• Forest for the Trees
  • THE FOREST FOR THE TREES is about writing, publishing and what makes writers tick. This blog is dedicated to the self loathing that afflicts most writers. A community of like-minded malcontents gather here. I post less frequently now, but hopefully with as much vitriol. Please join in! Gluttons for punishment can scroll through the archives.

    If I’ve learned one thing about writers, it’s this: we really are all alone. Thanks for reading. Love, Betsy

Oh But What a Shame If All We Shared Can’t Last

Well, I wasn’t going to make a big deal about it, wasn’t even going to say anything, I mean really who cares? What am I, ten years old? Is this pin the tail on the donkey? A pony ride? Is this the peanut hunt that turned into a Hitchcock film when a child stepped  into a hole that turned out to be a bee’s nest? Is this the cake that said in pink icing: Happy Birthday Besty? Besty! Tomorrow, I am fifty-two years old. And I want to say unequivocally that I am very happy to be alive, that being alive is better than being dead. And if I have just one wish it is this: that you work with all your might and love with all your heart and never lose hope and never give up.

And So Become Yourself

They fuck you up your mum and dad, wrote one of my favorite poets Philip Larkin. They fill you with the faults they had and add some extra just for you.

Do your parents fuck you up?  On purpose? By accident?  Benign neglect? Intrusiveness? Abandonment? Smothering? Guilt? Disapproval? Rejection? Death of Salesman? Do you write in spite of them? Because of them? To escape from them? To hide? To reinvent? To damn them? To love them? Are they the source of your strength, your creativity, your discipline? Your gift? Are you the whistle blower? THe ticking bomb? Mommy Dearest?  Do you write out of pain? Are you lonely, lonely, lonely? Will you never be good enough? Are those your parents sitting in the auditorium as you collect your national book award? Is your dad wearing a knit tie? Is he eager to get the car and get back to New Jersey? Mom loves you but hasn’t read your book, can’t really approach it. She is very proud but is fixated on the girl two rows up whose neck is covered in an enormous butterfly tattoo. What kind of a family could she be from?

Did they fuck you up?

Well Sometimes I Go Out By Myself and I Look Across The Water

Just push through, of course you have bad days, you can’t put out everyday, you’re not even working, you’re kidding yourself, you’re too old, don’t tell people you’re writing a screenplay, you sound like a douche bag, that producer was just being polite, that fucking asshole didn’t get back to me. Should I follow up? Don’t be a douche. You’re weak. The script is good. Good not great. It’s too careful. People don’t act like that. You don’t know what you’re doing. Can I overdose on Coke Zero? Does anyone have a cigarette? WHat would it be like to quit and just live. Work on my collections: buttons, ribbons, lacquer pens, antique cigarette boxes, scarves, and mass cards. Is there a better feeling than killing a line? Or moving your rook? If I were a man I would walk all night, sit with my legs apart in wide V. If I were a girl I’d wear heels and bracelets and Amy Winehouse eyeliner.  I think there are only so many combinations of ideas. So many sentences. There is a finite number of semi-colons; please use them sparingly. Yes, two fucking snowflakes are alike. Yes, the watched pot will boil eventually. Yes, cliches are like corn on the cob. Yes, you are a complete original. This is your life, this is your life chained to a desk, chained to a hope, chained to a dream.

Are you free?

You’re Just Too Good To Be True

You know the great Faulkner dictum: In writing, you must kill all your darlings. Is it true? Are the pieces you love the most and are most recalcitrant about giving up the very pieces you must kill? Does your desire to hold on to them indicate a blind spot on your part? Something precious or too personal or just bad? Does loving it so much point to a lack of objectivity?  Are your darlings the best or worst of your work. Is killing the darlings a good rule of thumb or yet another fucked up twisted mind game known as writing? I spent last week killing two darlings from my screenplay. And three monologues that I loved way too much. (Yes, it’s true, I love nothing more than writing dialogue for old Jewish men taking  a shvitz.)  I have to confess, stripping out those characters and sub-plot opened up the whole fucking thing.

