• Forest for the Trees
  • THE FOREST FOR THE TREES is about writing, publishing and what makes writers tick. This blog is dedicated to the self loathing that afflicts most writers. A community of like-minded malcontents gather here. I post less frequently now, but hopefully with as much vitriol. Please join in! Gluttons for punishment can scroll through the archives.

    If I’ve learned one thing about writers, it’s this: we really are all alone. Thanks for reading. Love, Betsy

If You Wanted the Sky I Would Write Across the Sky

When I was in the fifth grade, I was crazy about my English teacher Miss Presnell. She has horse hair clogs and played Jethro Tull’s Aqua Lung during class, handing out the lyrics for us to analyze.

Then, in the 12th grade, Myra Fassler. She was probably sixty, had a wardrobe of beige slacks and cardigans. She marched around the room in her crepe sole shoes with a poetry book in her hand. She nearly spit out “Daddy” as she circled the room. You do no do. You do not do.

One night a week, we were invited to her home. Only three of us ever showed. We’d sit around a coffee table that looked like an inverted drum, filled with poetry magazines and thin paperback poetry books. I loved sifting through them, listening to Myra read. When I won $100 for a writing prize at the end of the year, I spent the whole thing on poetry books. I didn’t even save some for a nickel bag.

Who were your teachers? Mentors?

That’s Me In the Corner

I went to a Man Ray exhibit today at the Jewish Museum in New York. Am I the last person to know that his birth name was Emmanuel Radnitzky? And sure enough, early in the exhibit there was Radnitzky at 13, portrait of the artist as a bar mitzvah boy. I would have enjoyed the exhibit more, but two women in front of me kept talking about their co-op boards and favorite brand of veggie burger. I know I could have walked away, but I was so disgusted by them that I was also attracted. There was also a father, son, grandson trio moving through the show. The grandfather was in a wheelchair. When the art was really outrageous, the old man would punch the air with his cane and exclaim, “He was meshuggenah! Meshuggenah, I tell you.”

Fast forward to the documentary at the end of the show. Here we see the aging Ray in beret and thick glasses; could possibly win a Groucho Marx look-a-like contest. One thing he says stays with me. He doesn’t care about being understood, he says. He wants to be accepted. What does this mean exactly? Has he grown tired of trying to explain his work? He wanted to be accepted by whom? Is it personal or institutional? Doesn’t acceptance follow understanding? In publishing we think in terms of critical success (reviews, prizes) and sales (money). Would you feel accepted if you received a Pulitzer? What about being on the New York Times Bestseller list? What about self-acceptance; does such a thing exist? What it would take to feel accepted? Understood? What’s more important to you?

Ask The Angels

Publication Date: January 19, 2010

Dear Friends of my blog: It has been my great pleasure and privilege to work with Patti Smith on her memoir of her friendship with Robert Mapplethorpe. I was fifteen years old when I wandered into Cutler’s record store and was captivated by a record cover like none I had ever seen: a woman in a white shirt, suspenders, a jacket tossed over her shoulder, slim hips, and her stare defiant and cool. Horses. I had to have it. From the first line, “Jesus died for somebody’s sins but not mine,” I was blown away and I was smitten. As many say of that record, it changed my life.

Just Kids is about two poor kids, outcasts, who met by chance and became lovers, then friends, and remained soul mates throughout their lives. Their story is the embodiment of a dream of how two artists provided each other with encouragement, ballast, inspiration, and love. Just Kids is a love story, an elegy, and a prelude to fame. The background is NYC in the Seventies: Max’s Kansas City, Coney Island, Horn & Hardart, Warhol’s Factory, CBGB, Scribners, 42nd Street, and of course the infamous Hotel Chelsea.

I hope you’ll get to read it. And tell me any Patti stories if you have them. Or about your own creative soul mates. Your sustenance.

The Way I Feel When I’m In Your Hands

Does honesty have to be brutal? How many writers say: be brutally honest. Isn’t honest enough? And what are they really saying? In many cases, I think it’s code for: be gentle. Learning how to be brutally honest and gentle at the same time is the agent’s/editor’s duty. Obviously, some are better at it than others. Of course, I’d like to think I’m good at it, but who knows? You’re better at it with some writers than others. It’s often a matter of clicking, and in the best cases you inspire each other.

For me, there are just 2-3 people from whom I can take criticism and use it constructively. They are highly critical, but they converse in a way doesn’t make me feel defensive. We’ve developed a language over time; it feels collaborative and exciting. I think of them as my cut men, giving me just what I need to get back in the ring.

When I was younger anything anyone said affected me so deeply it was ridiculous. I still don’t know how I survived the MFA workshops. (Oh, yeah, that little six month “sabbatical.” LOL) Well, my dearest darling readers, how do you like your honesty: straight up, brutal, gentle, between the eyes, poached, baked, with a side of fries? Tell me the truth.

Box Office

What I saw over the holiday break & what I thought:

Crushing

Up in the Air: I wish I were as thin as the script.

