• Forest for the Trees
  • THE FOREST FOR THE TREES is about writing, publishing and what makes writers tick. This blog is dedicated to the self loathing that afflicts most writers. A community of like-minded malcontents gather here. I post less frequently now, but hopefully with as much vitriol. Please join in! Gluttons for punishment can scroll through the archives.

    If I’ve learned one thing about writers, it’s this: we really are all alone. Thanks for reading. Love, Betsy

Woke Up, Fell Out of Bed, Dragged a Comb Across My Head

I must have hit a nerve with my worst lunch survey because I got three new lunch dates out of it. Dance card = full. What else happened today? Let’s see. There was some soul crushing. Some wound-licking. Some difficult exchanges. There was me and my bronchities melting down trying to use the new remote hook up from the office computer. There was a blast from my past (never welcome). There was a royalty statement that didn’t seem right and a conversation with a lady in Maine, I think, to try and resolve it. There’s an e-book royalty to negotiate on a contract so old electonic rights hadn’t been dreamed up. Brainstorming with a client for his next book. A call from a “dirt ball” in LA whose slickness kind of turned me on. Exchanging cheeky emails with a documentarian who challenged my negotiating skill. Sir! A superb journalist tipped me off to a new writer and her memoir. I talked a friend off the ledge. And I called my mother.

Every Year Is Getting Shorter

Here’s a good one:

Greetings! I am working on a memoir and nearly have the manuscript completed. After many years of working on it, I think this is the draft that I can start sending to agents. I have a feeling the manuscript will be ready around the holidays; at least, that’s my goal. I will be anxious to start sending it out right away. But is the period between Thanksgiving/Christmas a bad time to send manuscripts? Are there some general “bad times” in the year in which to submit? Is there a “good time” to submit?

I’ve consulted some of the great Talmudic minds over the last decade about when to send out books. And I would have been happy to share the information, but just like everything else in this economic climate — all bets are off. It used to be that you didn’t want to send out books in December or August. That said, I recently heard that August is new September. Does that mean November is the new December? As far as I know, August is still when most people take vacation.  And you  probably don’t want to send out your project before the Christmas holidays unless you’re submitting it to a Chinese food-eating, movie-going, beautiful young jewess like me.

 The best advice: send it when it’s ready — that’s the bottom line. Send it when you can handle whatever happens, and keep writing.

‘Twas in Another Lifetime

Id Rather Be Editing

I'd Rather Be Editing

A young editor asked if I had some time to talk with her — she wants to become an agent. Oh god. Really? Pick this brain? She said she reads my blog. Well, okay. We met this morning at Spoon, the lovely coffee shop next door. Have I mentioned it? The morning coffee person knows how I take my coffee. My husband hasn’t mastered that in 17 years, but hey, we’re only LIVING TOGETHER. First,  I just want to say, Young Editor wore a really pretty frock, had her hair pinned up in a way that looks sort of blowsy and thrown together, and cool glasses. She’s half way there, no?

Young editor wants to know if I miss being an editor. A lot of people ask me that. It’s exactly a decade since I left editorial row and I do look back. No matter how bad it gets out there, I have this huge soft spot for the profession. It doesn’t matter how much editing I do as an agent, and the twitch in my left eye attests to how much I did this weekend, I still have this romantic notion of being an editor. What can I say, I loved choosing the end paper colors, and deciding what the running heads should say, and finding the perfect piece of art for the jacket. I liked being “in-house” and trying to get everyone behind my authors’ books. I liked putting on the play. No matter how hard I work on behalf of myclients to help their careers,  and even feel that the work is valuable, I still think of agents as dirt balls.  That’s how my first boss referred to them and, well, I can’t shake it. I can say this:  being an agent is more fun. Sadly, fun has never been a huge priority for me.

You’ll Never Eat Lunch In This Town Again

When I was an editorial assistant at Simon & Schuster, there was a very rich and ambitious editorial assistant who used to take out agents and pay with her own credit card, pretending to have an expense account. My friends and I, over dollar pitchers of beer, debated which was worse, the fraudulence or spending your own money. When I finally got promoted to editor and got my first company credit card, it was incredibly exciting. Taking out agents, however, turned out to be a little more stressful than I bargained for. I surveyed some top editors around town and asked them to share their worst lunch dates ever. There was no shortage or replies:

“Hm, oh god, worse lunch date ever, but there are so many to choose from! Probably my first one. I was a baby editor on my first expense account lunch and the agent was 20 minutes late, then proceeded to order a 3 course insanely expensive meal with wine, and spent the entire time talking about much she loved my previous boss who was a notorious sadist and the worst person I’ve ever worked for in publishing.”