Two part question: do you believe you have to kill your darlings & tell us about a darling you killed.

I Still Don’t Know WHat I Was Waiting For

MEMO TO SELF: Take head out of sand. Here’s an article from today’s Galley Cat about self-published authors getting on The List. I gotta say, even though it puts me out of a job, I really admire people who get their work out there. I know I’ve asked before if you feel self-publishing is an option. Most people say as a last resort. When I’ve asked how many read on devices, very few say they do. From this I glean that this group is a bunch of beautiful papyrus loving luddites. We like to hold books, feel paper and sniff the glue.
Is tomorrow’s bestseller languishing your computer?

Self-Published Authors Make NY Times Best Sellers List

By Dianna Dilworth on August 2, 2012 2:42 PM

Four Smashwords authors made The New York Times Best Sellers list for eBook fiction this week. Many of these authors have also topped our Self-Published Bestsellers List.

AppNewser has more: “Author Colleen Hoover‘s book Slammed is No. 8 on the list and her title Point of Retreat hit No. 18). Author R.L. Mathewson‘s book Playing for Keeps ranked at No. 16 on the list and author Lyla Sinclair‘s book Training Tessa hit the No. 17 position and Bella Andre had three titles on the list If You Were Mine at No. 22, Can’t Help Falling in Love at No. 23, and I Only Have Eyes for You at No. 24.”

Smashwords CEO Mark Coker encouraged writers to consider his platform when he blogged about the news: “maybe tomorrow’s bestseller is languishing on an undiscovered writer’s computer, still waiting for a publisher to give it a chance. Maybe that writer will now realize they don’t need the blessing of a publisher to become a published author, or to reach readers. Maybe they’ll realize that that the tools to publish and distribute a book are available at no cost, and the knowledge to professionally publish is available for the taking. It just takes effort.”

To help GalleyCat readers discover self-published authors, we have compiled weekly lists of the top eBooks in three major marketplaces for self-published digital books: Amazon, Barnes & Noble and Smashwords.

How Could SO Much Love Be Inside Of You

Lately, I have to say, and I don’t mean to brag, my clients are killing it. Almost everyone is writing at the top of his game.  Sentences are unfurling. Ideas realized. Great titles pulled, like rabbits, from hats. Killer blurbs delivered. Films optioned.  Most of all: great writing. Right now I love opening attachments from my writers and you know who you are. It’s an amazing feeling after 27 years to feel so happy and proud of the scoundrels and thieves also known as your clients. When they are healthy and writing and being productive, that’s the happiest feeling for me. And it’s hard  won, pushing those boulders up those mountains. Take a Client to Work Day. I Heart Clients. I Break for Clients. It’s not to say that these relationships don’t wear you down, are sometimes fraught and intense and difficult, but there is also this: trust. A client putting his faith in an agent, an agent putting his faith in a writer.

You know I love bad agent stories, but tonight indulge me: any good stories?

A Girl Put a SPell On Me

Twelve years ago, when I was just starting out as an agent, a manuscript came my way that was haunting, deeply sad, and at its center was a mother daughter drama played out against the world of clairvoyance and the occult. There was also a murder any one of us could have committed. Amazing book I was very proud to have worked on.  Afterlife  has just been reissued as part of the wonderful librarian Nancy Pearl’s Book Lust Rediscoveries. Tonight, the author Rhian Ellis has graciously agreed to answer some questions. Also for your viewing pleasure is a promotional video for the book. Thank you, Rhian! And congrats.

1)      What kinds of writing do you outside writing fiction?

Emails, shopping lists, letters to the editor, doctor’s notes, and anonymous blog comments. I would like to write ruminative essays, but I can never get the tone right. I constantly turn ranty.

