• Forest for the Trees
  • THE FOREST FOR THE TREES is about writing, publishing and what makes writers tick. This blog is dedicated to the self loathing that afflicts most writers. A community of like-minded malcontents gather here. I post less frequently now, but hopefully with as much vitriol. Please join in! Gluttons for punishment can scroll through the archives.

    If I’ve learned one thing about writers, it’s this: we really are all alone. Thanks for reading. Love, Betsy

And Four White Mice Will Never Be Four White Horses

94140BLNI got a nibble on my screenplay. It’s just a nibble. One of the producers has written back. Has to show it to producing partner. He said he liked it. Said it had promise. Promise!  And that was all. I’m not going to go crazy, not going to start dieting for the Oscars or put a down payment on my Porsche. A big producer took me through a summer of rewrites on my first script and then showed it to the one actor he had in mind for the lead, Kevin Kleine, who declined. Game over. Cinderella story gone in an email. I promised not to get bitter. Better to have loved and been swiftly dropped than never to have been swiftly dropped at all. I’m sober. I’m not casting the movie. There isn’t a director’s chair with my name on it, a baseball cap with the name of the movie on it, a baseball jacket with the name of the movie on the back and my name in gold thread stiched into the front. None of it. Fuck me dead.

What is your fantasy?

You May Say I’m a Dreamer

Guys, it’s been four months since I stopped taking my meds. No, just kidding. It’s been four months since I stopped doing the nasty on a daily basis and by that I mean posting here. To catch up, I finished my screenplay in February and have sent it to five producers. It’s a good thing I’m not waiting for the phone to ring. It’s a good thing I’m not jumping to the conclusion that the script is a piece of shit because not a SINGLE one has called. It’s a good thing that I can hate myself in a deep and meaningful way without the help of anyone not reading my fucking script. I know I have to send it out to like four thousand people before giving up. I’m also aware that it’s more fun to stick your hand in a blender that try to get somewhere with Hollywood. I wish I could make the fucking thing myself with sock puppets. God, that’s not a bad idea. Girl, take a note.

Anyway, do not offer any kind words of encouragement. That would just be gross at this point. Just tell me what you’re working on, and how hard you’re working. I miss you.

Love, Betsy

I Belong With You, You Belong With Me

Today, I was accused of not being a free spirit. Guilty as charged. Not only am I not a free spirit, I might even experience a fair amount of animosity when in the presence of free spirits. The first time I knew that I wasn’t a free spirit was when I was about to graduate college. My roommate was pursuing his dream of being a modern dancer. The boy I had a crush on was moving to London to be a playwright. A woman I envied was going to Provincetown to write a screenplay. Me? I had accepted a job as the corporate file coordinator at a major investment bank because, well, the idea of trying to be a poet for real was not happening, not then, not now, not ever.  And please don’t tell me about William Carlos Williams being a doctor and Wallace Stevens an insurance executive. And please don’t mistake promiscuity for being free ha ha ha ha. I am the emperor of my own damn wheelbarrow. I am a little old ugly man, cousin to Rumpelstilskin, friend to none. I am obsessive, compulsive, anal, retentive. Free spirits implode when they cross my path. Please don’t ask me to walk barefoot or wear flowers in my hair.  Free spirit? I can barely manage spontaneity.

What is a free spirit and are you one?

Got Me Lookin So Crazy Right Now

This is for the French editor who came by the office this week and said she had started her day every morning reading my blog. Well, my blog and a Galoise. God, that’s a dreamy combo. She just started a new job after twenty years with one publisher. She has read everything and has a wonderful way of talking about writers and their books. More, she had a quiet confidence, clear about what she would publish and how. Honestly, it’s a such a pleasure working in publishing when you get to talk books with a sexy, French editor. Yes, my life is this train and these are the sub-titles:  Books float like rafts in a calm sea. Everything eats. This is the French cream you brought me, made from green tea. Do you have a light, my love?

Anybody out there?

I’ll Love You With All the Madness in My Soul

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“VOW is brilliant from both a literary and a psychological perspective. It certainly takes emotional honesty to write with such candor about the drama and allure of one’s personal adulterous experiences, but this book is more than simply honest; it is also searingly well told. A tremendous achievement.”

– ELIZABETH GILBERT, Eat Pray Love

 

Vow is so tender and sharp, so suffused with our common humanity, and so precise. Plump is also unfailingly honest about what affairs give us and what they take away. This book is a real gift.

