• Forest for the Trees
  • THE FOREST FOR THE TREES is about writing, publishing and what makes writers tick. This blog is dedicated to the self loathing that afflicts most writers. A community of like-minded malcontents gather here. I post less frequently now, but hopefully with as much vitriol. Please join in! Gluttons for punishment can scroll through the archives.

    If I’ve learned one thing about writers, it’s this: we really are all alone. Thanks for reading. Love, Betsy

And Your Horse Naturally Won

I went to Blue State today, a local coffee swillery, to get some reading done. It was packed and I shared a table with a young man who kindly gestured for me to sit when he noticed my stunned where-am-I-going-to-sit-in-the-cafeteria look. Just a page into my manuscript, he asked me if I was reading a manuscript. Yes. Then, politely, he asked if I would tell him what I was writing. I explained that I worked with writers, that the manuscript belonged to a client. He wanted to know what it was about. I told him. I started reading again. He returned to highlighting his own notes in a wide, unlined notebook.

May I disturb you again, he asked. Is there any other purpose to reading beyond  information or entertainment? I think so, I said. Such as, he asked.  Consolation, identification, understanding, I said, for communicating.  Do think there’s anything wrong with playing hundreds of hours of video games, he asked. I said I wasn’t sure. Pinball was my game freshman year. But that’s just reflexes,  he said, these games are whole worlds, and then he said something about an avatar. I thought he was a lonely freshman, but it turns out he was a lonely first year architecture student from Canada.

I remember spending hours in cafes when I was an undergraduate. I don’ think I ever spoke to anyone. I didn’t need to, armed with my notebook, Rimbaud, and Marlboro Lights. What about you? Cafe time? And, just for the hell of it, where do you stand on Starbucks?  We’ve known each other long enough; I want to know what you drink, if you drink, and if you ever wrote anything at a Starbucks worth reading. I’m extremely happy they didn’t exist when I needed to brood full-time.

Baby, It’s Cold Outside

 

I am what I am

 

Yesterday, I was at the gym reading about Kelsey Grammer’s divorce from his wife of 14 years. Kelsey, according to his ex-Camille, was going to New York to prepare for his role in La Cage Aux Folles (a production I saw!?!). She wanted to go with him, but he begged off explaining that the rehearsal schedule would be arduous, he’d never see her or the kids. Okay, she stayed in LA. Of course, you know where this is going. He embarks on a new relationship. (Yes, a flight attendant but so fucking what.) Camille finds out from a friend. And this is where my heart nearly stopped and not from my exertion on the tread mill. She called him to ask if it were true. She begged him to give their relationship another chance. She wept. What about the kids, the years together. According to her account he replied thus: Grow up.

When my husband worked for a major trade publisher, he asked for a raise and was denied. Then, he was offered a job by another publisher, nearly doubling his salary. When he went back to his employer with the news of the offer, she immediately matched it. He asked her where the money was just weeks ago when he wanted a raise. She said, Grow up.

What does it really mean, grow up? Does it mean stop pretending you don’t get what is happening? Does it mean I am far superior to you, child. Does it mean give up your foolish dreams? Does it cut to the chase? Or destroy it? What the fuck am I writing about? I realize I could apply those two words to about ten situations I’m in right now and I would feel chastened because all the angst and misery that pretends to be cloaked in some kind of confusion is bullshit. Grow Up!

Two questions: what the fuck is this post about?  Second: is there anyone you would like to tell to grow up and why (apart from me because this, after all,  is my sandbox).

8 Hours Left

Janet Reid’s got a great contest running on her fantastic  blog and the winner gets, yes you guessed it, a copy of the revised and updated FOREST FOR THE TREES. You can’t win if you don’t play. Have a great weekend, Betsy

Having My Baby

My husband sold his first novel last month. When we were just out of college, we’d meet on Friday nights, go for dinner at the Second Avenue Deli, go to the St. Marks Poetry Workshop, and then spend hours at the Cloisters Cafe talking poetry, love, life. I smoked Marlboro Lights. He smoked Parliaments. We didn’t become romantically involved until much later, but we cemented a friendship that was fueled in part by a belief in the other as a writer. Neither of us chose the path of a writer’s life. We’ve both worked full time in publishing for more than 25 years and have done all our writing on weekends, nights, or pre-dawn. When we had our daughter, we spelled each other for long weekend days so the other could write. We understood the desire to be alone. It’s more than a desire. It’s a necessity, an imperative.

How much time do you spend alone, need to spend alone? Is there someone in your life you believes in you as a writer? How are we all going to find the boat and row home?

