sentences. “I”m not good at it,” they cry. I’m sympathetic; it’s extremely difficult to do, and may be impossible when you are in the middle of it. It takes time to figure out what a book is really about, as they are often about so many things. But it’s critical if you want to hook someone. Just imagine yourself at a party. You discover someone writes. You ask, what is your book about? They reply with a five minute plot description. I would guess that by the end of thirty seconds you find yourself wishing you were never born. Now imagine the writer responding, “It’s about a woman who kills her therapist.”
Betsy Lerner 