• Forest for the Trees
  • THE FOREST FOR THE TREES is about writing, publishing and what makes writers tick. This blog is dedicated to the self loathing that afflicts most writers. A community of like-minded malcontents gather here. I post less frequently now, but hopefully with as much vitriol. Please join in! Gluttons for punishment can scroll through the archives.

    If I’ve learned one thing about writers, it’s this: we really are all alone. Thanks for reading. Love, Betsy

It’s Hard to Get By Just Upon a Smile

Let’s go back to basics. Query letters. Here are ten opening lines from letters I’ve received or concocted.

Dear Betsy: I am a huge fan of your blog and The Forest for the Trees, which I recommend to everyone I know.

Dear Ms. Lerner: Your agency website says that you like the hard to categorize.

Dear Betsy Lerner: I have written a fiction novel of 130,000 words called The Lost Letter.

Dear Betsy Lerner: Have you ever been afraid, really afraid?

Dear Betsy Lerner: I am a Harvard graduate and a Buddhist.

Dear Ms. Lerner: I am a survivor.

Dear Betsy (if I may):  I was about to give up writing until I read your book — I am the wicked child.

Dear Miss Lerner: Part memoir, part travelogue, this is the story of my return to Los Angeles.

Dear Betsy: My novel, The Launching of Fawn Roth, is about a young woman a lot like Lena Dunham.

Dear Betsy Lerner: I am writing to you because of  your personal interest in mental illness.

If you were an agent, which one would you respond to?

Anyone want to float their opener?

You Better Let Somebody Love You Before It’s Too Late

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I’ve never read a Tom Clancy novel and I probably never will. Still: respect. His obit said he bypassed children’s books as a child and read military history. Lord have mercy. I’ve always believed that obsessions from childhood dictate what we write, but that is really something. Also from the obit, “Mr. Clancy said none of his success came easily, and he would remind aspiring writers of that when he spoke to them. ‘I tell them you learn to write the same way you learn to play golf,’ he once said. ‘You do it and you keep doing it until you get it right. A lot of people think something mystical happens to you, that maybe the muse kissed you on the ear. But writing isn’t divinely inspired — it’s hard work.'”

I played golf for two reasons: to drive the cart and to have a makeshift egg cream which my dad made at the halfway house by mixing cream soda and Yoohoo. THe three rules he would repeat over and over: keep your head down, eye on the ball and follow through.

Though I also have to admit, and possibly from working with Patti Smith, that I have seen mystical things happen, but pretty much only when you are in the deep center of your work, completely obsessed and working like a mad man. (Do mad men work hard? Hmmm?)  But it can happen: a simile arrives unbidden and so perfect that you have ask yourself: did I pull that out of my ass or what?)

Any other decent sports metaphors out there for the writing racket?

And I can’t change Even if I tried Even if I wanted to And I can’t change Even if I tried Even if I wanted to My love My love My love

Novels are flying at my head. Thousands of pages flapping like seagulls at Brighton Beach. Stories from land locked countries, from the mouths of bats, from trains that never leave the station. From the station itself. How did you come up with so many sentences, so many girls named Cara or Carla or Quintana, or Ray. Did it start on a stair, a hill, a bucket, a pail? What’s it about? Well, that’s a good question. The beach, the mountains, a multi-generational tale of raisin bran. You are nothing like a summer’s day. Why do sympathetic characters bring out the sadist in me? Does anyone really change? Are you my beginning, my middle or my ass wipe? Hi, I’m Betsy and I’m addicted to prose. Oh, Daisy. Grow up. There is a big canister somewhere. Dear Betsy: I am writing to see if you would be interested in my five novels, a 874,000 word quintet about two slugs fucking in a snot can. Do you feel me? Oh mighty novelists with your big boots and musky armpits. Where would we be without you?

Where?

But When You Talk About Destruction

Did you finish your memoir, your novel, one lousy stinking poem? Did you read War and Peace? Rescue a dog? Yourself? Did you jump on the Yonana craze? Lose a notebook with all of your best work? Did you pick peaches? Fuck your wife? Fuck up your life? Did you take up cycling? Wonder why you couldn’t write. Did you talk to a woman at the farm stand? Was your family trapped by a rabid raccoon who attacked your dog and bit off half your finger? Did you think about everyone who died? Did you imagine their airless life? Did you give money to the guy at the entrance to the highway because his sign said he was hungry and for once you felt more compassion than fear? What does it take to write the sentences of your life? To live inside the mole hole? And come out with that grin on your stupid dirty face.

