I read this story by Ben Marcus on the way home from the city. I don’t really like short stories all that much, but I loved this one. In part because it was like a novel in a nutshell. Partly because I felt tense the entire time I was reading it. I also thought that the details had god in them; the narration so assured I did’t need to worry. And most of all it felt real.
Is is real or is it Memorex?
Filed under: fiction, Short stories, The New Yorker, Writing | Tagged: Ben Marcus, The New Yorker, writing | 9 Comments »
What are you afraid of?
You’ve heard the expression, “no tears for the writer, no tears for the reader.” What do you make of it? I kind of hate it. But you know I’m a feelings fascist. On the other hand I know it to be true. I have cried while writing shit down. I guess the question is: does that make it good. Just because you can stir yourself, will the reader be stirred. Does “authentic emotion” produce great writing. Or “true” writing. All of these quotation marks are a little sickening. What am I trying to say? If I make myself laugh, will I make the reader laugh? If I fall asleep at my computer? If I eat green eggs and ham? How do you really create feeling in the reader, by having the feelings yourself or manipulating language to be evocative?
Novels are flying at my head. Thousands of pages flapping like seagulls at Brighton Beach. Stories from land locked countries, from the mouths of bats, from trains that never leave the station. From the station itself. How did you come up with so many sentences, so many girls named Cara or Carla or Quintana, or Ray. Did it start on a stair, a hill, a bucket, a pail? What’s it about? Well, that’s a good question. The beach, the mountains, a multi-generational tale of raisin bran. You are nothing like a summer’s day. Why do sympathetic characters bring out the sadist in me? Does anyone really change? Are you my beginning, my middle or my ass wipe? Hi, I’m Betsy and I’m addicted to prose. Oh, Daisy. Grow up. There is a big canister somewhere. Dear Betsy: I am writing to see if you would be interested in my five novels, a 874,000 word quintet about two slugs fucking in a snot can. Do you feel me? Oh mighty novelists with your big boots and musky armpits. Where would we be without you?
Just want to mention that I spent four hours in Temple and forgot to atone. Spent the entire time thinking about writing, my writing, the writing of others, the cover of the NYT book review, a new client I shook hands with, the way my eyes feel most of the time which is dry and achy and sometimes slightly pulsing. The lady in front of me had a lace doily folded in the shape of a piece of pie and pinned to her head with a bobby pin. But it came loose and the pleats on the doily were hanging precariously off her head, the bobby pin also hanging on for dear life. Really, pray for my sins and pray for the dead with all that going on? Please, ladies, attend to your doilies! I beg of you.
Betsy Lerner 