• Forest for the Trees
  • THE FOREST FOR THE TREES is about writing, publishing and what makes writers tick. This blog is dedicated to the self loathing that afflicts most writers. A community of like-minded malcontents gather here. I post less frequently now, but hopefully with as much vitriol. Please join in! Gluttons for punishment can scroll through the archives.

    If I’ve learned one thing about writers, it’s this: we really are all alone. Thanks for reading. Love, Betsy

And in the end the love you take is equal to the love you make

I had lunch with an editor today who asked me what I get out my blog. Ask not what your country can do for you. What do I get out of my blog? Lots of tickets to movie screenings. Suitors. Bracelets.  Vajazzle kit. New clients. Hate mail. I get invitations to dinner parties, cocktail parties, birthday parties and book parties. I get duck eggs delivered to my door. What do I get out of my blog?  June, July, August. I get phoney phone calls and parlor games. I get to feel the heat of ten thousand wings beating. The smooth underside of dog’s belly. I get a horse and carriage. What do I get out of my blog?

What do you think?

p.s. love and extra puppies to Shanna.

And If That Mocking Bird Don’t Sing

Editing is still the love of my life. It’s like working on a 3,000 piece jigsaw puzzle. You start with the border. You follow the patterns, each piece locks into the next. Crappy simile aspiring to be a metaphor. Drew Barrymore on Colbert. She is so completely adorable. What the fuck is she wearing? I think I’m winding down, guys. The tank is empty. Ha ha. My business partner calls me The Tank, and I see myself rolling across the desert, squashing a gila monster. I think I have to go back to reading before I go to sleep instead of tap dancing. My husband is quietly snoring, a Geoff Dyer book splayed open on his chest. I will take it off and mark his page, turn out the light.

What do you do before you go to bed?

Michigan Seems LIke A Dream To Me NOw

When I finished teaching and got on the plane to come home, I fell into a deep sleep. On the drive home various moments from the day sifted back to me. The woman in a white sweater taking copious notes. The young man behind orange tinted glasses with a strange story about a ghost. The man in blue denim shirt in the front row who never spoke. The woman with black hair and a distinctive part and nose earring, whose questions were sharp and pointed, and I nicknamed her Dragon Tattoo.

I worked hard to make them laugh (what is this, Comedy Central?), and most difficult of all, to send a positive message. I so wanted the students to take something good away. Some shard of hope, some spark of inspiration. I  looked out and saw half a handful of kids with their eyes at half mast. Some, eager sardines. All that you bring to the river, all that you write, all you know in your heart to be true, this is what matters, this is your art, this is your life. Others were thinking about lunch, or bunions. I myself went into a mini fugue state. Did I buy dog food? Should I leave therapy? Where did I leave my phone? Is that your umbrella? The long hand of the clock stood still. I lifted my eyes and the room appeared as a garden of marigolds, and I reached for one.

Is It Hard To Make Arrangements With Yourself

First of all, I’m in Texas so all bets are off. Tomorrow, I crush the hopes and dreams of some forty graduate students and creative writers. And who said being an agent isn’t fun? Plus,  I’m writing from a room that could double as Gertrude’s bedroom for the wine-colored drapes that hang from ceiling to floor and whose folds doubtless harbor a murderer.

Do you hate your mother? Did your father compete with you? Are you too much for other people? Too sensitive? Arrogant?Do you think you’re gifted? Do you feel alone except when you’re writing? Do you look good in a beret? Do you think you’re better than other people? Worse? Are you terrible at parties? Are you constipated? Do you hate sex? Are you a wonderful kisser, your lips perfect? Do you feel that language can save you, its sounds and strains something akin to music or painting or dance. Bach, Picasso, Nureyev in flight.  Are you my love?

Those School Girl Days of Telling Tales

As a young college girl, I took a course on comedy with the late and great Charles Ludlam, founder and creative director of the Ridiculous Theatrical Company. I also worked backstage on two productions. I learned so much from him, about timing, about timing, did I mention timing? And once, when he sent me and a techie to fetch costumes from storage, we dressed up and made love in a coffin. When Charles was asked how he was so prolific, he responded that he never faced a blank page. He always stopped mid-page so that when he returned to his typewriter the next day there was something in progress. And I freely pass that smart advice to you my darling readers.

What advice have you got? For me. For us.

You Are the Song That the Morning Brings

Dear Betsy,
I am a huge fan and I rarely like many people sooo that’s how much I value your presence through your blog. My question: Do you recommend getting “away” for writers?

My book is two thirds of the way through the first draft.  For the final push and second draft, I was thinking I really need to get away from my family for a week or two.   Am I kidding myself?  Will this help or should I be able to write anywhere? 

