• Forest for the Trees
  • THE FOREST FOR THE TREES is about writing, publishing and what makes writers tick. This blog is dedicated to the self loathing that afflicts most writers. A community of like-minded malcontents gather here. I post less frequently now, but hopefully with as much vitriol. Please join in! Gluttons for punishment can scroll through the archives.

    If I’ve learned one thing about writers, it’s this: we really are all alone. Thanks for reading. Love, Betsy

You Could Stand Me Up At The Gates of Hell

Maybe because I was wearing my Johnny Cash shirt, but something got into me today. I met with this acclaimed film director to talk about a project. THe hour or so went really well, then we segued into the small talk before parting. We discovered that we both loved Blue Valentine and Ryan Gosling’s broken man thing. I ventured that I love Mark Ruffalo’s broken man thing even more. She totally agreed — so I started yammering about his other movies like  You Can Count on Me and Eternal Spotless Sunshine and she said, no, wait, it’s that other movie that he’s so great in. I guess Zodiac, and she says no, no, the one with Meg Ryan. I knew exactly what she meant but instead of saying In the Cut, I say you want me to eat your pussy in my best Mark Ruffalo impression. She rears back, like what the fuck! Idiotically, I say it again, only this time more emphatically and trying to pooch up my lip like Ruffalo’s,  you want me to eat your pussy.

What are you looking at?

He Didn’t Notice That The Lights Had Changed

I turned in my revised article to Poets & Writers today. I’m really hoping they take it because I could use the dough. And I’ve always wanted to get in there ever since they turned down my article about author photos eight years ago. I still can’t believe they didn’t snap it up. Speaking of snapping things up, I received three Monday morning rejections today. It’s a good fuck me Monday morning feeling. Saw my therapist today, usually I go on Fridays. I’m the same fucked up person on Mondays as I am on Fridays. Why is this day no different than all other days?

Two of my clients received amazing blurbs. Two of my clients are waiting for months to hear from their editors. Two of my clients are AWOL. I can’t get the dermatologist to call me back.  Jon Stewart is wearing glasses tonight.  I’ve always liked men in glasses. I did all the edits for the P&W piece on-line. Believe it or not, I’ve  never done that before. I wish my life had a track changes option. Show changes. Show final. Me on a slab ready for stuffing and lipstick.

What would you like your epitaph to say? AED once said mine would say, She Dieted. Ha ha. She got that right!

Andy Did You Hear About This One?

Constitutional Law Professor Kenji Yoshino offers a brilliant analysis of ten Shakespeare plays through the prism of justice, showing both the evolution of the law and its impact on contemporary issues of justice. David Orr‘s guide to modern poetry likens reading  poetry to visiting Belgium — not altogether unpleasant even if you don’t speak the language or know the customs. Hamilton Cain‘s lyrical evocation of a Southern Baptist childhood ultimately asks how our religions imprint on us, even when we lose our religion, especially when we face crisis. If you like sex and travel, pre-order Elisabeth Eaves Wanderlust, a memoir that covers five continents in 12 years as Eaves pursues an unfettered life. And for new and expecting parents, Morning Song is a must — a beautifully assembled collection of poems from Blake to Billy Collins by Susan Todd and Carol Purrington.

It’s an amazing feeling to get finished copies of a book you’ve sold,  a manuscript you’ve watched  develop for a year or more, the arrival of galleys, jackets, blurbs, all the phases of production, all the push and pull, the good cop, bad cop, the encouragement, prodding, listening, check chasing, etc. All that, like childbirth, falls away in the joy of holding that book. Of course, most authors think this is the end, but it’s just the beginning of the true torture known as a writer’s life. Clawing to get attention, the anxiety of bad press, no press, lukewarm press. The passive aggressive comments from friends and family. The publication party and the false smile lacquered on your face as deep down you feel like a fraud, and haunting bookstores and not being able to find your book and calling your agent, your voice high and strained because you don’t want to be needy or ungrateful, but god fucking damn it. So, to my darling brilliant writers with whom I have worked and worried beside, take a moment to hold that new baby (2.2 ounces), and for a brief moment feel really good because for the all the struggle, whatever happens or doesn’t, you are here, now.

Sometimes Your Dreams Get Broken In Pieces

I think I’m done with the five part series on fame. It’s all such a mind fuck anyway. There’s no winning the fame game because everything fades. Because someone else will be anointed, crowned, bequeathed, and beheaded. Of the many lies I hear writers say is that they would just be happy to have their book published. That’s like not being asked to dance after you’ve put on your party dress and stood eagerly all night on the sidelines. It’s like being the last girl at the bar, 3 a.m. with your legs shaved. You are the tree in the forest no one heard fall. The nail in your own casket.

How are we to understand this desire to write and the desire to be read. Are they the same or different? Is writing enough in itself. Would you quit if someone told you that you will never be published?

When I Give Love I Want Love in Return

FAME – A Five Part Series

Part Four

The all time best moment of my life was at a Christmas party last year. This scene actually happened IN FRONT OF MY DAUGHTER. I am introduced by the host to a young woman:

Host: This is Betsy, she’s written a book.

Young Woman: That’s cool. Is it anything I would have heard of?

Betsy: It’s a writing book.

Young Woman: Wait, are you Betsy Lerner?

Betsy: Yeah.

Young Woman: Oh my god, you wrote The Forest for the Trees. That’s a classic.

The only other moment that came close was when my dentist’s receptionist read my book, really liked it and now gives me preferential scheduling.

And fan letters. I think the fan letter may be the purest form of author appreciation. I receive two kinds  of fan letters. The first is where the person loves my book and wants me to sell theirs. As far as I’m concerned these don’t count. It’s like expecting a blow job just because you gave one. The other is where the person just loves the book and has no agenda. I get very few of these.

