• Forest for the Trees
  • THE FOREST FOR THE TREES is about writing, publishing and what makes writers tick. This blog is dedicated to the self loathing that afflicts most writers. A community of like-minded malcontents gather here. I post less frequently now, but hopefully with as much vitriol. Please join in! Gluttons for punishment can scroll through the archives.

    If I’ve learned one thing about writers, it’s this: we really are all alone. Thanks for reading. Love, Betsy

I’m sad but I’m laughing I’m brave but I’m chickenshit

While I was in Paris, I stayed at a hotel that used to be a monastery and it still had monastic amenities. In other words, no television, no radio, no minibar. There wasn’t even a clock in the room, just the ringing of the church bells next door.  On top of this,  I do not have an international cell phone. So without any of the usual methods by which to measure my self worth: scale, blog stats, emails, phone calls, or any of the usual distractions: LA Law, diet coke, tropical flavored jelly beans, I did the only thing left for me to do: write. I brought two books and a notebook in which I have been writing a book for three years on and off. I read both books and I filled nearly forty pages in my notebook. My hand ached, ink splats appeared on my hands and on my shirt, and the pad from pressing too hard appeared on my middle finger, a badge of something.

It was an amazing week to go without all the usual distractions. I wrote all morning and long into the night. As they say of babies just beginning to nurse, I latched on. I wrote every chance I could get, and the more I wrote, the more ideas came to me, so much so that I even took notes for future scenes and observations to better flesh out. Long before cell phones and computers, etc. I was able to find myriad distractions so I’m not blaming technology. I’m just noticing what a week away proved.

What are your biggest distractions from writing? Besides reading scintillating blogs?

Sooner Or Later It All Gets Real (reprise)

I have a confession to make: I’ve always been afraid of killing someone by accident while driving. I’m sure you’ve had the experience where a person seems to appear out of nowhere as you’re backing out or making a left turn, no matter how many times you look. I’ve never been able to easily shake those  moments, but instead replay them over and over. Do you do this? Is it normal?

When I heard about Darin Strauss’ new memoir, Half a Life, I ran out and got it. Strauss was weeks away from graduating high school when he kills a girl riding a bicycle. It was quickly ascertained that he was not at fault, but that doesn’t alleviate his suffering. I read the book in two sittings, completely mesmerized by the events he describes. The writing is also extremely effective, self-aware of both  his inner life and the potential for a writer’s manipulation through poetic language.

I am wondering why I am so powerfully drawn to this story and to stories like it. I suspect it has something to do with the death of my baby sister and how I, at four, didn’t really understand what happened. It happened very quickly and life was forever changed in our family. While very few people experience what Strauss did, the story strikes me as universal because he is able to capture that particular terror where our lives can be irrevocably changed. Loss of control. Terror. Desire. Permanent loss. Unspeakable regret. The reason why we replay those moments again and again. For Strauss, it happens on the eve of going to college, of what must certainly have felt like the beginning of life, not the end. Which for me made it all the more poignant. All the more unbearable.

What was the last book you heard about that you had to have, and that you ran out and bought (or bought on-line)? What spoke to you that powerfully? And does the book you are working on touch that nerve?

Guest Blogger #5 – August

I spent a few days thinking of ways to mortify Betsy in this space, but I don’t have a copy of her updated book, and I don’t have the patience to click on every link in her blogroll looking for things to hate. I considered writing about how your publishing ‘team’—your agent and editor and publisher—functions like a family, more specifically a family in which your publisher fucks you under the stairs while your editor pretends not to notice.

Instead, however, in an effort to be helpful, here’s some shit writers don’t need to care about:

Query Letters

If you can’t write a good query letter, you can’t write. They’re business letters—that’s a lower form of writing than Tea Party signs. Describe the book. Either your description sounds like money to that particular agent, or you get a form letter.

Still having trouble with your query letter? Try this easy tip: take up scrapbooking.

Agents

Before you have an agent, your goal is finding an agent, not making agents’ lives easier. Screw agents’ lives. The only reason they have lives is that after they clawed from the grave, they hungered for 15% instead of blood.