You’re Leaving There Too Soon

Went to Brooklyn today (three subways) to talk with Pratt undergraduates about publishing. Naturally, I became nostalgic about my college years, never mind the near constant misery. The big difference as far as I can tell is that we never met publishing professionals, never talked about how to get published. I think in some ways we were lucky not to start those engines too soon. We didn’t even have a creative writing major. We were allowed to take one writing course and I took poetry; the professor favored the ballerina-poets. I wrote all the time in my journals. I went to cafes and wrote and smoked and read. But I had no idea what a query letter was or how to write one. I had no idea what an agent was or what they were for. Today’s kids have seen Jerry Maguire, they  study the box office grosses, they know the names of power agents.

I’m old fashioned. I think it might be better to stave off getting that knowledge for as long as possible, to protect your innocence as a writer the way we try to protect childhood. Am I ridiculous? Does the act of writing imply the desire for publication? Is it better for young people to get as much information as possible, to hear about how publishing works from people like me? Do you remember when you made your first attempts to get published or find an agent — whether you got one or not, got published or not — how did it feel to enter the fray?

You Would Cry Too If It Happened to You

Do my tits look really big in this shirt? Agh, getting ready for a dinner party. Eighteen people. A frighteningly high percentage of poets. Other brainiacs from the campus known as Yale. Maybe some day, in anticipation of a dinner party, I will feel and behave like a grown up, but not yet. Why do I want to have a tv dinner and watch Glee in my jammies?  My husband points out the networking possibilities. This is the exact wrong thing to say. Though I know he is right and I know that other agents would work the room like a square dance chain. Last night, in anticipation of the big event, I threw a shit fit over which water pitchers to use. My husband and daughter got really quiet and I knew crossed a line. It felt insanely good. One of my professors used to call parties enforced gaiety.

Does anyone really like parties? Anyone? Please tell me how much you hate them. Or the worst thing that ever happened at a party besides waking up in the bushes on Eastern Parkway with your bra in your jeans pocket and vomit in your hair.

I’m sad but I’m laughing I’m brave but I’m chickenshit

While I was in Paris, I stayed at a hotel that used to be a monastery and it still had monastic amenities. In other words, no television, no radio, no minibar. There wasn’t even a clock in the room, just the ringing of the church bells next door.  On top of this,  I do not have an international cell phone. So without any of the usual methods by which to measure my self worth: scale, blog stats, emails, phone calls, or any of the usual distractions: LA Law, diet coke, tropical flavored jelly beans, I did the only thing left for me to do: write. I brought two books and a notebook in which I have been writing a book for three years on and off. I read both books and I filled nearly forty pages in my notebook. My hand ached, ink splats appeared on my hands and on my shirt, and the pad from pressing too hard appeared on my middle finger, a badge of something.

It was an amazing week to go without all the usual distractions. I wrote all morning and long into the night. As they say of babies just beginning to nurse, I latched on. I wrote every chance I could get, and the more I wrote, the more ideas came to me, so much so that I even took notes for future scenes and observations to better flesh out. Long before cell phones and computers, etc. I was able to find myriad distractions so I’m not blaming technology. I’m just noticing what a week away proved.

What are your biggest distractions from writing? Besides reading scintillating blogs?

Sooner Or Later It All Gets Real (reprise)

I have a confession to make: I’ve always been afraid of killing someone by accident while driving. I’m sure you’ve had the experience where a person seems to appear out of nowhere as you’re backing out or making a left turn, no matter how many times you look. I’ve never been able to easily shake those  moments, but instead replay them over and over. Do you do this? Is it normal?

When I heard about Darin Strauss’ new memoir, Half a Life, I ran out and got it. Strauss was weeks away from graduating high school when he kills a girl riding a bicycle. It was quickly ascertained that he was not at fault, but that doesn’t alleviate his suffering. I read the book in two sittings, completely mesmerized by the events he describes. The writing is also extremely effective, self-aware of both  his inner life and the potential for a writer’s manipulation through poetic language.

I am wondering why I am so powerfully drawn to this story and to stories like it. I suspect it has something to do with the death of my baby sister and how I, at four, didn’t really understand what happened. It happened very quickly and life was forever changed in our family. While very few people experience what Strauss did, the story strikes me as universal because he is able to capture that particular terror where our lives can be irrevocably changed. Loss of control. Terror. Desire. Permanent loss. Unspeakable regret. The reason why we replay those moments again and again. For Strauss, it happens on the eve of going to college, of what must certainly have felt like the beginning of life, not the end. Which for me made it all the more poignant. All the more unbearable.