                                                                            Elizabeth Weil. No Cheating, No Dying

“Metaphors and similes and original descriptions can’t defend the reader against the sheer pain of broken vows. Wendy Plump creates a beautifully wrought word painting from which, I, for one, came away with a new slant on ‘marital vows.’ Couples should read this book.” – Carly Simon

Congratulations to Wendy Plump. Her first book, the memoir VOW,  is publishing today. It was the first memoir I took on in ages and the reason is the writing. In telling the story of her infidelity and her husband’s subsequent  infidelity, Plump goes far beyond the cliches associated with cheating and cracks it wide open. What begins as a voyeuristic look at a marriage coming apart ends as a deep portrait of betrayal and loss written with elegance, measure, and poise. 

What most interests you in memoirs: the prose, the story, the intimacy? 

 

REDBOOK ReadsVow

Wendy Plump’s heartbreaking memoir of marital infidelity is a disarmingly honest, beautifully insightful, and disturbingly real portrayal of the dissolution of a relationship — and a family.

By Hannah Hickok

Crack open Vow and prepare to be quickly carried away by Plump’s vivid prose, so-close-you-can-hear-it voice, and suspenseful storytelling skills. You’ll find yourself sneaking a page or two in the elevator, during a walk from point A to B, and trying to avoid drifting off to sleep so you can turn one more page The super-hot topic — cheating — combined with descriptive, at times poetic writing makes Vow a thought-provoking, compelling read. The events, which Plump describes with amazing clarity and detail, are by turns gut-wrenching and addictive. It feels like reading your favorite TV soap opera, except this time it’s happening to real people — and you’re hearing the saga from a close friend over coffee. Plump welcomes us to her world with impressive openness and honesty, cataloguing the start of her relationship with her husband, Bill, which begins in college and lasts over 20 years, ending with an explosive discovery that shatters their relationship and changes both their lives forever. She chronicles her affairs in the early years of their marriage, before their two sons were born, with a handful of dreamy, very different men — all of whom brought lust, passion, and excitement into her life. Plump reflects on these decisions in a matter-of-fact yet emotionally lucid way that is nothing short of fascinating.

But the real kicker comes — and we’re not spoiling anything here as it’s advertised on the back of the book — when Plump finds out about her husband’s affair. She discovers that Bill has a second family just a few short blocks away from their suburban home, and his mistress of a decade is now the mother of Bill’s third, youngest child. Needless to say, Plump’s life — as well as her kids’ and their extended family and friends’ — are thrown into unimaginable turmoil, and Plump comes face-to-face with a decision she never thought she’d have to make, despite her own infidelity: the end of her marriage. The fact that such events are “unimaginable” is one reason that I think every woman should read this memoir. Does merely thinking about this sort of thing send chills down your spine, as it does mine? Although Plump never imagined this happening either, she has the guts to tell her story in a way that’s real, relatable, and will make you think hard about your own temptations.

Read Wendy’s story without judgment, as a study in relationships and the ways we can, if we’re not very careful, hurt the people we love the most.

Read the Modern Love piece on which the book is based:  http://www.nytimes.com/2010/12/12/fashion/12Modern.html?pagewanted=all&_r=0

The SUn Is Up The Sky Is Blue It’s Beautiful and So Are You

There is a reason they don’t let me out much. What was it? The beauty of the buildings, slate the color of pigeons, the girl with striped tights, purple water bottle swinging astride.  I sat alone in a church and listened to an organist sigh between pieces.I dined with bright minds and tried a new food. I bought a notebook that always spells hope. Flimsy, gorgeous new ideas that blossom and die in a moment. I am at Kenyon College and tomorrow I will talk about the writer’s life. You know that lonely clacking train, that aggravated assault, that self mutilation, that particular hope, that elegant insistence, that awkward moment, that drone in your head, that never ending conversation.

The writer’s life. How would you describe it?

I’m So Tired Of Being Alone

Remember when I asked everyone to get in touch with good news?Well, Jess Lahey has hit one out of the ball park. Go
Jess! And no hard feelings Jess. If you ever break up with your agent, I’m here. But from all of us here at The Lerner Home for Wayward Children:  Congratulations!

You Must Not Know ‘Bout Me

I was out for two weeks taking care of my mom (yes, Sabitha, I do have a heart). I returned to two enormous stacks of mail. All of the query letters were about dysfunctional families, addiction, mental illness, etc. Is it like I have a sign over my head? Couldn’t just once someone send me a book about the history of jam, or Jews in Ireland, or the true story of Karen Carpenter? I want zombies, vampires, NFL champions who dance.  I’ll take Harry Potter’s ugly cousin. Two Shades of Gray. I want books that fly or compute. My Kingdom for a book about depression that isn’t upbeat in the end. I want Daniel Day Louis pre-Lincoln. I want a book about gold leaf. About golden pears. About Benjamin Franklin’s theory of trees. About pigeon holes and whack-a-moles and Spanish sauce and moss.

