• Forest for the Trees
  • THE FOREST FOR THE TREES is about writing, publishing and what makes writers tick. This blog is dedicated to the self loathing that afflicts most writers. A community of like-minded malcontents gather here. I post less frequently now, but hopefully with as much vitriol. Please join in! Gluttons for punishment can scroll through the archives.

    If I’ve learned one thing about writers, it’s this: we really are all alone. Thanks for reading. Love, Betsy

The Way We Were

The work has officially begun. I’m updating The Forest for the Trees for a 10th anniversary edition. Rereading it now,  I can’t believe I had the chutzpah to write it at all. The only thing that explains it (besides my vast and passionate love of writers and their craft) is that I wrote the proposal and sold it when I was pregnant. I was  turbo-charged by the hormones coursing through my body and I believed I could do anything. Case in point: I attempted to trompe-l’oeil  a table. The entire time I was pregnant, I felt as if I had a huge generator strapped to my mid-section. There were mornings going to work when I felt as if my stride was the length of an entire block. Whatever cocktail of serotonin and estrogen that was — someone should bottle it.

My editor has given me pages of notes as to what needs updating — a huge to-do list. Betty loves nothing more thank ticking things off a to-do list. I’m not being snarky: I do love crossing things off lists, I do love my label maker, I organize my desk drawer for sport. The truth is it’s making me a little sad, remembering who I was when I wrote it, what I was struggling with at the time, who I was close to and who I had lost. And how I sat in a room for months surrounded by my books lined up against the wall like a firing squad.

You Are So Beautiful To Me

I did two very close line edits over the last few weeks, a novel and a memoir. They were both quite brilliant in their own right and as a result the editing was a pure joy. There were many books I’ve had to work on over the years where the prose was less than stellar. I used to compare editing those books to correcting papers, catching the same predictable mistakes over and over again.

 

 

When you have the chance to edit something you believe to be brilliant, the pencil comes alive in your hand. You engage in a dialogue in the margins of the page that becomes an intricate and intimate dance. You feel smarter, you may actually be smarter, because you are inspired. And because you don’t have to worry about big things, your attention is more finely tuned and with each suggestion, even as small as a word change,  you see the thing more fully realized, elevated, nailed. 

There is nothing more satisfying than fine tuning.

Well, a few exceptions come to mind, but this is not an x-rated blog.

FAQ- How Important is My Platform?

Here’s a recent letter that touches on the “P” word:

Dear Betsy, My wife has a terrific idea for a book, a kind of sourcebook or compendium. She doesn’t work in the field, and has no qualifications that particularly scream Expert. Having said that, she has a prestigious MFA and excellent publications from small literary magazines in multiple genres. Assuming she had a knockout proposal, could she sell this book? Or would she get the No Platform cold shoulder?                      Sincerely,  “R”

Dear “R”, First, I have to admit that I am always a little grossed out when people write on behalf of their spouses. What’s up with that? 

Look, it’s impossible to answer without knowing the field– one field may be more forgiving than another. For instance, if she wanted to write about skin cancer then by all rights she should head up Sloan Kettering’s skin cancer department. Her other credentials aren’t nothing and may attest to her writing skills. We’ve all sold proposals whose authors had less than perfect platforms. It’s just so much easier when they do.

I used to work for an editor in chief who was obsessed with platform. In fact, he barely wanted to consider a writer who wasn’t from the Ivy leagues for starters. Ditto, journalists had to work at the top tier papers he deemed worthy. It felt like he had a scorecard for every project and if you could tic nine out of the ten attributes, you might get to acquire the book. While I was ripshit about this at the time, the unfairness of it all, as I grew up in publishing I saw how helpful it was to have the right platform. I came to see that not only my uptight boss but the rest of world wanted authors with mega-watt credentials. That’s how you got booked on TV! If you were from a top tier organization, the media would pay attention. Look how much coverage Frank Bruni is getting for his book about overeating, for example. If he had been a food critic for the Fuckme Herald, I doubt his book would have gotten any attention. Well, that’s not fair, I haven’t actually read it yet. The good news is that books and authors break through all the time, people without formal education or advanced degrees, people with sketchy resumes, people who couldn’t find their way out of a paperbag. It still happens, maybe with less frequency. The world is still blessedly unpredictable.

