• Forest for the Trees
  • THE FOREST FOR THE TREES is about writing, publishing and what makes writers tick. This blog is dedicated to the self loathing that afflicts most writers. A community of like-minded malcontents gather here. I post less frequently now, but hopefully with as much vitriol. Please join in! Gluttons for punishment can scroll through the archives.

    If I’ve learned one thing about writers, it’s this: we really are all alone. Thanks for reading. Love, Betsy

This Is Not My Beautiful Wife

Tomorrow, I am driving two hours to Wayne, NJ. Apparently, there is a class of writing students who have all read my book at William Patterson University. I am deeply flattered by this and felt I had to accept the invitation. I hope they know what they are getting into. I told my daughter about it and she asked the one and only relevant question: what was I going to wear. I’d write a better post if I had time, but I now have to ransack my closet in some pantomime of looking for something to wear. Anyway, I’ll let you know how it goes. Quick true or false: writers are generally crappy dressers.

This?

Or this?

Got Two Reasons Why I Cry Away Each Lonely Night

When I was in high school, I met a woman in my poetry class. We were from opposite ends of the earth, meaning she was an athlete and I was a deadhead. We discovered our shared love of poetry and entered into a clandestine friendship, exchanging our diaries and poems for each other to read. After graduate school, I would meet a prose writer with whom I formed an instant bond. We could say anything about each other’s work. Gloves off. Bring it on. Twenty-five years later, she is still the little bird on my shoulder, still my first reader. I remember reading in Joan Didion’s memoir, The Year of Magical Thinking, that it wasn’t until her husband pronounced a new work good that she believed it to be true. I was very touched by that and imagined his scotch going all watery while he paged through Play It As It Lays, while Joan basted a capon in the kitchen. I (I generally counsel against sharing new work with spouses or anyone you’re fucking or want to be fucking unless you’re under 25.)

Who is your first reader? To whom do you trust your first batch of pages or poems and why?

Hurt People Hurt People

Am working on the copy edit of the revision to Forest for the Trees. I thought I was making it better, but today it seems worse. You know how that is. In fact, I can’t believe I ever got it written in the first place. I seriously don’t know where I got the balls. The cojones. The brass ones. The nuts, nads, teabags. The taint, the testes, the kajmaster. The ballpark.

Sometimes I think that’s all writing is: taking a seat on the subway when twenty people are standing, or shoving your way into a line. Or taking off all your clothes and walking through a desert. Or fetching gutter balls in a run-down bowling alley, the machinery wheezing and jamming. Or eating a loaf of bread. Or having the urge to kiss strangers. Writing is quaint, stupid, self-congratulatory. It’s faux-sexual, falsely idealistic, a poor reflection of a poor reflection.

Anyone else do any writing over the weekend?

This Will Be the Day That I Die

It’s my favorite time of the year (after Oscars and my birthday): Publisher’s Weekly 2009 sales ranking issue. For me, it’s like reading the racing form at OTB, though I’ve never actually been to an OTB or seen a racing form. I study the list and invariably my eyes widen when I see a title sell far better or worse than I thought. This year,  the #1 non-fiction book is Sarah Palin’s Going Rogue at 2,674,684 copies. The #1 fiction, duh, is Dan Brown at over 5 million. This year the list was pretty predictable, all the usual suspects, no wild cards like last year’s What’s Your Poo Telling You.

Still, some titles that seem worthy of a shout: Love and Respect: The Love She Most Desires; The Respect he Desperately Needs sold 189,412 copies. Call me crazy but I think it’s the other way around. I’ve never gotten up close to a man and didn’t see the big secret right before my eyes. Of course, High on Arrival by Mackenzie Phillips at 171,070 copies is a testament to the sturdy category of celebrity dysfunction. It’s good to know you can count on some things in an uncertain world. I also like the title, The Noticer: All a Person Needs is a Little Perspective at 151,752 copies. Sequel anyone: The Insipider. The Lamer. The Doucher.

The first literary title with some muscular numbers goes to Cormac’s The Road at 605,322. Go Cormac, it’s your birthday.

A revelation to me is a series of books that all have my favorite word in the title: dead.

Definitely Dead: A Sookie Stackhouse Novel (730,013)

Dead as a Doornail: a Sookie Stackhouse Novel (728,144)

All Together Dead: A Sookie Stackhouse Novel (655,046)

Living Dead in Dallas: A Sookie Stackhouse Novel (557, 282)

The author is Charlaine Harris and I officially worship her and Sookie Stackhouse.

Lots of Zombification on the list: Zombie War, Zombie Survival Guide, Pride and Predge and Zombies.

