Dear Betsy,
I signed on with a prominent New York agent to represent my debut novel, but in the end she wasn’t able to sell it. (She only tried selling to some of the big houses.) Despite the fact that most of the editors wrote glowing reports about my novel, they were hesitant to take a chance on it in this difficult market. My agent and I have now parted ways. Is it a waste of time searching for a new agent? Will I be considered “tainted goods”? I would really appreciate some sage advice. I am not sure how to proceed.
Thanks so much!
Dear Tainted:
I’m afraid it’s over. Not all aspiring writers understand that when you make a submission to Joe Blow at Random House, that he speaks for Random House. If he rejects it, you do not have the opportunity to try his colleague Jane Blow down the hall. You get exactly one chance at every house. When we make up a submission list, we think long and hard about which editor to send it to because you only get this one shot. So a new agent will not be able to resubmit for you if your agent basically covered the waterfront. Your parenthetical about your agent only going to big houses — that’s appropriate and what most agents do. You, however, can try small presses and should. Look at Tinkers. You need to find a new agent when you have a new work. Why did you guys break up? It sounds like you had a lot of close calls and much reason to think the next book might sell. I hope you’re back on the mule. Thanks for writing.
Commenters: can we have some spectacularly nasty stories about break-ups with editors and agents to get us through the night?
Filed under: Agent, Protocol | 30 Comments »

This post is a little out of keeping with the blog’s usual dyspeptic take on life and publishing, and I apologize if I offend anyone. But today, dear readers, I am in love with my clients. No, I am in awe of them, inspired by them, grateful for them. And I’m not just talking about a certain someone whose life story garnered 


Going to a writer’s conference tomorrow where I hope to inform and inspire. Who am I kidding? I’m hoping to sell books. Lots of ’em. And try not to devastate or discourage anyone too much, or sound like a yappy insider.
After being away, I was excited to see what the postman had for me in my Ask Betsy Account. What do I get: bullshit. First, let it be known here and now and for all time: I do not need Cialis. I can still get it up, thank you very much. And I can keep it up. And I know what to do with it. So basta with the Viagra ads. NEXT, stop pitching bad projects and paragraphs full of bad plots for women’s (kotex) fiction. I don’t read it. I don’t like it. If you want to do this, send it to my LITERARY AGENCY WHERE I WORK at: mail@dclagency.com and an intern will reject it and I will never have to lose my boner.
Today, a
As you could have probably guessed, my “Ask Betsy” feature of the blog is getting a lot of traffic. However, most of the emails are not questions. Most readers are using it to pitch their projects. So, it’s sort of a slush pile/question box. At first, I was really pissed about it. It’s not at all difficult to find my agency email for chrissakes. Then I thought maybe I was being too uptight. I mean for fuck’s sake, who cares where a great project comes from, my agency email, my blog email, my ass. So I dutifully read through the queries hoping to discover the next Ordinary People (according to publishing lore, it was found in the slush).
If you want excellent advice on how to write a pitch letter, go to
I’ve known authors over the years who balk at boiling down their book to a few sentences. “I”m not good at it,” they cry. I’m sympathetic; it’s extremely difficult to do, and may be impossible when you are in the middle of it. It takes time to figure out what a book is really about, as they are often about so many things. But it’s critical if you want to hook someone. Just imagine yourself at a party. You discover someone writes. You ask, what is your book about? They reply with a five minute plot description. I would guess that by the end of thirty seconds you find yourself wishing you were never born. Now imagine the writer responding, “It’s about a woman who kills her therapist.”


