• Forest for the Trees
  • THE FOREST FOR THE TREES is about writing, publishing and what makes writers tick. This blog is dedicated to the self loathing that afflicts most writers. A community of like-minded malcontents gather here. I post less frequently now, but hopefully with as much vitriol. Please join in! Gluttons for punishment can scroll through the archives.

    If I’ve learned one thing about writers, it’s this: we really are all alone. Thanks for reading. Love, Betsy

And You May Tell Yourself This Is Not Your Beautiful Wife

I have to get back to my novel or I'll kill myself.

Lots of guest post contenders rolling in. Thank you! Many have arrived with tons of flattery and sucking up. Bring it. There were also lots of questions, so let me clarify: I’m looking for five guest posts for the week that I’m away in October. I will choose five posts from those submitted and those five will all get a FREE copy of the newly revised and updated FFTT. So send me your post and your address by October 10.

Over the weekend, I did something I rarely do. I opted out going to my in-laws so that I could stay home and write. This is radical. I always do the right thing. In eighteen years of marriage, I think I’ve opted out of family obligations three times. I think about great writers and I wonder if they capitulate to family and social obligations. Or are they ruthless with their time? I spent the day on the final polish of the pilot and banging out a first draft of an essay for Publishing Perspectives. My in-laws would never say anything; they are polite people. But I know it’s frowned upon. My husband has taken many such days and weekends (he just sold his first novel!); but I still feel guilty, like I’m a selfish bitch. For fuck’s sake, these pages don’t write themselves!

One of my heroes always used to say: Loyalty to the family is tyranny to the self. How do you deal with taking time from family or friends to write? Do you?

Random House

I want to thank everyone who commented yesterday. I was deeply moved by a number of comments. I really appreciate it. In fact, I always appreciate it, old commenters and new commenters alike.

Do you ever wonder what the children of joggers will be like when they grow up; the kiddies who have been pushed around in those tricycle strollers? I think they’re going to be very fucked up.

October 6 SHEWRITES is hosting a book launch/fundraiser. If you’re in NYC, think about coming out. It looks like I won’t be able to fit into the Nanette Lepore, but I’ll make up for it somehow.

I heard Jonathan Franzen on NPR. He said he hoped people got that the title of his novel Freedom was “bathed” in irony. Many years earlier, I heard Shirley Temple Black on NPR. APparently a lot of shit hit the fan of her life, husbands leaving her and cleaning her out, this sort of thing. When the interviewer asked how she maintained such a happy outlook, she said she was “bathed” in love as a child.

WANTED: Five guest bloggers. I’m going away for a week in October. If you would like to guest post in exchange for a free copy of the newly revised and updated Forest for the Trees (a value of $16!), please submit a post to askbetsylerner@gmail.com  with your address. I’ll select five winners. You can post anonymously or bravely.

I met with a British publisher today. He asked me how I found time to write. I never know how to answer. Today I said, I’m very compulsive. Ha ha, tra la la. I don’t know why I can never tell the truth: I have few friends and thankfully most of them are out of town. I don’t watch tv except for Big Bang Theory and MadMen and my child thinks her mother is Facebook. I lost so many years to depression that I am making up for lost time. It’s what I want to do, that’s how.

How do you make time to write?

I seen pretty people disappear like smoke

According to Kay Redfield Jamison’s book, Touched with Fire, artists and writers suffer from a disproportionate rate of manic depressive  and depressive illness. What’s up with that?

Look, I more than know my way around a mood swing, but is it part of an artistic temperament or is it just bad fucking luck? I know so many writers who struggle with depression and see how the depression powerfully colors the way they feel about their work. And sometimes stops them completely and sometimes for months and years. Many fear that medication with change or mute them. Is there truth to that? The suffering I’ve seen for untreated illness strikes me as far worse and sometimes fatal.

I once met a woman who had cancer who said she was grateful for the cancer because it taught her how to appreciate life. I’ve never, not once, felt grateful for being bi-polar. Does it make me more sensitive, empathic, attuned? No. It makes me bi-polar. Full stop. And I’ve lost years out of my life and I fear it like the bogey man under the stair. It never goes away. I only have learned to manage it better. Just this week, a publisher commented on how even-keeled I seem. High praise indeed for a girl jacked up on Lithobid. I am stable and every day I thank the pharmaceutical company.