Favorite celeb title: Are You There Vodka, It’s Me Chelsea. And Stori Telling by Tori Spelling. They should palm the editorial assistant who came up with that. Seriously.

Quietest book to sell a boat load: Home by Marilyn Robinson (140,000).

And the book I’m reading and loving right now: Let the Great World Spin by Colum McCann (122,757) I think it won the National Book Award.

That’s all she wrote. Have a good weekend. Buy a book.

I took a wrong turn and I just kept going

Hi. I’m a book doctor (a.k.a. freelance editor) in the Pacific Northwest. A client of mine is working on a memoir, and I’m trying to give her some wordcount guidance. Folks on Twitter said I should ask you: For a first-time memoirist, what’s the sweet spot on length?

The client’s memoir is presently pushing 150,000 words, and she’s not done with it yet. My gut says “ooh, too long,” as in, most publishers will pass given that it’s from a first-time author. However, my gut is trained on novels, not memoirs, so I’m dis-inclined to rely on my intestinal authority in this case.

Care to educate my gut a little?

Not really. The intestinal metaphor is just awful and using the word “gut” three times is unforgivable. That said, no one has asked about word count and it’s a good topic — so thank you on that score.

I love to tell writers to cut their books in half and see if they are missing anything (especially those coming in at 150,000 words or more). I would bet you five bucks that most books would be improved if they lost anywhere between 10-40 % of their body weight. That said, the correct word length is the number of words it takes to tell your story. The reason I love poetry, well one reason, is that every word counts. The best works of fiction and non-fiction hold themselves to that standard.

I also counsel beginning writers to write in long hand and to use a typewriter. I guarantee you will be more careful and precise. The length isn’t what makes editors groan, it’s overly long sloppy writing that gives you a stomach ache.

Is your manuscript too long? Does every word count?

Even in a perfect world where everyone was equal I’d still own the film rights and be working on the sequel

Dear Readers: I apologize in advance. And if you can’t take it, then skip today’s post. But here’s one where I can’t find anything negative to say. I just can’t. Books & Books in Coral Gables, Florida is mecca to book lovers. And following that line of thought, its proprietor, Mitch Kaplan, is a god. Do not go to south Florida and fail to stop in (and spend serious time) at this store. Your aching body will straighten itself, your exhausted brain will oxygenate, your bunions will dissolve. Why? Because this is one of the country’s great independent bookstores and from the moment you set foot inside, you become part of a working intelligence that cares about everything you care about.

When I saw Mitch the other day, I went away feeling encouraged in ten different ways. I realized ours was the only publishing conversation I’d had in months that wasn’t about Kindles and e-tailing and the end of the world. He is a person of tremendous capacity and generosity. He is a co-founder of the Miami International Book Fair, and is also a film producer. The entire plane ride home I kept thinking about ways in which I could grow my business, create opportunities, produce new work. I have to say one of the things that I find most enviable/inspirational is the way Mitch appears to have time. (Mitch, if you do yoga — and especially if you do yoga on the beach — please keep it and your blue mat to yourself.)

Would love to hear about your favorite bookstore, past or present.

You either gonna be rich or famous fuckin wit me, probably both.

Hi Betsy:

First of all, Jesus I love your blog. I love your book, I love your twitter and I love your taste in music. Had there been a jdate for agents and authors, I feel certain we would’ve been together now and forever [Doubtful, like many self hating Jews, I never date tribe members.](I adore my agent, btw, but she lacks most of your endearing neuroses). [Then what does she have to offer??]

Here’s the deal: my narrative nonfiction book is coming out in the fall. [far-fucking-out-that’s great.] I am giddy, excited, nervous, schpilkes–[I am against random y-dropping] the whole thing. It’s great. Obviously I would like for it to do well. [I trust “well” means off the charts successful] I need for it to do well. So what am I doing to help make that happen? I blog, I tweet, I give lectures when asked and sometimes when not asked. I plan on hiring a publicist. I’m not on facebook yet but my resistance is weakening. The thing is, Twitter often feels to me like an icepick in the forehead (your feed is a notable exception). [No argument there.]There’s so much stuff whizzing by; I always feel bombarded and overwhelmed. When I’m not checking it I worry that I’m missing stuff. When I am checking it, I worry because the Important Lit Blogger has ignored my personal tweets, so and so thinks I’m wrong about the existence of God or the price of fish, and all the Super Important Shit I Need to Say requires, like, at least 147 characters. And even when it doesn’t, it feels like I’m pissing in the ocean. I fear that when I finally succumb, Facebook will be even worse. [Did you leave your Ritalin at my house last week? I thought it was you.]