Thanks a million, NAME WITHHELD
Dear Escape Artist:
This is a fantastic question. I’ve always been dubious of writers who need to sequester themselves to get their work done, and I’ve equated doing so with the “geographic cure” popular among drug addicts and alcoholics. Or, to use my mother’s words, you take your problems with you. Or you can’t run away from them. Or, if you can’t write at your own desk, you probably won’t be able to write on a deserted beach.
But you’re talking about making that final push. Yeah, if you can afford it, I think it’s a great idea if you’re temperamentally suited to isolation. I also believe that being quiet for long stretches when you are deeply focusing on your work is ideal.
When you no longer have to serve up the tater tots, or decline brochures from the witnesses, or spread pet friendly rock salt on the drive, or  Woolite your teenager’s lace bando, or worry about the dog’s glands, or make conversation with the dry cleaner’s wife; when all you have to do is pull a robe around lumpy body and write, take a long walk and figure out how to make a transition that’s been vexing, when you can eat a sandwich over the sink so as not to dirty a dish, when you only have so much time and you are old enough to know how to use it, then, yes, it’s a great idea. But if all you think you’ll do is eat Ranch Doritos and surf porn, you really ought stay home.
Where do you go and what do you do?

And Every One Of Them Words Rang True

Twenty-six years ago on a freezing day in late January, I checked myself into a hospital. All I had with me to read was a Robert Frost poem folded into my pocket, given to me by Richard Howard, my beloved poetry teacher. I was long out of the practice of memorizing poems, but I memorized this one as I waited the long and terrifying hours until I was admitted. And I read it over and over again. In the hospital library I would find three other books that would keep me company during my long stay: Don Quixote, Middlemarch, and August. But it was that poem that kept me alive.

THE MOST OF IT

He thought he kept the universe alone;
For all the voice in answer he could wake
Was but the mocking echo of his own
From some tree–hidden cliff across the lake.
Some morning from the boulder–broken beach
He would cry out on life, that what it wants
Is not its own love back in copy speech,
But counter–love, original response.
And nothing ever came of what he cried
Unless it was the embodiment that crashed
In the cliff’s talus on the other side,
And then in the far distant water splashed,
But after a time allowed for it to swim,
Instead of proving human when it neared
And someone else additional to him,
As a great buck it powerfully appeared,
Pushing the crumpled water up ahead,
And landed pouring like a waterfall,
And stumbled through the rocks with horny tread,
And forced the underbrush—and that was all.

Has a book or poem ever saved your life?

On The Day That YOu Were Born THe Angels Got Together

A very wise and generous person read my script and had the following insight about my so called unlikeable main character. He said that it wasn’t really his story and that the emphasis was misguided. In fact, I had started the movie with him and it’s really about the female lead. Start with her. He thought the character was fine, he needed to be minimized, co-opted differently. In all my years of editing authors, I had never proposed an insight like this. It was a lightening bolt and I’ve been re-writing like a mother fucker ever since. I’m talking like the old days getting up at five and keeping at it until my back cries for mercy. Other readers helped me kiss good bye some awful flashbacks, and quash some really stupid scenes. And I’m told Goth is out. Good to know.

I’m almost finished now and I just can’t believe how that one key unlocked the whole mother fucking thing for me. I’m not going to say it’s like giving birth because writing is so much harder than popping out a cherub. Anyway, dear kind sir and friends, thank you. May the lord bless everyone with astute and generous   readers.

What is the worst piece of feedback you ever received?

 

I Hate To Turn Up Out Of the Blue, Uninvited

 Do you read the Garnet Hill catalogue and think your life might be nice if you were the one really pretty teacher in a large public school? Are you lying to yourself about your desire for fame? Did you remember your father’s birthday, now seven years gone? Are you constantly hungry? Do you think you saw Paul Mckenna and realized it wasn’t Paul McKenna and tried to recall what did or didn’t happen with Paul all those years ago. A Lean Cuisine and a wank. And always the city with her anonymous embrace. All the faces you can’t recall, and then a line of young children in bright puffy jackets holding on to loops on a rope so as not to get lost. Cue danger.  Stop crying. This is your brain not on drugs. This is  your beautiful house. Do not write this down unless you want to forget. 

Tell me one thing.

Hey, Hey, Mama, Said the Way You Move, Gonna Make You Sweat, Gonna Make You Groove.

I feel like saying something that might be unpopular, but I don’t believe that “characters write themselves,” that they “have minds of their own,” that they “do things you didn’t expect,” etc. To me that’s like saying a marionette moves his own strings, that an onion peels its own layers, or a nose picks itself. Writers say things like this to me all the time and I struggle to understand. For me the whole joy of writing is being the great and mighty Oz. It is true that sometimes, in the writing, aspects of story or character reveal themselves. But to my mind that’s from years of practice like developing the ability to see many chess moves ahead, or playing a riff like Jimmy Page.

Do your characters act on their own volition?