The bottom line is no one cares if you don’t write. No one asked you to. No one will die. There are chipmunks who work harder than you. You didn’t need to buy that Moleskin. You forgot you had one anyway. No one said: a poem please. No cried out when you sat down, mid-poem, because you couldn’t bleat another line, a lifetime ago on Minetta Lane. Do not ask what your writing can do for you. Do not got to therapy and crawl inside your inner ear. Did you ever think it was a gift from god? To stop? You won’t have to eat. You need not sing. You don’t have to be anything. When you remember those pages rocking out to sea, remember how good it felt to not reach for a simile. My face and your ass. Is like.
Do you ever think of quitting? Please be as negative as possible.
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CONGRATULATIONS To my most G client,
Novels are flying at my head. Thousands of pages flapping like seagulls at Brighton Beach. Stories from land locked countries, from the mouths of bats, from trains that never leave the station. From the station itself. How did you come up with so many sentences, so many girls named Cara or Carla or Quintana, or Ray. Did it start on a stair, a hill, a bucket, a pail? What’s it about? Well, that’s a good question. The beach, the mountains, a multi-generational tale of raisin bran. You are nothing like a summer’s day. Why do sympathetic characters bring out the sadist in me? Does anyone really change? Are you my beginning, my middle or my ass wipe? Hi, I’m Betsy and I’m addicted to prose. Oh, Daisy. Grow up. There is a big canister somewhere. Dear Betsy: I am writing to see if you would be interested in my five novels, a 874,000 word quintet about two slugs fucking in a snot can. Do you feel me? Oh mighty novelists with your big boots and musky armpits. Where would we be without you?
Did you finish your memoir, your novel, one lousy stinking poem? Did you read War and Peace? Rescue a dog? Yourself? Did you jump on the Yonana craze? Lose a notebook with all of your best work? Did you pick peaches? Fuck your wife? Fuck up your life? Did you take up cycling? Wonder why you couldn’t write. Did you talk to a woman at the farm stand? Was your family trapped by a rabid raccoon who attacked your dog and bit off half your finger? Did you think about everyone who died? Did you imagine their airless life? Did you give money to the guy at the entrance to the highway because his sign said he was hungry and for once you felt more compassion than fear? What does it take to write the sentences of your life? To live inside the mole hole? And come out with that grin on your stupid dirty face.
August. The month of my birth. The month of Helter SKelter. The month Jerry died. Guess who’s elevating? August, the beloved curmudgeon, cursing out some feckless bank teller. Vivian, creative genius pottering. Stacy Horn back to press. SSS on it. What was the world we had? Slipped away. Came back when most expected. Least longed for or the other way around. I am waiting for a kiss. A sweet embrace against a brick wall where we made out in 1985 and 1986 and then broke up and I wrote four last songs. What about two solid weeks to revise the document I call Fuckmedead. What about a dog’s leg resting in the crook of your arm? When did wheelhouse come into the parlay? Not in my mental house. Not in this physical body. I have lost the thread. So what? The thread lost me.
The results are in. Sheri Booker has spoken. The top three winners of the funeral contest are:
I met Teri on Friday night here in New Haven. She was here for a writer’s conference and looked me up. She was here last year, too, and got in touch. But I successfully avoided her then. I couldn’t do it again. I have not relished the idea of meeting anyone who reads the blog, even those I’ve come to love through their comments. First, it scary. Second, I know I can’t possibly live up to any expectations. Third, like most writers I’m the fraud behind the curtain. I send out these the sentences with the hope of a fortune in a stale cookie. I’ve got this persona and the one I bring to my work as agent fairly well developed by now, but it doesn’t make me okay, or any more real. Or at least not more real than sitting behind a computer or with a notebook at a cafe describing the girl across the way, her wool socks on a summer day.
