• Forest for the Trees
  • THE FOREST FOR THE TREES is about writing, publishing and what makes writers tick. This blog is dedicated to the self loathing that afflicts most writers. A community of like-minded malcontents gather here. I post less frequently now, but hopefully with as much vitriol. Please join in! Gluttons for punishment can scroll through the archives.

    If I’ve learned one thing about writers, it’s this: we really are all alone. Thanks for reading. Love, Betsy

Hey Little Girl is Your Daddy Home

One of the first books I ever signed up as young editor came in with the title, something like, I Hate Myself and Want to Die. Did I jump on it? Hell, yeah. And thus started my hair-raising, maddening, hilarious, heartbreaking and ultimately toxic relationship with Elizabeth Wurtzel. She died earlier this week from cancer at 52 and it feels like a hurricane has left the island of Manhattan. Elizabeth didn’t write so much as stick a pen in her vein and let it flow. She was funny, furious, impossible, exhibitionistic and I would have given anything to be as seductive, forward, and fearless. Working with her was like inhaling the most amazing second hand smoke and I was intoxicated from the first whiff. Somehow her passion for madness and mine for order produced three books that I feel honored to have worked on. Her extraordinary memoir which was eventually titled Prozac Nation, then Bitch which is a brilliant book about women, feminism, and sexuality. Was it wrong to pose topless flipping the bird for the jacket? And her last book, More, Now, Again, which was a chronicle of drug addiction, specifically Ritalin abuse. Elizabeth and I parted company as agent and client, and we didn’t stay friends though we promised we would, the way you do, in the midst of a painful breakup. Elizabeth kept a suitcase of her fan mail. It was filled with hundreds of letters from mostly young women who said Prozac Nation saved their lives. Elizabeth loved pawing through them and sharing them with me the way others might run their fingers through pearls.

Thank you, Elizabeth. I think this was your favorite photograph. It was definitely mine.download-2.jpg

 

Remember the Day I Set You Free

It’s 10:20, do you know where your Golden Globe is? People knock the Globes and award shows in general. They’re too long, they’re self-satisfied, rigged, the monologues are terrible, etc. Here’s what I have to say: SO WHAT? People ask me why I watch them and the answer is simple: because I want to win one. Because I want to thank the Foreign Press Corps and my fellow nominees. I want to be at one of the back tables and have to walk the entire length of the room when they call my name. When I recite one of the million acceptance speeches I’ve written in my head over the years. 

Who do you have to thank?

I Am I Said

Went to bed at 11:45 as my own special poke in the eye to New Year’s eve. Broke my diet first thing today. Fuck you resolutions! Here’s what I can tell you. Hold fast to those you love. Write every day even if it’s just a sentence, a snippet of overheard dialogue. Read more. Form a writer’s group. If you’re stuck, go back and make an outline. Spend three months on your outline. If you’re stuck, go back and develop your characters. Get back into therapy. Get back on the Stairmaster. Bake a cake, pull weeds, practice scales. Sleep late, irritate someone you love, remember to bring bags to the Stop and Shop. And to all the freaks and geeks who still visit this site: Happy new year. I love you.

What to you hate?

And It Wouldn’t Be Make Believe if You Believed in Me

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Why is everything curated from artisanal pickles to a reading series in Dumbo.  One editor I met at a lunch date said she curates her Instagram account. You mean you put up pictures that you choose?  How does a smart Vassar graduate recently promoted to assistant editor say, over cobb salad, that she’s curating projects in the non-fiction space. I give up. Stop with the curate. Stop with the space. It’s happened. I’m no longer that young thing in a rust colored raw silk blouse and a black Ann Taylor suit trying to impress some agent bitch with her lacquered nails and signature necklace. I hate the world right now. I’m in the self-loathing space.

What are you curating.

 

I Can See All Obstacles in My Way

Finished the fucker last week. Hold your applause. But, yes, thank you. Any toe over any finishing line is worth celebrating. I had a plate of spaghetti.

What do you do to celebrate finishing a book?

You Are My Love and My Life You are My Inspiration

 I don’t believe in inspiration. I believe in compulsion. Anything I’ve ever written, including when I wrote poetry, came from self-loathing. I never saw any light, angels, symmetry, never heard a muse, never lit a candle, saw Jesus in the tapestry or golden scroll unfurl with a string of notes only God could hear. I wrote out of pain, loneliness, confusion and desperation. I needed to keep diaries. I never said, “I really should write every day.” I wrote every day and it was a cross between a school girl’s cry and a banshee’s screech. I was compelled to write as surely as a leech needs to suck blood from a dying man. I was compelled to write because I was depressed and it was how, bucket by bucket, I pulled myself out, if only for the time I was actually writing. No halo effect. No resonance. No satisfaction. No after glow. In this way writing, for me, is like a contact sport, a staring contest, a long and exquisitely held grudge, a splinter. That’s what writing is like for me.

And for you, Boo boo?

God Save Your Mad Parade

“Life is a racket. Writing is a racket. Sincerity is a racket. Everything’s a racket,” as spoken by none other than the late, great Nick Tosches (1949-2019). I have to admit, this quote comes about as close to my life philosophy as anything I’ve ever seen. Insincerity is also a racket. Love is a racket. Friendliness is a racket. Hopes and dreams: big racket. Being nice, gossip, NYC, racket, racket, racket. Nature is not a racket. Good self-esteem may seem like a racket, but it isn’t. Your book advance, your number of followers, the idea of following is a racket. Publishing is a racket. Believing that you can make a difference is not a racket, though it often gets dressed up as a racket. Rachel Maddow, Starbucks, Netflix, New Yorker, the guy on the home page of Chase on-line.