2)      How much do you plan in advance and how much develops as you write.

I like to see the end when I start, or at least an end. Seeing the end is a kind of rudimentary structure — you can veer off-track, but at least there is a track. I’ve found that if I don’t have a good sense of where I’m going, I follow my whims into the swamp. But on the other hand, if I outline too much I get bored. It has to be a careful balance between surprising myself and keeping myself focused. To be honest, I find it a really difficult thing.

3)      What is the secret to writing characters?

I try to pay attention to how I perceive real people and make characters who inhabit the world in a similar way. What makes people distinctive? I think physical description is really important — not “six feet tall, blue eyes,” but maybe “awkwardly tall, crazy eyebrows.” Once I can see them, the personality follows. I used to steal stuff from people I know, but that’s a really bad idea. No matter how hard you try to disguise them, people recognize themselves.

4)      Your novel asks the questions: what is real? What is faked? How does that apply to fiction?

The book is really about writing, which I’d forgotten. Writing and mediumship both depend on the ambiguity of truth. Fiction has to feel true, even though you know it’s made up. It has to say true things. I came to decide that’s how mediumship works, too. A lot of the things Naomi says about being a medium is actually channeling me, talking about writing.

5)      Did you research clairvoyance; how did you create the world?

There is a real town like Train Line in Western New York state — Lily Dale, NY. I grew up nearby and spent a couple of summers working there. So the world was pre-created, which was handy. I also read a lot of books. For years I’d been finding stuff in the paranormal section of the library — I love that stuff.

6)      Can you talk about the mother/daughter relationship and how you created the tension between them?

The mother in the book is nothing like my own mother, in that mine is not hectoring and overbearing, but I did draw on our own intensely close relationship. It nearly killed me to break away and go to college, back in those days when it was too expensive to call more than once a week. I gave Naomi the same kind of relationship with a different mother, and then gave her reasons to never break away.

7)      What are you working on next?

You know I have been working on something “next” since late last century. I am a mess: I start too many things and finish too few. But it is my life’s goal to send you something before you retire from agenting and become a full-time screenwriter. So I’m taking suggestions!

P.S. Of all the wonderful gifts clients have given me over the years, this one from Rhian holds a special place in my heart.

If I Can Make It There

It’s official. I move to Brooklyn tomorrow for the month of August. Got the keys. Dropped off a suitcase. Tonight: pack meds and computer, leave a check for the dog walker. I’m not going to set myself up for failure with unrealistic goals. The plan is to finish my screenplay, write my new sitcom, adapt Food & Loathing into a YA (hey, I already have the first sentence), lose 10 pounds, run every day, and invent the next Facebook. (Oh, and agenting. Hello?) Wish me luck!

What does your August look like? What are you getting done?

That Her Face At First Just Ghostly

Some consider it morbid, but the only thing I like writing more than my Oscar acceptance speech is my obituary. My husband has lovingly reminded me that agents don’t generally get eulogized in the NYT, but a girl can dream. I would like my obituary to mention that I devoted my life to writers and books. I’d like it to say that I was punctual.  And of course I would like a handful of books to be mentioned, those that were career defining, those that people truly love. I think I will die in my mid-Eighties from accidentally lighting myself on fire with a cigarette,which I will be smoking in a linen closet at the nursing home.

How will you die and what will your obit say?

What If Your WOrld Should Fall Apart

What were you hoping for? A thick medal with a ribbon the colors of the flag. A long line of people shifting their weight? Was it fingers smudged with typewriter ribbon from fixing a sticky key. Were you hoping to find a new way to describe a flock of geese, a craggy promontory, a kiss goodnight? Is this your notebook? Is this seat taken? Are you elevating, this being August? Did you go to the reading? Did you fuck a great writer? Did you lose his favorite pen or steal it? Does time fold in on itself like some gorgeous origami? Is that your writing desk? Can I see what you’re working on?

What is it like, your writer dream?