Computer, phone and blackberry all malfunctioning this morning. Who’s the caged monkey now? Everything seems to be working again.
Finished the huge editing job I’ve been working on for a book that was dreamed up twelve years ago. I know it’s twelve years because I was pregnant at the time. I remember the dress I was wearing when I met the writer. The child that was stirring within is now a charter member of the Zac Effron fan club and wears black toe nail polish.
Went to my client’s swankified 40th birthday over the weekend. I love it when people ask, how do you know the birthday boy? And I get to say, I’m his agent. Suddenly, I rise or drop in esteem; either way it’s entertaining.
The party was amazing, filled with brilliant, sophisticated people (I know, how did I make the cut?), a rooftop terrace overlooking Manhattan, a harvest moon on the rise. Delicious food, candles everywhere, toasts and goodie bags. It was a perfect party, flooded with love.
Strolling through Washington Square Park on the way back to the hotel, I thought of myself at 18, arriving at NYU hungry for experience, yet just as happy to mostly stand at the sidelines and watch the great human parade.
Filed under: Agent, Client, The End of the World as We Know It | 2 Comments »

“Dreaming in Hindi is a funny, deeply humane journey of words that invites the reader to awaken to new sounds and sensibilities in India. Katherine Russell Rich reflects our own history and culture back at us through the lens of a storied culture. What a gorgeous, intelligent book! –Jayne Anne Phillips, author of Lark and Termite
“Beautifully written in Brad Kessler’s poetic, reverent voice, “Goat Song” shows us that when we take care of the land, animals, and each other to feed ourselves, we’re participating in an ancient rite that imbues our lives with meaning and nourishes our bodies and our souls.” — Alice Waters, author of The Art of Simple Food


Going to spend the day working with a writer on her copyedited manuscript. I just want to say for the record that I love the copyediting stage more than any other — it’s the fine tuning and the points of grammar, syntax, tense and word choice that really turn me on. It’s what I miss most about no longer being an editor. The best copy editor I ever worked with is Peg Anderson formerly of Houghton Mifflin. No one could work a blue pencil like Peg.