Worrying about guidelines is bullshit. If they like what you’ve got, they’ll ask for more. If they like that, they’ll want to represent you, and you’ll slavishly agree. That’s the nature of the relationship.

Worrying about wasting their time is bullshit. Agents are hip-deep and sinking, dealing every day with the desperate, the manic, and the spittle-flecked; and those are their –clients-. Don’t worry about alienating them. This is a group of people who one day looked at writers and thought, I want to represent them. They’re not gonna remember your half-assed crazy.

Just remember that this relationship is based on mutual trust and respect, so never reveal your true self.

The State of the Book

Is publishing in decline? Yes.

In other news, you’re fat and lazy, a talentless hack. Nothing will change any of that. Publishing is in the shitter. Our goal is to swirl around as long as possible before we’re flushed. We’re not gonna reverse the direction of spin here.

Will e-readers revolutionize publishing? Sure, because an influx of semi-literate control freaks is what every industry needs. Our problem isn’t the shortage of digital formats, it’s the shortage of customers.

The one thing that distinguishes people in publishing is that instead of faking expertise about corrugated paper products or commercial real estate, we fake  expertise about books. We’re nothing special. There’s the same proportion of assbaggery in publishing as in the Solid Waste Association of North America. The difference is one group pushes a product that’s full of crap, and you know the end of this sentence.

People are idiots. People in publishing are, largely, people. We’re working in a crazily dysfunctional industry, and when by some miracle a book actually sells, we desperately try to reverse-engineer the success. But that only works when luck isn’t a determining factor. You can’t reverse-engineer a coin toss. Why is Lethem more popular than Everett? No reason at all. Why did Harry Potter sell more than 3,000 copies? No reason at all.

None of that matters. Franzen doesn’t matter and Vargas Llosa doesn’t matter. Gish Jen and Stephenie Meyer doesn’t matter and I don’t matter and you don’t matter. Editors, agents, readers, the state of publishing, the technology of reading, the insulting advances and print runs and jacket copy, the blogging, the twitting, the social media, the self-promotion: doesn’t matter.

I’m trying to write this like a comment without worrying where it’s going, but I think where it’s going is here: the first step is admitting that we’re powerless over everything but the writing. And the second step is coming to believe that the best way to deal with all those distractions is to hate them.

What do you care about as a writer, that you shouldn’t? What do you not care about, that you should?

Guest Post #4 – Lyn LeJeune

The Well of Loneliness Sits in My Chair

Hi and a Ho kiddies.  While Mama Betsy is gone, we shall play.  First, gather ye ‘round; we’re going to have some fun, fun, fun.

Okay: You’re a writer, I’m a writer.  It’s five in the morning, your neighborhood is asleep except for the guy whose having an affair with the lady down the block and the kids huffing under the magnolia tree and Old Man Needer who has been walking in his sleep since Leno went off the air and he keeps waiting for the national anthem and those planes flying in the air and flags flying…..before the 24/7 became a plague on humanity.  You sit, turn on your computer (if you have a typewriter I admire you; if you are actually writing with a pen or pencil I love you).  You write this sentence and you shuffle for another cup of coffee.  You’re back.  You read and reread your sentence and you continue. . .

He was a busy man; loved his wife, his dogs, his kids.  Then . . .

Finish the sentence in twenty words or less and name your book.  This is a test. Did you think things would be easy with Betsy gone? But this should be fun; this is a practice for the early morning to get the words flowing, the synapses popping.


Guest Blogger #3 – Linda Carbone

How are you supposed to behave when a good friend becomes a famous writer? When she invites you to a reading and you feel the urge to rush out the moment she heads back to her seat, but you can’t figure out how to exit? What are you supposed to do, wave at her across the room as you lope outside for air?

I don’t love her stories or novels, mind you, but to be fair I can only read them with one eye open. We’d known each other since college and sent long letters at Christmas for 25 years after that, full of funny, self-deprecating descriptions of our lives. And we always remembered each others’  birthdays. Then she stopped responding to my cards, so I stopped sending them. Was it her rejection or her success that turned my feelings of friendship to schadenfreude?