What’s your racket?

 

You Take a Piece of Me With You

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What exactly does it mean to be in love with the sound of your own voice and why is that a bad thing, apart from the fact that it’s bad a thing. How does it manifest? Cleverness, for sure. Overwriting. Showing off. Maybe ascending to the second highest rung of the ladder is more canny or effective than going all the way to the top. False humility is also a form of it. Skipping down the keyboard like Lolita. It’s one of those things: I know it when I see it.

Are you in love with your own voice?

Hey There You With the Stars in Your Eyes

I’m thinking about subtitles and jackets and promotional copy and blurbs. I’m thinking about how hard we try to get it right, get the book “positioned” in the marketplace. I like to stalk people in bookstores and observe what books they pick up, linger over, leave or buy. Do they read the blurbs on the back cover? Read the first line or paragraph. A book is like a guy at a bar. Sure, I might like how he looks but do I want to take him home? What makes a person whip our their Visa? Even after 32 years in the book business, I feel I am a student of book packaging. I once worked for someone who always said we were “overthinking” things when we went around in circles trying to come up with the best title and subtitle. He was also fond of saying that life was too short when it was taking too long to agree on a jacket image. So what? Settle? I guess the way I feel is this: when I stop giving a shit about all this stuff it’s time turn in my blue pencil. 

When do you turn in your pencil?

When your day is long And the night, the night is yours alone When you’re sure you’ve had enough Of this life, well hang on

Here is my eulogy from last night’s memorial for my friend George Hodgman. His life was filled with literary highs: bestseller, critical acclaim, meeting hundreds of people who turned out for his readings. And a film in the works. But as with many writers, depression settled in and boxed out hope. I share this with the hope that any fellow sufferers get the help they need.

Call 1-800-273-8255

 

I’m Betsy Lerner, George’s literary agent. He was also one of my first friends in publishing. George was a copy writer when I met him at Simon and Schuster over 30 years ago. I knew from his catalogue copy that he was a gifted writer and always pushed him to do his own work. When George gave me the first pages to Bettyville, I knew they were amazing, but I’m also a pragmatist and I felt the need to tell him that we had some challenges. First, that gay memoirs were still difficult to sell and that books about dementia were even more difficult. Fine, he snapped, I’ll go to Binky. George knew how to push my buttons and enjoyed doing so with relish. For the record, he continued to threaten me with going to Binky whenever I told him something he didn’t like.

Some of you know that the last months of my life have been filled with loss. My mother died in April, my beloved niece Ruby and nephew Hart were killed by a drunk driver in June, and then my dear friend took his life in July. There are days when I can hardly keep my head above water. My family has sadly had a crash course in grieving, and tonight I want to share four things I’ve learned. I apologize in advance for bringing you down.

1) Please don’t say that George is in a better place. A better place is sitting next to me at the National Book Critics Circle Award. A better place is sitting between me and Carole at the Discover Prize and watching George give his acceptance speech. A better place is watching him take Raj off leash in a wide field in Paris, Missouri and clapping while his dog cantered through the open air, filled with love for this magnificent beast more horse than dog in that moment, or sharing a ciggie after on his mom’s stoop and pulling a few dead petals from the fading roses. And better place is certainly having his lemon chicken at Il Cantinori with his publishing friends dishing up the best and latest gossip in town.

2) Please don’t say you wish there was something you can do. You can support the George Hodgman scholarship or any organization that you believe in. When a new assistant editor joins your publishing house, you can take him or her to lunch and make them feel less anxious and more welcome. George always did that. He arranged a reader for a friend going blind to read to him twice a week. He’d give a homeless person a twenty, or a sandwich or a cup of coffee. I always said George was the most wicked and the kindest person I knew. We can all be more kind. I can be more kind.

3) Please don’t say George is no longer suffering. Suffering is life. Suffering means you can go to one more meeting at Perry Street. Suffering means you can go to a movie. Suffering means I can drive you to rehab again and you can work on recovery because no matter how much a person wishes to die, life also beckons if only in a quiet voice. Life wants you at least as much as death. By the way, when I drove George to rehab, he had heard that Liza had been a patient there and when he wasn’t sleeping or eating powdered donuts, he was singing every Minelli song he could remember at the top of his lungs. Later he dubbed our journey Driving Miss Crazy

4) Last, please don’t say there aren’t any words. We are the people of the book. Words are exactly what we have. Words meant everything to George and he approached every book he worked on with the same expectation: excellence. He wouldn’t rest until everything was right: the structure, the prose, the narrative arc, the emotional impact. He always had a vision and cajoled and prodded and nurtured his writers until they got it. He put many writers on the map and on the bestseller list. Even when publishing bounced him out, a legacy of the books he acquired continued to win accolades and land on the list. George was deeply serious about his books, but he also knew about razzle dazzle, how to make it sparkle. He made everything more sparkly. When it came to Bettyville, George had the courage to find his own words, his own voice. When George found the words they were everything you might expect: kind, loving, beautifully observed, hilarious, heartbreaking. When my mother was failing, George had shown me the way in Bettyville. It’s a playbook on how to care for our aging and dying parents with patience and love. He gave us those words.

What is your experience with suicidal ideation in yourself or others?