Did I answer the question? Your wife has a chance in hell unless that proposal really does come at the earth like a meteor. Now, can I ask you a question? Is this really about your “wife”?

Pistachio

You know how sometimes a seemingly random detail from the past stays with you? Over a decade ago, I read an article that, as an aside, noted that the President and Publisher of Knopf, Sonny Mehta, snacked on pistachios as he stretched out on his sofa and read manuscripts.

With that in mind, I queried some of the most powerful publishers in town to see what they noshed on when they read. The results, Nation, are disappointing. Am I the only person out there who doesn’t mind a bag of mini carrots or micro-waved popcorn with my 600 page novel? Here’s what I got:

“I never eat while reading mss — I don’t want to get crumbs on my Kindle. And I don’t want any distractions.”  I didn’t say eat an Entemann’s Crumb Cake, for chrissakes, but an apple? Oh, I know, you don’t want to get any juice on the devise. I never thought about Kindles vis-a-vis snacking. Hmmmm.

Another publisher writes in: “Though I’m no stranger to noshing, I don’t nosh while reading. Hard to turn those pages with a Haagen-Dazs in your mitt.” Newflash: I can eat a pint of HD, blackberry, and daydream about White Water Rafting Guide Abe WHILE DRIVING. Publisher continues: “For me, nothing goes better with a manuscript than a Diet Coke.” No argument there. A DC is always welcome. When the next response came in, I began to detect a TREND:

“I never eat when I’m reading. Only a diet coke. Occassionally I’ll chew gum.” Me, too, I love a stick of gum from time to time.

Then I thought I might have detected another TREND with my next respondent: “I used to chew Orbit sugarless gum — alternating among cinnamon, bubblegum, and wintergreen. But recently I’ve made the switch to Stride, which has a tasty sweet peppermint, and Flare, which offers a much zingier cinnamon. This was a big change for me but I think it’s important to shake things up a bit in your life sometimes. ”  Friends, I kid you not, this publisher probably can claim more bestsellers than anyone out there. Well, is it any surprise with this level of discernment!

Another allows how she doesn’t snack, but drinks lots of coffee with cream. Not mik, cream. Whoa, indulgent! And then another publisher puts the last nail in the casket, “God knows I love to eat, but I don’t do it while reading for some reason.” Then it dawned on me, maybe all this  explains why I was never elevated to publisher.

Postpartum

Almost every I writer I know goes through some form of postpartum after finishing a book. For some it’s more pronounced than others. It depends on different factors: how long you’ve worked on the book, how passionate you were about it, how much of  a toll it exacted from your life. Some writers already know what the next book is and that makes it a little easier. Others have no idea what or if they’ll ever write again. That makes it a little harder.

When I was an editor, one of my first authors sent a birth announcement along with her first book. It read:  It’s a Girl. Weight: 2 pounds, 1 ounce. Length: 8 1/2 inches.

 A writer I’ve been working with for over a decade turned in her book today. She burst into tears. We were both exhasuted having worked intensely for three days.  She referred to me as a mid-wife at one point, and I bridled at the label, imagining myself in a bandana and highwaisted jeans and Crocs.  But it was accurate. I did everything but ice chips. I’m not saying a book is a baby, but it is your baby and there’s no way you can push one out and not, at the very least, have some kind of postpartum mood swing. Equilibrium will return, usually just in time for the agony of actually being published.

While U Were Out

A lot of really nice things happened while I was away. Makes you wonder if it’s sometimes better to clear out instead of  trying to make things happen. On the other hand, that’s my job description.

Goat Song went into a fourth printing after a rapturous NPR. Dreaming in Hindi gets a UK offer. Columbine sells in Japan. Down the Nile makes the BOGO promotion at Borders (that’s Buy One Get One Free). I made a sale the day I left (top secret for now). And I took on a new client three days into  the trip and one day before I defended my mini-golf championship.