What about you, moody blues? How are you managing out there? If you need help are you getting it? How does your mood affect your writing?

As I walk this land of broken dreams I have visions of many things

Somehow, I got to be fifty fucking years old and half my life has been lived in the service of helping writers bring their work to the public. There isn’t a day when I’m not that girl in an ill fitting Ann Taylor suit riding up the elevator on her first day of work at Simon and Schuster, or making my first offer on a book and being embarrassed to say the number, or opening the NYT and seeing my author get a rave review, or crying in front of my boss John Sterling when a book was trashed by same paper, or going to the National Book Critics Circle Award or a reading on the lower East Side, or asking an agent over lunch if he and his wife were gay (did not go over), the BEA when I slept with two writers, and the BEA when I picked my face so badly it bled. I remember pencil shavings covering my chest and post-its lining the walls, and playing Scrabble with Rick Moody in his boss’s office and soaking up everything I could learn about the literary life, hearing juicy gossip about people you only knew by reputation, spreading it.  I remember the great Alice Mayhew furiously marching down editorial row screaming “Amateur night, amateur night,” when she believed an agent had botched an auction. And I remember thinking that was the worst thing you could ever be called: an amateur.   I remember feeling betrayed, loved, admired, hurt, stung, played, and appreciated. Then there is every book I’ve ever worked on and the story of how it came into being, the back story of every decision and choice that we agonized over in the hope of getting it right.

So when a young editor takes me for coffee and asks my advice about whether there is any future for editors, I don’t know what to say. It breaks my heart. We only worried about whether we would make it, find a spot on editorial row and kill it. We didn’t worry about the future of publishing. We worried mightily whether there would be a place at the table, but we never doubted the existence of the table itself. How do you soldier on in the face of so much uncertainty? Do you think about the future of book publishing, the table?

As The Present Now Will Later Be Past

If you invite me to your house, I’m going to rifle through your medicine chest. It’s that simple. In that spirit, I want to know what you’ve got on that dang Kindle. I can tell you what’s on my bedside table:  Henrietta Lacks, Tinkers, some book about Russian novels with a Roz Chast cover, Savage Detectives, Stuff,  Words in Air (I never finished the last 80 pages because I didn’t want it to end), and a book that has the calorie count of every food on earth). So what are today’s most sophisticated and critical writers and readers downloading, i.e. the readers of this blog? Or if you’re still holding out, what’s on the night table?? Hit me.

Just gonna stand there and watch me burn

A soccer mom buddy is reading the Franzen on her Kindle. I submitted a new project to 16 editors on Friday; they all wanted it for their Kindles. Friends, I can feel it. Just like the answering machine, the VCR, the cell phone, the IPod, and sanitary napkins with wings — innovation will win out. I noticed at B&N that you could get a Kindle cover from Lily Pulitzer, Coach, and Burberry. Now, that’s special.

Not having a Kindle is going to be considered pretentious, or precious, or perverse. I don’t want to defend not having a Kindle, so I will probably lie, like when someone on a plane or train asks me what I do: I say I’m an accountant. I don’t want to down load, I don’t want a designer case, I don’t want to choose my typeface. I don’t want to remember another charger and I don’t want to fiddle with the snake pit of wires under my bed. I don’t want (another) device in my bed. I don’t want to stop using the bookmark my daughter made when she was in the second grade or the makeshift bookmarks: movie stubs, clothing labels, envelopes. I don’t want to stop recording new vocabulary words in the backs of books. And I don’t want to stop  marking passages that sum up the whole fucking world or make me, for just a few seconds, not feel like such a fucking freak because in that brilliant string of words that I can see and touch I know I am not dead or beyond redemption.

Agh. We’ve had this conversation more than a few times. Eventually I’ll get a Kindle and I’ll swipe a credit card in my crack and my thumbprint will open the refrigerator door and a little robot will e-binge its brains out for me. So, instead, I’m curious, when people ask you what you do, what do you say, do you say: I’m a writer.

First You Love Me Then You Hate Me

Dear Betsy,
I signed on with a prominent New York agent to represent my debut novel, but in the end she wasn’t able to sell it.
(She only tried selling to some of the big houses.) Despite the fact that most of the editors wrote glowing reports about my novel, they were hesitant to take a chance on it in this difficult market. My agent and I have now parted ways. Is it a waste of time searching for a new agent? Will I be considered “tainted goods”? I would really appreciate some sage advice. I am not sure how to proceed.