What did you do on your summer vacation?

Just Give Me a Reason Just A Little Bit’s Enough

Dear Insane People Who Write: Why do you like being dangled by your feet from the twentieth floor of a down-on-its-heels Marriott in a bankrupt city? Why do you like the feeling of your eyes being peeled back like the film inside a hard boiled egg? Was it worth removing your baby toe? Or turning a pimple into a mole?  Yes, I’m back for more Immodium; what’s it to you? Yes, I take sleep aids.  So what if you find me walking down a dark street in my nightgown? It was just a dream that lasted seven months and then I awoke. Why do you torture yourself unnecessarily, my father used to ask. Because necessary torture is for lightweights? You can no longer remember the name of the first boy you fucked. Or what you paid for your first house. If you had chicken or prime rib at your own wedding.  Why do you like to get punched in the face, apart, of course, from being a writer?

Got milk?

I Thought That I Heard You Sing

The other day I read a quote in the NYT that stopped me. It was from William Zinsser, who wrote the classic “On Writing Well.” He’s nearly blind at 90 and still coaches students, who read their work aloud to him. “People read with their ears, whether they know it or not,” Mr. Zinsser says. I totally get that. I mean I hear everything I read. Am I being too literal? I think it’s a profound observation about reading. And, by the way, still having the interest and stamina to help writers at 90. That’s just crazy for loco. God bless you, Mr. Zinsser.

What do you read with?

It’s a Wonder That you Still Know HOw to Breathe

Today, a client described the feeling of waiting for his book to come out in the new year. “One minute I know nothing’s going to happen, it’s already over.  And the next minute I’m winning the Pulitzer.” I’m not going to say the truth is probably in the middle because more likely than not nothing will happen, another worthy book will slip beneath the waves, or as a writer once said of publishing a book, it’s like carrying a bucket of water to the sea.

We can talk about the terrible odds of getting recognition. We could also talk of the writer’s ego, the grandiosity and the insecurity, the hopelessness and magical thinking. Or we can talk about the opening night jitters, the complete and total lack of control over whether you will be reviewed at all, and if so what will be said, and then, of course, will it sell.

I ask my client what he’s working on. It’s a sleight of hand question to distract him from the oncoming traffic, but I also think that a new project is the hair of the dog and the only way to move on, move forward, to understand that this one book is just that: this one book. It does not a career make (unless you are Harper Lee). Or, like me, you can continue to shamelessly flog a ten year old book. I’ve seen embittered writers who swear off ever writing a book again, write again.

I don’t think it’s about the triumph of the human spirit. In fact, the desire to keep writing and publishing is more likely a triumph of human perversion. I want to know: does it ever get easier. Does a writer ever say, I’m good. Or, I’m happy. Or is that for other people?

My Baby Does the Hanky Panky

A friend told me that she was going to writers “conference” this weekend. Those quotation marks looked mightily suspicious to me, so naturally I emailed her back. What’s his name? She wrote back, “I wish.” Now, I ask you, what is the point of going to a writers conference if it isn’t to swap saliva? All that built up tension, anxiety, insecurity roiling through the workshops. And don’t the girls look so pretty in their indian print shirts and espadrilles. And the boys all old spicy. Who, after all, could make a better lover than a writer? Someone who is sensitive but strong, deep but shallow, narcy and giving all at the same time.

Once, at a writers’ conference, we canvassed all the women and asked them who they would rather sleep with, Richard Ford or Tim O’Brien. I guess that dates me a bit. Ford won, by a landslide. What writer would you most like to sleep with? Living or dead?