I think I mentioned that I didn’t get to pleasure read on vacation. I did slip in some magazines. My client Hamilton Cain has a wonderful piece in this month’s Men’s Health. The sex tips, however, are neither interesting nor useful. James Ellroy has an article from an old issue of Playboy about his obsession with women. Worth reading. Nicholson Baker’s article in the New Yorker about the Kindle (did you hear that? the sound of me supressing a yawn). And much loved is a poem by CK Williams in the 8/3/09 NewYorker called “Dust.”

Hey, Boo Boo

Since the only thing more boring than listening to someone’s dream or the plot of their novel is hearing what they did on their vacation, I will keep this  brief.

First, and  I know the suspense is killing you, I did indeed defend my title as world’s greatest mini golfer.

I was less successful at Laser Tag. As I was about to gun down a small child, he said, “Please don’t shoot me, I’m six years old.” I put down my gun. You know the rest: he shot me in cold blood. Only to make it worse, he called me a “dipshit.”

On the literary end of things, I wasn’t able to read anything for pleasure because I had to edit a novel. Is there no end to my self-sacrifice?

We ended our trip at Edith Wharton’s summer home, The Mount, in Lenox, MA.  Favorite anecdote from the tour: Wharton wrote in bed every morning (obviously long hand) from 6-11. She paginated the pages and threw them on the floor when finished. Her servant would collect them, put them in order and ship them off to her editor. Her room, btw, had a view of her formal gardens, lake, forest and mountains beyond. (If my math is correct, that’s five hours of daily writing.)

Last, for those of you (and I know who you are) who remember Judicial Marshall Josh and his  judicial hotness, may I introduce White Water Rafting Guide Abe:  Twenty-something cross between Brad Pitt and Kevin Bacon. All biceps and wirey swagger. Mirror aviators, a scar cut into his eyebrow, a regimen of bad jokes he delighted in telling, and a Marlboro man.

Abe is such a show off!

Abe is such a show off!

 Abe's biceps look terrific in this one.

Abe's biceps look terrific in this one.

All My Bags Are Packed, I’m Ready To Go, I’m Standing Here Outside Your Door, I Hate To Wake You Up To Say Goodbye.

Dearest darling readers of this blog,

I am going on vacation for a week. Well, if you call a vacation schlepping up to Lake George to defend my title as mini-golf champion of the world.

Future posts  you won’t want to miss: 

How I Almost Came to Blows With A Writer Over the Use of the Past Perfect

I Love My Kindle: Three Editors Weigh In

The World’s Greatest Copyeditor Reveals Her Pet Peeves

Top Ten Lies Writers Tell

What Publishers Nosh While They Read

             See you soon, I hope!                                         

Hold the Mayo

It’s funny, but I didn’t hate publishing today. A film contract six months in negotiations got resolved and signed. I got to the swimsuit part of the competition for a highly desireable writer interviewing potential agents. A client celebrated a year of sobriety. Our assistant found a novel in the slush that I couldn’t put down. I read a submission of essays that made me laugh out loud. Helped a client think about a new approach to a project that just might work. Got an orthodontist appointment for my daughter. And, best for last,  sold a stunning anthology of poems, yes, poems. Oh, and had a delicious turkey sandwich on rye for lunch.

You Were Always Waiting For This Moment To Arrive

Spent the last two days going over page proofs with a writer. One of my favorite moments in the publishing process is when you see the manuscript transformed into typeset pages. I’ve always had great respect for book designers and all the decisions that go into making a page.

Today our work centered on space breaks. Her book employs three kinds. The small break that changes the subject within the same time frame. The medium break that generally indicates a jump in time. And the large space within the chapter that signals a new time and place, perhaps a new authorial tone as well.

Toward the end of our session, my client apologized for taking up so much time on space breaks. How dare you, I said, demean the space break. What did a a space break ever do to you? If this were a musical, I would now sing out about the value of space breaks.

Suffice to say, and perhaps I say this coming from a poetry background, space breaks are sacrosanct. They offer a rest, a breather, a game changer, a scene change, a time change, a change in pov, tone, or tense. A space break gives the writer an opportunity to take a left where he might have taken a right, add paprika, turn up the heat, or lower the lights. A poet knows that what comes between stanzas is an essential tool in making a poem kill it. Your space breaks as a prose writer are second only to chapter breaks.

This post sings of the so called blank spaces.  This post also had too much sauvignon blanc at dinner.