Nobody puts Baby in the corner!

Another editor, and a sharp one at that, thought he’d teach an old dog new tricks, “My worst lunch ever was with a literary agent who abruptly suggested we end our meal, even though the food had just arrived. I had been giving her the third degree about her policy of refusing to take editorial factors into consideration and selling her projects only to the highest bidder. She took offense. We did ultimately make it to the end of the lunch. No dessert, though. And I never received any further submissions from her.”

Damn, that creme brulee looked good.

Let’s give the agents a rest: “I was having lunch with an author and his wife, also a writer, on the eve of his publication. At the beginning they let me know they felt nothing but disdain for our corporate parent company. Then to alleviate their liberal guilt over taking money from such monsters, they ordered everything on the menu and stuck me with a $300 bill for lunch.”

Including tip?

Another newbie bought her first big book. The moment the deal was made, the agent insisted the editor take her out to celebrate. “It was my first sign of things to come. The agent chose the restaurant, the date, the time, and believe it or not the table…you can imagine my surprise when the agent was not only there ahead of me, but seated with a drink already sweating on the table, half-way finished.” DANGER WILL ROBINSON! Agent proceeded to dress down the waitress in “epic proportions” for slow service, needed each dish to be specially prepared,  sent food back when it wasn’t hot enough, and  ordered coffee and dessert. “Needless to say, after the agent scraped the final bits of frosting from the plate, shook out the napkin from his collar, patted his stomach over the too-tightly belted high-waisted pants, I was ready to sprint back to the office. I left the poor waitress at 50% tip…It was 3:30. We never lunched again.”

There’s no excuse for high-waisted pants. Not then, not now.

Another editor in her youth went nearly 100 blocks to meet an esteemed agent. (An unspoken rule of lunching: the younger or more junior person always travels to a restaurant convenient to the senior person.) So, our intrepid editor hopped the subway and nearly an hour later arrived at the lunch spot chosen by the agent. “The agent was there when I arrived, her head in her hands. I sat down and asked if everything was alright. She replied that she would kill herself if she had to have the Cobb salad again. When I suggested she try the Chef salad, she started weeping”

Clearly, this was a lunch date prior to the invention of SSRI’s.

For me, the worst lunch date is when the young editor across from me starts to blend into every other lunch date I’ve ever had, when I no longer remember her name or which publishing house she works for, when I start to time travel and remember all my nervous lunch dates taking agents out for the first time, skittish as a blind date, how I felt like a fraud yammering on about how much I loved books or thought the house I was working at was swell. It was all true enough, but it always felt false like too much make-up. It was the “Showtime” feeling from All That Jazz, being on like that, a trained circus animal. Sometimes I’d go to the restroom in the middle of the lunch just to get a look at myself in the mirror and make sure I was still there. Not exactly an existential moment worthy of Sartre, but still my little reverie.

Where Have All the Flowers Gone

A reader asks: Is it true that editors no longer edit, and if so, why?

Good question but kind of boring. Still, I have a couple of theories. My first is that some editors don’t really know how. Editing was always an apprenticeship and you would toil away for years working with a senior editor before you got promoted and edited anything on your own. Now, editorial assistants get promoted in a few years or take the hint and go to Law School. You also typed and filed your boss’ correspondence. The first agent I worked for wrote 6 page editorial letters to his clients; I didn’t just type and file them, I inhaled them. Today, most of the work of editing and communicating is done via email so the assistant is no longer privy to the editorial letters, etc. that are exchanged between an author and her editor.

The other reason is expedience; some editors don’t believe that an edited book is going to sell a single copy more than an unedited one. And many are probably right on that score. If you want to read about Mackenzie Philips’ drug fueled consensual sex with her father, does it really matter if the transitions are weak? And for all I know that book might have been brilliantly edited by a whip-smart young editor with a PhD in linguistics from Princeton — it probably was.

Do editors edit? I think most do, and some quite brilliantly. Most of us still believe that if you strive towards making the book the best it can be, sentence by sentence, word by word, that if you search for the perfect title and subtitle, get the perfect jacket, write sublime flap copy, etc. then you will give the book its best possible shot in the marketplace and give readers what they deserve. We also believe that if we clap long and loud enough a little fairy will come and save us. Or do we save her?