I seethed in jealousy. I swam in it. I lost hours on the Internet reading fawning praise of her talent, brightening at the occasional blunt criticism.

What, I wonder, has it been like to have the huge advances and the fat royalty checks, the prize money and the invitations to speak at packed auditoriums? Surely her intention wasn’t to torture me and make me feel invisible, but she has managed to do that nonetheless.

She and I shared an apartment in New York for a year after college. For her birthday that year, her parents gave her two tickets to the ballet, and she invited me. We watched an exhilarating performance: the magic of Baryshnikov from fourth-row seats. Leaving Lincoln Center for the subway, we got separated in the throng, and I arrived on the platform just in time to see the subway doors close with my friend inside. We stared at each other for a moment in mute shock, then I watched her move away from me, slowly at first, then faster and farther, until no one would have been able to tell we’d started out together.

How do you manage to nurture, quell, or otherwise live with your envy and schadenfreude when someone you know catapults to literary stardom?

Guest Blogger #2 – Mary S. Beach “I’m just the oily slick on a windup world with a nervous tic.”


I was on a flight from Amsterdam to Newark the other day when I noticed that every other person was reading a Kindle. Then it hit me. I am almost fifty years old and I might never have a book published. By that I mean a real book that I can hold next to my heart and then put away on a shelf. Even better, on my mother’s shelf. Something I can finish. Something I can dedicate. I have written all my life, but nothing has ever been really truly finished. I enjoy my status as a late bloomer, but now I see I may be too late for a real book.
I feel bookless. Like I felt childless at 30.
I might have an electronic book and that would be cool, and sure, I know the important thing is to join the party, the great cosmic conversation that started at the beginning of time and will continue to the very end. But I can’t help feeling like 1s and 0s did not speak the words of Levin and Benjy and Daisy and Raskalnikov. They simply can’t carry that weight.
What is that weight? Does the sharp end of our pencil protect us from the void? Is it the tons of printing press searing words into the paper – forever? Is it the knowledge that once you sign off on your manuscript there is no turning back? Is it the force of gravity itself?

Guest Blog #1 – Vivian Swift

Hello everybody, this is world famous author Vivian Swift filling in for Betsy today. I know, I know — I look familiar: Haven’t we met? I get that all the time. ALL THE TIME. Just last week, at Betsy’s book event at She Writes in Manhattan, I introduced myself to three or four complete strangers and two of them looked at me funny and asked, “Haven’t we met before?” I hate that. Like I said, I get asked that all the time; I just have one of those all-American cover girl faces. And an identical twin sister, but that never figures into the scenario except for that one time in that airport bar in Rome.

When somebody asks, “Haven’t we met?” what they are really saying is “You’re too ordinary for me to remember but I, on the other hand, am unforgettable, so now you have to do all the work and figure out why I think I know you. And make it snappy.”

It’s not that I’m easily offended. (Which I am, but that never figures into the scenario, unless we really have met before, and then I will get all Real Housewives of Atlanta on your ass.)

The reason this question bugs me is because even though I was cautioned by Betsy in the “Publication” chapter of The Forest For The Trees about what getting published will and will not do for your self-esteem, I still think that getting a book published is utterly transforming. Getting published gives you a sheen, a glow, an aura of specialness not unlike a halo — and it annoys me when people don’t see that. For chrissake, I am a published author. I’M IMPORTANT.

But lately I’ve been thinking. Oh sure, once you get published you do rise high above your formerly drab self, it’s true. But then you discover that you’ve been promoted into a whole new world of anonymity — after all, tens of thousands of books are published every year. I’ve read that the number is anywhere from 50 to 80 thousand books in America alone. With all those books that readers have to choose from, then, to those inundated readers you look just like every other author out there. Even if you’re in the ten percent of authors who are really, really cute, that’s still a lot of authors in the beauty pageant.

My job as an author (which is quite different from my job as a writer) is to stand out from the crowd. I remember when Laura Hillenbrand’s book Seabiscuit came out; she got a lot of press for having written a good book, of course — but she got just as much attention about her having written it while suffering from chronic fatigue syndrome. All over the land, talk show hosts and glossy magazine editors got the hots for her because –hallelujah! – they could interview an author who had a completely different story to tell about being a [boring, stay-at-home, intellectual, whiny word-processing] writer! Steig Larson: he went one better than disease — he got dead. Stephanie Myers: Mormon. J. K. Rowling: former welfare mom.