Thanks so much!

Dear Tainted:

I’m afraid it’s over. Not all aspiring writers understand that when you make a submission to Joe Blow at Random House,  that he speaks for Random House. If he rejects it, you do not have the opportunity to try his colleague Jane Blow down the hall. You get exactly one chance at every house. When we make up a submission list, we think long and hard about which editor to send it to because you only get this one shot. So a new agent will not be able to resubmit for you if your agent basically covered the waterfront. Your parenthetical about your agent only going to big houses — that’s appropriate and what most agents do. You, however, can try small presses and should. Look at Tinkers. You need to find a new agent when you have a new work. Why did you guys break up? It sounds like you had a lot of close calls and much reason to think the next book might sell. I hope you’re back on the mule. Thanks for writing.

Commenters: can we have some  spectacularly nasty stories about break-ups with editors and agents to get us through the night?

And You Know That Notion Just Crossed My Mind

Seventeen hour day and still on the train. Phew. Highlight of the day was a meeting with a publisher and her colleague. They came to do a dog and pony and brought lots of books, promotional materials and catalogues. They  explained how they make editorial and formatting decisions, and how they market and promote, etc. They are doing an impressive job on the internet marketing; this is not true for all publishers. The books are gorgeous. It made me long for my editorial days. When people ask me if I miss it, this is what I miss: making the book. As involved as I am as an agent, I’m not talking to designers about end papers and trim size and coated stock or rough fronts. I love design. I love the package. I love fonts! I fuckin’ love them. I heart fonts! I break for French flaps. My kingdom for a satin ribbon!

How important is this stuff to you? As a consumer? As a writer?

And the Dreams that You Dare to Dream Really Do Come True

Dearest darling readers of this blog: it’s up! The revised and updated edition of The Forest for the Trees on Amazon. Shit, this is really, finally, happening. I even got a nice, encouraging note from my publisher, you know, the great and powerful Oz! My intern is clacking addresses into a label maker file. The guy helping me with marketing has made a fabulous e-card and is designing a brochure. My publicist is sending out the books and talking to folks. My editor gave me 11 pages of notes for the revision, so if you like the changes, blame her! I’m pushing myself on to people (just today got a MFA prof to invite me to his class), and have written letters to anyone who has ever so much as sneered at me. I’m working on a piece for Modern Love and it SUCkS. I’m working on something for Publishing Perspectives. Most important, I’m working really hard to get down to my fighting weight and fit into the Nanette Lepore dress I bought a size too small on a great sale this summer at Bloomingdales.

What are you doing for your book?

Well You Can Dream On Me

Betsy,

I started a blog in April, it’s about my son. I post weekly. What do you tell your clients about blogs? Do you ever try to convince writers to start one? Or two? Are writers ever “discovered” that way? Can blogs lead to books or is it a totally different (disposable) medium? Are they only interesting to publishers in terms of the numbers or is the content the thing? Is blogging real writing? Do you cover blogs in your new edition of Forest for the Trees?

Thanks!

Dear Fellow Blogger:

In answer to your questions. First, if you want to build an audience, you need to blog every day, at least this is my understanding. I tell my clients to think about a blog if it makes sense and can augment their book, build an audience as they write, find the niche markets that would be interested in their work. A lot of authors make the mistake of starting a blog when they finish the book or as the book is about come out. Even though the web makes it possible to launch a blog in seven seconds, it actually takes serious time and devotion to build an on-line presence if you are starting from scratch. Yes, Virginia, some writers have been discovered through their blogs. Most notably, perhaps, is Julie Powell of  Julie & Julia fame. And these blogs have led to books. Another great example is Stuff White People Like. Is blogging real writing? Well, it ain’t Proust. But lots of bloggers (ahem) pride themselves in what they write. Yes, I cover blogs in my new edition of Forest for the Trees. I also talk about Twatter, MyFace, etc. I’m kinda with Betty White here; it’s all a big waste of time. On the other hand, in just one year and a half, this blog has brought me more laughs, fun, a great community of writers, potential clients, invitations, people out of the woodwork etc. than I could have ever imagined. I think it’s probably a good idea to figure out what it is you want from a blog and then design one to help you fulfill those goals. Or, WTF, just open an on-line vein and let it bleed.

What do you say? What blogs do you read? What makes a blog great? Do they help or hinder your writing?