And You Know That Notion Just Crossed My Mind

Every morning on my commuter train, a woman with a full head of  bright-white hair gets on the train in Stratford and greets everyone in the five-seater where she always sits. I can hear her booming Boston accent from my end of the car; she holds court for the remaining 1 1/2 hours of my nearly two hour ride. I call her Phil.

I’ve gathered the following from six years of commuting: Phil is a rabid Red Sox fan though she “respects” Derek Jeter (thanks, Derek appreciates that). She loves Ess-a-Bagel. She has a gaggle of grandchildren (“happy to see em’, happy to see ’em go”), her garage is full of nothing but junk, she’s never dyed her hair, she can’t believe how rude people can be, and her husband is a “bum.”

For six years, I’ve worked up a pretty healthy hate-on for her. After all (and this is where the publishing part comes in), I’m trying to read manuscripts, maybe even some of yours, and it’s really hard to concentrate when the Mayor of Stratford gets on the train and starts shaking hands and kissing babies.

I Miss Phil!

If you’re wondering why I don’t find another seat, you have not yet truly appreciated the magic that is me. I would sooner put my Papermate Sharpwriter #2 through my right eye than move.  But here’s the part I don’t understand about myself: yesterday, when we pulled into Stratford and Phil didn’t show, I actually looked up and kind of missed her. I was like, where’s Phil? Today, she’s back. In fact, she broke out the camel hair Pashmina and cowboy boots. And she’s spearheading another fasincating conversation about Daylight Savings Time and, gosh, it’s getting darker earlier. Ever notice that?

Sometimes Love Doesn’t Feel Like It Should

I was going to write about syntax tonight, but given the OUTPOURING of responses to my  call for a vampire book, I thought I would provide some guidelines as to what exactly I’m looking for. I think some of you are really on to something. I especially like the one about the string quartet where the second violinist is  a vampire (who would suspect the SECOND violinist?). It’s genius! I also think the one set in an orthodox Jewish community has promise, where the vampire doubles as a towel attendant at the mikvah. (Is it just me, or does this have Whoopi Goldberg written all over it?)

Now, once you have your “concept,”  you need to write a “narrative” that will a) make me puke the way I did when I mixed 7&7’s with screwdrivers and hurled all over a seedy “disco in the round”  on a ski trip in Quebec;  b) make me wish I was dead like the time Rita DiNoozio sent fiery streams of toilet paper into my bathroom stall because I was Jewish; and  c) write the equivalent of the “first living abortion” which is what my older sister lovingly called me when we were growing up on Walton’s Mountain.

If you can do all this, you will be my next client and we will change the course of history together. I was even thinking of slashing my commish, but fuck that.

Out for Blood

Readers, I just heard that another vampire book (1,000 pages long) sold for seven figures. If the agent weren’t the sweetest guy in the whole world, I would drive a stake through my heart. I’ve always counseled writers not to jump on the band wagon, not to look to the bestseller list for inspiration, not to be  copycats. Well, fuck all that. Writers: write! I want a 5,000 page manuscript about a Shape Shifter who works by day as a children’s book illustrator and kills small children at night, dates a half-human half-literary agent, and sucks her hammerhead thumbs to the great consternation of her dentist.  Do you feel me? Let’s not spend the rest of this recession watching Mad Men videos when we can be printing money. Printing it!

If You Don’t Know Me By Now

A reader explains her predicament: she submitted her manuscript to a publishing house a year ago and has still not heard back. Now, she believes the editor will be at a certain bookstore because one of her major writers is giving a reading. She wants  to know if she should go to the reading, approach the editor, and ask about the status of her manuscript.

My advice: find out where the editor gets her Brazilians and follow her into the waxing room and ask her there.

Unrepentant

I’m not going to temple today. It’s not that I haven’t done anything wrong this past year, or even that I’m not sorry for those things, I just  don’t see why I should die by asphyxiation from the collective smell of expensive pancake make-up favored by the women of the congregation or suffer through another internet sermon.

 Then there’s the book. Not the Torah. Food and Loathing, my darling memoir in which I write about our congregation and say some not altogther kind things about some people (and yes I am sorry for that, though not enough at the time to have stayed my hand). I’m not exactly Philip Roth, but  it’s uncomfortable especially when people ask, the accusation rich in their voices, are you writing another book? Sure, a sequel, Son of Food and Loathing,  Food and Loathing: Attack from Mars!   Food and Loathing Las Vegas!

What can I say. May we all be inscribed in the Book of Life. And send our love to those who’ve fled.