What was the last book you heard about that you had to have, and that you ran out and bought (or bought on-line)? What spoke to you that powerfully? And does the book you are working on touch that nerve?

Guest Blogger #5 – August

I spent a few days thinking of ways to mortify Betsy in this space, but I don’t have a copy of her updated book, and I don’t have the patience to click on every link in her blogroll looking for things to hate. I considered writing about how your publishing ‘team’—your agent and editor and publisher—functions like a family, more specifically a family in which your publisher fucks you under the stairs while your editor pretends not to notice.

Instead, however, in an effort to be helpful, here’s some shit writers don’t need to care about:

Query Letters

If you can’t write a good query letter, you can’t write. They’re business letters—that’s a lower form of writing than Tea Party signs. Describe the book. Either your description sounds like money to that particular agent, or you get a form letter.

Still having trouble with your query letter? Try this easy tip: take up scrapbooking.

Agents

Before you have an agent, your goal is finding an agent, not making agents’ lives easier. Screw agents’ lives. The only reason they have lives is that after they clawed from the grave, they hungered for 15% instead of blood.

Worrying about guidelines is bullshit. If they like what you’ve got, they’ll ask for more. If they like that, they’ll want to represent you, and you’ll slavishly agree. That’s the nature of the relationship.

Worrying about wasting their time is bullshit. Agents are hip-deep and sinking, dealing every day with the desperate, the manic, and the spittle-flecked; and those are their –clients-. Don’t worry about alienating them. This is a group of people who one day looked at writers and thought, I want to represent them. They’re not gonna remember your half-assed crazy.

Just remember that this relationship is based on mutual trust and respect, so never reveal your true self.

The State of the Book

Is publishing in decline? Yes.

In other news, you’re fat and lazy, a talentless hack. Nothing will change any of that. Publishing is in the shitter. Our goal is to swirl around as long as possible before we’re flushed. We’re not gonna reverse the direction of spin here.

Will e-readers revolutionize publishing? Sure, because an influx of semi-literate control freaks is what every industry needs. Our problem isn’t the shortage of digital formats, it’s the shortage of customers.

The one thing that distinguishes people in publishing is that instead of faking expertise about corrugated paper products or commercial real estate, we fake  expertise about books. We’re nothing special. There’s the same proportion of assbaggery in publishing as in the Solid Waste Association of North America. The difference is one group pushes a product that’s full of crap, and you know the end of this sentence.

People are idiots. People in publishing are, largely, people. We’re working in a crazily dysfunctional industry, and when by some miracle a book actually sells, we desperately try to reverse-engineer the success. But that only works when luck isn’t a determining factor. You can’t reverse-engineer a coin toss. Why is Lethem more popular than Everett? No reason at all. Why did Harry Potter sell more than 3,000 copies? No reason at all.

None of that matters. Franzen doesn’t matter and Vargas Llosa doesn’t matter. Gish Jen and Stephenie Meyer doesn’t matter and I don’t matter and you don’t matter. Editors, agents, readers, the state of publishing, the technology of reading, the insulting advances and print runs and jacket copy, the blogging, the twitting, the social media, the self-promotion: doesn’t matter.

I’m trying to write this like a comment without worrying where it’s going, but I think where it’s going is here: the first step is admitting that we’re powerless over everything but the writing. And the second step is coming to believe that the best way to deal with all those distractions is to hate them.

What do you care about as a writer, that you shouldn’t? What do you not care about, that you should?

Guest Post #4 – Lyn LeJeune

The Well of Loneliness Sits in My Chair

Hi and a Ho kiddies.  While Mama Betsy is gone, we shall play.  First, gather ye ‘round; we’re going to have some fun, fun, fun.

Okay: You’re a writer, I’m a writer.  It’s five in the morning, your neighborhood is asleep except for the guy whose having an affair with the lady down the block and the kids huffing under the magnolia tree and Old Man Needer who has been walking in his sleep since Leno went off the air and he keeps waiting for the national anthem and those planes flying in the air and flags flying…..before the 24/7 became a plague on humanity.  You sit, turn on your computer (if you have a typewriter I admire you; if you are actually writing with a pen or pencil I love you).  You write this sentence and you shuffle for another cup of coffee.  You’re back.  You read and reread your sentence and you continue. . .

He was a busy man; loved his wife, his dogs, his kids.  Then . . .

Finish the sentence in twenty words or less and name your book.  This is a test. Did you think things would be easy with Betsy gone? But this should be fun; this is a practice for the early morning to get the words flowing, the synapses popping.