And I don’t have an author website. Do I need one? Can’t I just append my Amazon link to my blog? Hand out flyers on the street? [How about a sandwich board?]I am reluctant to drop $5000 on yet one more thing that requires frantic major screen-time and curation but whose future seems uncertain.

Please understand: this is not about shyness. I am self-hating, sure, but I’m also a narcissist and a shameless self-promoter. [Yeah, yeah.]I really do want the book to succeed. I just wonder if an author has to avail herself of every single social networking tool available to her. Does she have to be ubiquitous? What say you? [As I say in MY FORTHCOMING revision of Forest for the Trees, you don’t need to slap pasties on your tits and dance around a pole to get attention, BUT publishers are expecting authors to be building an audience one way or another. It takes time to build an on-line community just as it does any sort of following such as popular classes, a newspaper readership, radio listenership, etc. If your non-fiction book has a niche market, I would figure out as many ways to reach that market as possible whether it’s through the internet, universities, clubs, religious organizations, etc. Most publishers will cover you on the general publicity push, but you need to reach your niche. As for all the frenzy around websites, blogs, facebook and twitter — if you do one really well, you’re ahead of the game. You also don’t need to spend 5k on a website. If people can reach you through your blog, then you’re covered. Figure out what you’re trying to accomplish and use the best social networking tool to reach the widest audience. And that is my advice. Love, Betsy]


Sincerely,

In Tweetment [Ha ha, I get it.]

There’s Flies In the Kitchen

In Miami over the weekend, I got together with Campbell McGrath. Campbell and I were in the same MFA program. The only difference is that when we attended, I was an amoeba and Campbell was a complex organism, at least where language was concerned. The guy was writing circles over everyone’s heads whether we wanted to admit it or not. Shortly after he graduated, his first book, Capitalism, was published. Over the years, he has produced eight volumes, a series of arresting and beautiful books.

I felt tremendous nostalgia visiting with him, Liz and their two awesome sons. Had it really been twenty five years ago since he casually sauntered around Dodge Hall, ripped bandanas tied around his wrist.  Since we first witnessed the poems that would comprise his first book. Twenty five years since I took writing more seriously than anything else in the whole world. Twenty five years since I had no idea how things would turn out. For Campbell, there was clearly only one way. For me, well let’s just say my portfolio was more diversified.

I’m not going to pretend that I’m not in awe of that kind of resolve, intensity, passion, calling, instinct, single-mindedness, thrall, vision, what have you. People, when they find out I have an MFA in poetry, often ask why I stopped writing. The answer: because I did. I didn’t plan to, I didn’t expect to. If you told me then that I would have quit, I would have begged to differ. But I did. I stopped working at them, or I worked at it but didn’t get better or find satisfaction. And eventually I gave up. Don’t cry for me, Argentina.

What have you given up?

The Best Things In Life Are Free

Last week a non-fiction proposal sold for a small fortune. Everyone was talking about it for a few days, the manuscript electronically zinging all over town. I wondered what would stop someone from publishing it electronically? It made me think of my first bootleg album, Patti Smith, of course. I loved how illicit it felt, the raw production values, the cheap cardboard sleeve it came in. Of course, it never occurred to me then that she was being cheated of her fair share of royalty. Now that I’m an agent I think about these things, especially as books are next.

What made this particular book so hotly contested? It’s controversial, for starters. Exhibitionistic even. And the idea at the heart of it is something that people are both curious about and invested in. The author also has what’s known as an impressive pedigree. But it’s more than that: whether or not you like what he has to say, he touches a chord. You have to touch a chord. Unfortunately for me, whenever I think of touching a chord, the next thing I think about is touching the third rail.

Who will your book appeal to? Does it touch a nerve?

You Don’t Know What You Got Til’ It’s Gone

I’m the middle of three girls. My two sisters have blonde hair and blue eyes. I don’t. They used to call me Jan Brady after the Brady Bunch episode where Jan gets a brunette wig to differentiate herself from Marcia and Cindy. I think the psychological term is “individuate.”

Anyway, I always felt like the son in the family as growing up I was closest to my dad. He owned a lumber yard and he very much wanted me to work with him. But Dad, I cried, I don’t care about lumber. It’s not about lumber, he used to say, it’s about people. But Dad, I cried, I don’t care about people, I care about books. When I eventually made it into publishing, my father was extremely proud and would show anyone who came to our house where my name was listed in the acknowledgments of a book. It was mortifying, of course, and I believe it explains in part why people stopped coming to our house.

My dad eventually sold his business. There’s a CVS where the yard used to be.

What were you supposed to be when/if you grew up?