I’ve been helping a writer with the ending of her book for a few weeks. I see so clearly the forest while she is hugging the trees. I’ve tried gentle persuasion, I’ve tried a firmer hand, I’ve tried to see it from her point of view. I’ve given structural and line edits. I’ve talked character motivation and reader expectation. I’ve tried to make one point: in the beginning is the end. I mean at least in this case. This is not a po-mo novel, this is not an experiment only using the letter “e.” Okay, how do I know I’m right? Experience. An exquisite sense of pacing, moment, language, and integration. Because I am a student of poetry and I believe the cup seeks the ball whether it wobbles and falls, or lands with a satisfying clink. I know from endings and I know from blue balls. I know how to twist in hot sheets with a symphony of a thousand locusts sawing outside.
Maybe she doesn’t want to let it go; after all, then it will be over, gone, who will leave little effigies in the trees? Do people really fear success? You think: this may be your last move. It is nothing if not inevitable in a completely surprising way. Oh, you little bitch. Maybe you should shut up. Maybe you should shut up. Maybe this bit doesn’t take the horse. Maybe I should go fuck myself.
How does it feel to end a book?
Filed under: The End of the World as We Know It, Writing | 33 Comments »

This morning at around 8:30, the phone rang. I answered it. A breathless woman was on the line, “I’ve just written something, what should I do?”
My daughter has three outfits spread out on her bed. This can only mean one thing: we’re officially excited and anxious about going back to school tomorrow. Dear Reader, I could lay out three thousand outfits tonight and I don’t think I’d be able to cure what ails me. Of course, everything is fine. Better than fine. I have some exquisite projects to sell this month, The Hose and I finished a really solid first draft of our pilot, a stalled novelist just sent me pages that rocked, the revision for Forest for the Trees is coming out in a month, and I actually found a couple of hours today to get in the hammock with the Franzen and look at the sky.
THIS JUST IN FROM PUBLISHERS MARKETPLACE:
My client Justin Peacock published a terrific piece in today’s
This post is a little out of keeping with the blog’s usual dyspeptic take on life and publishing, and I apologize if I offend anyone. But today, dear readers, I am in love with my clients. No, I am in awe of them, inspired by them, grateful for them. And I’m not just talking about a certain someone whose life story garnered
My third favorite magazine arrived today,
What do we really mean when we tell ourselves that we suck? Do we also think we are great with equal passion? Does it mean we are without talent, ego, will, drive, passion, or imagination. Is it soothing to say it: I suck. Only you don’t really mean it. Could you go on if you really believed it? Or how about: This is shit. What does that mean? We tell ourselves a million different things all day long in relation to our writing. For me there’s nothing worse than getting up after a few hours and thinking something is good. Wait, scratch that. For me there is nothing worse than getting up after a few hours and thinking something is shit. Back up: for me there is nothing worse than wasting a few hours examining the pores on my face. What can I say: writing is looking in a mirror, down a well, through a forest that smells. It’s bread and cheese, it’s the lower lumbar crying, the balls itchy beyond belief. How do you know if you’re good, if you’re work is good? If you’re on the cover of Time Magazine? How many, even then, cry: am I good? Do I suck? Is this shit? And does it matter, I mean beyond the check clearing as our beloved A. would say? Lower your standards! Raise high roof beam, carpenter! See you in Hell!







