I’ve spent thirty years as an editor and now agent talking writers off the ledge. That’s what we do. And it’s never more intense than in the two months before publication when anything and nothing can happen. When all your hopes and dreams could fill a dirigible floating over the city. Your fears and anxieties florid and deranged.
HOw do I talk people off the ledge. First, I remind them their book is awesome, how much work it took, their dedication, their craft, how worthwhile it is even before a single copy is sold. Then I tell them stories the way you tell children stories to keep the bogey man away or stories to make them feel hopeful, about little trains that could. Or little books that grew up into mighty oaks. I get them thinking about their next book, about their inner life as a writer, about the long distance race. If all this fails, I suggest, they go shopping, to the movies, mani/pedi, hit the gym, start tutoring kids. If you’re in therapy: stay. If you’re not: start.
When I try to talk myself off the ledge, I realize something very scary. I am the ledge. Any advice?
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When writers tell me that they are writing for an audience, I always want ask: who? Like really, when you are physically writing or for that matter when you are writing in your head, are you thinking of readers? Is it general: people browsing at Barnes & Noble they way you cruise a buffet table. Or specific: For Aunt Sue, Uncle Wiggly? The people in church or on line at the Genius Bar? What about the people in the second to last car of the Amtrak train traveling from Virginia to Maine? And what of writing for yourself? The immature man in the mirror. The ingrown toe nail. All the strands of hair you violently pulled from your brush the morning of your wedding day. Are you the small man running in brown leather shoes down a path softened by dead leaves? Or squeezing an apricot not quite ripe that you still slice open and greedily eat?
The bottom line is no one cares if you don’t write. No one asked you to. No one will die. There are chipmunks who work harder than you. You didn’t need to buy that Moleskin. You forgot you had one anyway. No one said: a poem please. No cried out when you sat down, mid-poem, because you couldn’t bleat another line, a lifetime ago on Minetta Lane. Do not ask what your writing can do for you. Do not got to therapy and crawl inside your inner ear. Did you ever think it was a gift from god? To stop? You won’t have to eat. You need not sing. You don’t have to be anything. When you remember those pages rocking out to sea, remember how good it felt to not reach for a simile. My face and your ass. Is like.
Today, I was accused of not being a free spirit. Guilty as charged. Not only am I not a free spirit, I might even experience a fair amount of animosity when in the presence of free spirits. The first time I knew that I wasn’t a free spirit was when I was about to graduate college. My roommate was pursuing his dream of being a modern dancer. The boy I had a crush on was moving to London to be a playwright. A woman I envied was going to Provincetown to write a screenplay. Me? I had accepted a job as the corporate file coordinator at a major investment bank because, well, the idea of trying to be a poet for real was not happening, not then, not now, not ever. And please don’t tell me about William Carlos Williams being a doctor and Wallace Stevens an insurance executive. And please don’t mistake promiscuity for being free ha ha ha ha. I am the emperor of my own damn wheelbarrow. I am a little old ugly man, cousin to Rumpelstilskin, friend to none. I am obsessive, compulsive, anal, retentive. Free spirits implode when they cross my path. Please don’t ask me to walk barefoot or wear flowers in my hair. Free spirit? I can barely manage spontaneity.
Betsy Lerner 