Please “share” a moment of fame or appreciation for doing that thing you do.

I Can’t Help It If I’m Lucky

FAME – A Five Part Series

Part III

When Food and Loathing was published, something exciting happened. I was invited to go on The Today Show. How the publicist scored this, I will never know. In short order, I was told that I needed a) a new look and b) media coaching. The shopping trips resulted as they always have since fifth grade: in tears. The media coaching was worse. A petite, perky woman with frosted hair,  a fat belt slung around her hips, and bright lipstick tried very hard to get me to sit up straight, look into the camera, and break me of the habit of going silent after a questions was asked, which apparently made me look brain dead. DNR!

I was summoned to the publisher’s office. He had seen the tapes. He said watching me was like playing violin at Auschwitz. I saw myself pulling the bow over the strings. I saw myself standing in Schindler’s line. As a child I had nursed many Anne Frank fantasies — this was not a reach. Look, he said you’ve got to get  a hold of this thing. He said I needed a universal response, a line I could use in any interview that would give me the upper hand, steer the conversation to make my points. He then brainstormed with me, helped me boil my book down into one beautiful sound bite.

Inside the NBC studios, the wardrobe lady ran a lint brush over my body, tsked, and sent me on my way. A make up lady coated me in pancake, and a hair stylist did what she could. I saw Matt Lauer in the hall. Tall! I was seated across from Al Roker, newly thin from his belly band. Four, three, two one: Al holds up the book and calls it the “feel bad” book of the year. High praise, indeed! Then he asked me what I was trying to say, and I pulled out my line. Well,  I said, all women have a secret eating life. That was it, the line the publisher gave me. And three minutes later it was over. Amazon figures dropped into the 100’s for a brief shining moment then skyrocketed back into the ether.

The way I figure it, I have 12 minutes left. What did you or would you do with your fifteen minutes of fame? Besides an Oprah bj.

A Hustle Here and a Hustle There

FAME: A Five Part Series

Part II

Your Picture Here

Do you have to court fame to get it? Network. Schmooze. Glad hand. Rub shoulders. Back slap. Kiss kiss? Do you need to drink all night at Breadloaf, hold court at Yaddo dinners, buy rounds at Kingfisher? Wear your tangerine seersucker to the latest Paris Review bash? Or did you fall off the parsnip truck, spit and cough your way to life? Did you shove your manuscript through the gate of a reclusive agent, meet an editor, by chance, on a plane?Do you serve yourself up like shrimp at a buffet. Do you dip yourself in cocktail sauce, pull a skewer through you vital organs?Do you write all night on the fire escape, in the boiler room, on a night train to the Czech Republic.

What do you want and how badly do you want it?

What You Like Is In The Limo

This begins a five part series on fame. I met with a publisher who talked about a writer we both knew at the beginning of his meteoric career. Now, twenty years later, this writer is still a big deal. The friendship had its ups and downs over the years, but the two were solid now. I asked if the quality of the friendship was still as good. No, not really, the publisher answered, he’s changed. How, I asked, though of course I new the answer as soon as I asked it. Fame.

We talked about that for a while. Some people seem to feel that fame confirms what they felt all along about themselves. For others, it brings on imposter complexes, insecurities, paranoia, etc. I wonder if it’s possible to remain unchanged by fame. What is it and why is is so desirable, cash and babes aside.

It’s Just A Box of Rain, Or a Ribbon For Your Hair

Meds? Check. Passport? Check. Notebook? Check. Panties, socks, striped shirts.  Check. Secret project? Check. Powerbars, pencils, lucky necklace, crap magazines, manuscripts. Check. Did I say Passport? Jesus Christ where did this day go? Going to London to bid farewell to one of my dearest friends and the agent who taught me the only thing you really need to know: play it straight. No matter what mess I was in, I could call Abner for advice. He’d listen carefully, turn it over, you could feel his mind working like a master chess player, and then he would  say, you know, I think you should play straight. Every time I went to London, he found a new restaurant for us to try that specialized in Dover sole because he knew I liked sole. And every time, after I took a few bites, he’d look at me and smile and say, “how’s the sole?”

Stayin’ Alive Stayin’ Alive Ah Ha Ha Ha

I met a BDP (big deal producer) today who was amazing. When he was a PYT, he optioned a magazine article from New York Magazine that became Saturday Night Fever. Saturday Fucking Night Fever. Bam! Better yet, he wasn’t a one hit wonder or the kind of person who keeps talking about his one big thing. I once had lunch with an agent who had one hit, and he literally talked about it all through the lunch. I had no idea what he was talking about but played along, or played dumb. When I got back to the office, I discovered that the book he was talking about was TWENTY years old.

My BDP became a studio head, had a great run, and is producing again with a very cool slate of MMP. (Off the record, in my heart of hearts, I believe I could have been a studio exec if I hadn’t been derailed by twenty years of depression. Totally ridiculous and arrogant, but there it is.) Anyway, this man struck me as the quintessential producer: curious, passionate, disparate and wide ranging taste, the ability to bring people together, working like a conductor who brings the forty-odd instruments together in a Mozart symphony.

Tonight’s question is, and I leave it to you to  make the leap, what will be in your obit? Mine will say that I was never convicted in a court of law for allegedly putting a candy corn in Amy Hahn’s ear at Janet Granger’s sixth grade birthday party sleepover. (Her parents took us to see Dr. Zhiviago which we were very upset to discover was in black and white, and add insult to injury they brought cut veggies and wouldn’t let us buy junk food even with our OWN MONEY); I wrote a CLASSIC on writing, a sink-under-the-waves memoir, I represented some thieves and geniuses. And please remember this above all: I never lived for the present nor did I make the most of every day.