I Know You’re Gonna Leave Me But I Refuse To Let You Go

I was invited to participate on a publishing panel last week at NYU. The last time I saw that many eyes glazed over is when I was student there thirty years ago. The panel never really came together, and I think I alienated a fellow panelist right out of the gate. He was lamenting the fact that  writers couldn’t make a living just writing anymore. If five percent of writers make a living writing I would be surprised.  I said that no one invites you to write, no one cares if you do, and that it is against the world’s indifference that you create. If you are lucky enough that the world loves what you write, then perhaps you will be among the few who make their living writing. The rest of us get up at dawn or write all night, or write on vacations, or quit for years and hate ourselves in an even more special way. Is it fair that a thriller writer can make millions and poet basically nothing. Is it fair that a “popular” historian can make millions while a scholar puts twenty years into a book for which he will be paid $5,000? Fair? If my mother raised me on one consistent mantra it was this: who said life was fair? And she said it after I wailed about the great injustices of life: my sister getting a larger portion of mac and cheese, the fact that I had to wear her hand me downs, including a set of faded olive Danskins. Enough said.

Even though  I work every day to get money for writers, I still don’t think they are owed a living. They have to produce work that has popular appeal. And some have to work at it a very long time. The writer who comes out of the womb clutching a bestseller is rare, indeed. As far as I can tell, it’s a long distance race, it takes stamina and creative drive and fierce self-belief.

What say you?

I AM WHAT I AM AND WHAT I AM IS AN ILLUSION

What to do, what to do, O Betsy Lerner? I’m a writer with a quandary, seeking your wisdom and experience.

On to the burning issue at hand. My creative nonfiction is finally selling and a total gas to write, while my fiction writing is painful despite a promising plot, characters, and agent interest. I’m tempted to bag the novel in favor of more enjoyable nonfiction endeavors, but worry I will regret it forever if I don’t see the fiction project through.
The details, you ask? Okay, but only because you asked; I hate to impose. 

After my agent was unable to sell my first memoir (blergh), I have done pretty well selling chapters piecemeal to newspapers and magazines on my own this year. I have had a blast seeing my words in print at least once a month in one publication or another and cashing the (small) checks that arrive in the mail. I adore writing creative nonfiction, and often can’t wait to sit down to write when inspiration strikes. It’s a rollicking good time for me, and if the past year has been any indication, I’m pretty damn good at it.
And then there’s the novel. My first fiction, a YA book based on a really compelling true story, and the first 30-40 pages rock, if I do say so myself. I’m a teacher, and this novel is exactly the sort of book I’d love to put in the hands of my strong middle school readers. My lovely agent does not rep YA, so she gave me her blessing to find another agent who does. She, too, rocks. The first chapter and summary are currently in the hands of an agent who asked to see a chapter after one of his clients (an old friend of mine) raved to him about my work. No news yet.
Deep breath.
In your experience, is it worth it for an author to chip away at something that’s painful to execute and outside their comfort zone, or should said author continue to ride a wave of success while it’s got momentum and has the potential to fuel more work? NAME WITHHELD

Dear You: When I was younger, I believed that degree of difficulty was an essential part of any artistic equation as if writing were an Olympic sport and you could gain extra points for level of difficulty on the dismount. Now that I am old and time is running out, I think you should  follow the money, and by that I mean do what you’re good at, succeed, buy a condo. Success tends to breed success. Or it brings opportunity or it buys writing time. In some ways, your story doesn’t compute because you didn’t quit after you failed to sell your memoir. You still pushed it out there and met with success. You also don’t say what makes writing the novel so painful. Perhaps it’s that deeply pleasurable kind of pain, like pushing down on a bruise to make sure it still hurts.

It’s funny. I fancied myself a poet in my youth. I got an MFA in poetry, won a few prizes, got a few poems published, went to tons of readings and bought tons of poetry books. The poetry section is still the first I check out in any store and judge it by its collection. When people ask me why I quit, the answer is: it was too hard, I wasn’t good enough. Though another answer might have been: I wasn’t temperamentally suited to that life. And another: I was a pussy. Or, I quit when it got too hard. Or, Keats. Or, my brain stopped thinking like a poet’s. Did I think I was going to write an advice book? NO. Did I think I was going to work on my fifth screenplay? NO. Did I think I was going to write a memoir. NO NO NO. Did I think I was going to write a tv sitcom? NO. What is the point? I don’t know. Except I think writers ultimately write what they can. I wanted to be Anne Sexton, I wound up Erma Bombeck. You write what you write. You are what you eat. There are no career moves at the end of the day. Just you. And the shrimp special.