The only thing keeping me off the New York Times best seller list is that I forgot to tell my publisher (when they asked me for my bio) the one, single-most, publicity-sexy thing about me that will make TV, radio, and print editors take notice. And, by extension, make readers by the millions remember me. None of this “Have we met?” shit ever again.

But I’m working on my second book for publication, and this time I’ll be sure to mention that I am Angelina Jolie’s prettier half sister (tres relevant: my book is about France).

What is the sexiest thing about you, as a writer? Whether it’s true or not?

Them a murder me so I gotta murder them first

MY FOURTH QUARTER HATE LIST – 2010

1) The term “frenemy.”

2) New lingo like “webinar” and “twittinar.”

3)  Giving Ben Affleck credit.

4) Windows 7

5) That James Franco is here at Yale and I haven’t seen him, though he has been spotted at Starbucks a zillion times. How much of that swill can I drink?

6) That not including Franzen on the NBA list is making a “statement.”

 

I Break For Amish

 

7) Ben Mezrich’s “Author’s Note” in The Accidental Billionaire. Specifically, “I do employ the technique of recreated dialogue.” Technique? Funny, I thought that was called fiction. He also dedicates his book “To Tonya, this Geek’s Dream Girl.” Aw.

8 ) Here’s what I really hate. These two Hasiddic boys of maybe 16 approach me as I’m going to the Jewish Center where I work out. “Are you Jewish?” they ask me. “Excuse me?” “Are you Jewish?” they ask again. “No, I say, are you?”   They seem stumped. After all they are wearing long black coats, and black hats, and have strings coming out of their clothes. “Are we Jewish?” “Yeah, I say, I thought you were Amish.” Now their eyes go crazy wide. “We’re Jewish! ” they exclaim. I step closer:  “Why don’t you trade  those clothes for some Abercrombie and Fitch and date girls and eat burgers, you know, have fun.” And with that I went inside the JCC and read two People Magazines while I did an interval routine on the epileptic machine. In other words, leave me the fuck alone.

9) Today’s session:  Therapist – 3, Lerner – 0.

10) The new fall line-up. Especially the one about fat, happy people. Ha ha ha.

p.s. if you’re still reading, thanks for all the lovely notes about the NBA nomination for Just Kids. Starting Sunday night, you will be treated to five great Guest Posts, which I think you will enjoy. Thanks to everyone who sent in a post — there were nearly 50 entries.

Baby Was a Black Sheep, Baby Was a Whore

Thirteen years ago, when I was five months pregnant, I had the chance to meet one of my heroes. I can still remember the dress I wore and how I nervously awaited her arrival at an Indian Restaurant high above Central Park South. I chose it for the name, Nirvana. When I met Patti Smith that day, she seemed delighted by my pregnancy and asked about the due date. That’s Darwin’s birthday, she said. I would later learn that Patti knew the birthdays of anyone of significance. My daughter is 13 now, and just starting to play guitar. The book we spoke of that day, a book about you and Robert in your youth, living for art and each other, became something more beautiful than I could have ever hoped for or imagined. And today, it was nominated for a National Book Award. Congratulations, Patti. Just Kids! Just Kids!

I Met Her In a Club Down in Old Soho Where You Drink Champagne and it Tastes Just Like Cherry Soda

 

Those sea horses are creeping me out!

 

I just got invited to speak on a panel about blog burn-out. I declined. I wouldn’t know anything about that. What’s blogger burn-out — when you’re too tired to write about yourself and have lots of people respond who don’t know you and who you are not fucking?  When would I ever get tired of that? Does she mean too exhausted to be self-indulgent? As if! Being tired of blogging would be like being tired of London, or Madmen, or eating. It doesn’t happen, not on my watch. If someone wants to get me to talk about burn-out, they will have to come up with something else like pretending to like people or being positive.

What about you?