What do you want to read?

NO TIME FOR THE LOSERS

THE RESULTS ARE IN from  TRACY KIDDER AND RICHARD TODD for the best non-fiction advice:

The awards go to….

  1. Sherry Stanfa-Stanley for her excellent miniature anthology of cautions. One feels the force of these especially just after publishing a book—in all its awful finality—as you think of feelings you may have hurt or dares you failed to take. (On the other hand one could find a certain comfort in rea’s citation of Jeffrey Eugenides: “Write like you were dead.”)
  2. Scott Atkinson  for his jiu jitsu metaphor restating ancient wisdom of east and west: revise, revise, revise.
  3. The comedy team of Kyler and August  for their dialogue on the eternal contradiction of publishing, the quest for the book that’s entirely unique but very like lots of others.

 And special mention to Vivian Swift for the wise quotation from The Forest for the Trees,  advice with which the judges wholeheartedly agree but struck from the competition for fear of seeming corrupt; and actually, now that the judges think about it, isn’t the problem not that “people like vanilla ice cream” but that they like Chocolate Mocha Oreo Supreme?

Hey all you winners: CONGRATS. Please email me your addresses to askbetsylerner@gmail.com to collect your prizes. THANKS to everyone who participated and to our esteemed judges Tracy Kidder and Richard Todd, authors of GOOD PROSE, a book with the most superb writing advice of all.  

 

 

 

No I Would Not Give You False Hope

Guys, if you can only buy one book about writing, it’s gotta be THe Forest For THe Trees, duh. If you have cash for two, or a library nearby, please get yourself a copy of GOOD PROSE by Tracy Kidder and Richard Todd. Todd is one of the best editors in the business (and my beloved client) and Kidder is one of the four gods of non-fiction carved into the granite face of  Mount Rushmore. Also for an online conversation with Todd and Kidder, click here.

Three prizes for the best piece of non-fiction writing advice you’ve ever received (except WRITE WHAT YOU KNOW) and win a copy of Good Prose. As always, I am the judge, unless I can convince Kidder and Todd to judge. That would be cool.

“Legendary literary journalist Kidder and his longtime editor trade war stories and advice for the ambitious nonfiction writer . . . an entertaining handbook on matters of reporting (do lots of it, much more than you think you need) and style (simpler is better) . . . Other writing guides have more nuts-and-bolts advice, but few combine the verve and plainspokenness of this book, which exemplifies its title.”Kirkus Reviews(starred review)

“A comprehensive, practical look at the best practices of professional nonfiction writers and editors . . . anecdotes and close readings throughout the text are an excellent resource for would-be writers of any prose genre.”Publishers Weekly

“[Kidder and Todd] share their dedication to“good prose” and expertise in creating it with warmth, zest, and wit in this well-structured, to-the-point, genuinely useful, and fun-to-read guide to writing narrative nonfiction, essays, and memoir … [they] also offer some of the most lucid, specific, and tested guidance available about technical essentials, from determining what makes a good nonfiction story to choosing a point of view to achieving accuracy and clarity … Kidder and Todd’s book about strong writing is crisp, informative, and mind-expanding.”—Booklist 

Good Prose: The Art of Nonfiction takes us into the back room behind the shop, where strong, effective, even beautiful sentences are crafted. Tracy Kidder and his longtime editor, Richard Todd, offer lots of useful advice, and, still more, they offer insight into the painstaking collaboration, thoughtfulness, and hard work that create the masterful illusion of effortless clarity.”—Stephen Greenblatt, author of The Swerve: How the World Became Modern

Good Prose offers consummate guidance from one of our finest writers and his longtime editor. Explaining that ‘the techniques of fiction never belonged exclusively to fiction,’ Kidder and Todd make a persuasive case that ‘no techniques of storytelling are prohibited to the nonfiction writer, only the attempt to pass off invention as facts.’ Writers of all stripes, from fledgling journalists to essayists of the highest rank, stand to benefit from this engrossing manual.”—Jon Krakauer, author of Into the Wild

“What a pleasure to read a book about good prose written in such good prose! It will make many of its readers better writers (though none as good as Tracy Kidder, who sets an impossible standard), and it will make all of them wish they could hire Richard Todd to work his editorial magic on their words.”—Anne Fadiman, author of The Spirit Catches You and You Fall Down