It’s Complicated: A complete abomination save Alec Baldwin’s twinkle. This could be the first movie Meryl Streep is in and not nominated for an Oscar. Steve Martin: Botoxaddictfreak, what happened to you, man? And tall guy from office, you should play Shaggy from Scooby Doo (and that advice is absolutely free).

Nine: Three words: Daniel Day Louis. I love everything about him including his strange hands, esp. his thumbs. Two Words: Penelope Cruz. Two Words: Marion Cottilard. One word: Fergie. Even Kate Hudson was winning — a first! If you love women as much as I do, please see this movie.

Secret Lives of Pippa Lee: If you like the “my mother was a pillhead therefore I am emotionally remote and all men are dickheads” genre, this is for you. One reason not to miss this movie is when Keanu Reeves puts his hand down Robin Wright’s jeans in the back seat of his truck. Wide-on! (That’s a female boner, credit to BR). Also, Winona, I’m sorry, but stick to shoplifting.

Sherlock Holmes: Robert Downey, Jr. you make life worth living, and you know I don’t say that lightly. And I thought Guy Ritchie was just Madonna’s butt boy — apologies are in order. He even made Jude Law sympathetic. Kudos!

Precious: My audience was laughing when Precious was being beaten by her mother or puking or falling down. WTF. If Halle Berry had been beaten I doubt anyone would have laughed. Obesity is still okay to laugh at. Pisses me off. I applaud the movie for tackling obesity, teen pregnancy, abuse, incest. I think the director Lee Daniels is amazing. And finally: revelation: Mariah Carey as social worker. Star turn. If her agent isn’t working on getting her an HBO series based on that character, he is OUT TO LUNCH. Mariah, call me.

We Are Family

Much to say about the new year, but fuck that shit. I want to write about how family destroys the writer’s life. How, at the holidays, every part of my body screams: flee. I was telling one of my clients how much I dread the whole season, but then apologized for talking that way. After all, some people are homeless and don’t have any family. Doesn’t that sound great, she cooed.

Look, I’ve never given my whole self over to writing. I’m not built that way. I need stability, so I’m sort of talking out of my ass when I say I’m standing on the outside. Middle child. Black sheep. Voted most likely to become a… writer! But stability for me is writing. Getting away from everyone. What was I writing about anyway at eight, twelve, eighteen, etc. The same shit. Not getting enough. Variations on the theme: food, love, sex, attention. Much as I love to proclaim my hero’s dictum, “Loyalty to the family is tyranny to the self,” I doubt I’d have anything of value in my life without my family. I’m actually pretty sure of that. And yet, and yet. The drama of the fucked up child. Anybody with me? Anybody?

Is That You, Baby?

Thanks to everyone who read and continued to comment over the holiday. Apparently, some people didn’t think I could stay away, especially our darling A. who wrote, “Yeah, who knew Betsy had such self control?” Not how I envisioned her.” It’s true, self control isn’t my strong suit. My parents always accused me of “not knowing when to stop.” And god knows, I’ve found myself waking up in bushes enough times to know that I had a wee problem putting on the brakes.

I’ve always wondered how temperament relates to writing. I used to edit a young woman, totally out of control, who basically plugged her pen into a socket. I worked with another woman, so quiet and cautious that she seemed to disappear. And she wrote a book about that: Disappearance. I know another writer who claims to have a huge cock, and this, he would say, accounted for his big sprawling novels and his staying power.

If you are a safe and cautious person, is that reflected in your writing? If you are bold and swaggering, then what? Does personal temperament inform your writing? Do writers resemble their work? Why do we love to look at author photos if not to glean something about the personality and how that relates to the writing. Is that you, baby, or just a brilliant disguise?

Givin’ Yourself to Me Can Never Be Wrong

This is it, my last post until Monday, January 4, 2010.

As a small child, I felt in my heart two contradictory feelings, the horror of life and the ecstasy of life.

Here’s my question, if I don’t believe in god, resolutions, or e-books, what do I have to look forward to in the new year? The answer, Nation, is writing. Writing. And writing. As far as I can tell it’s the only way out. I want to know on January 4, 2010, what you did, writing-wise, on your vacation (or few days off, I hope).

Did you finish your novel, start one? Did you get your query letters buffed and polished? Did you write a poem? Read a poem? Sublimate massive amounts of rage at those who rejected you this year and kept writing? Did you write a letter? On paper? Did you put a novel away? Did you write in your diary? Did you find the common thread in your story collection? Did you start therapy to deal with your  writer’s block?

Did find a title for your new project, and that title galvanized the whole thing in your mind? Did you write twenty new pages? Ten? Or did you throw out every page you wrote, but wtf, you knew you were getting somewhere, big picture-wise. Or you threw every page away and fell into a deep despair which seemed to have no end in sight? Or did you just jerk off, and by that I mean were you really good to yourself?

My goal is block out my new script with my collaborator. And figure out how to install the new Final Draft software. If it would help to pledge your writing goal here, go for it.

Please take good care. I miss you already.  Otherwise, happy and healthy new year. Let’s hope it doesn’t suck as much as this year. Love, Betsy

I LOVE ALL MY HATERS

It’s that time of year. Everyone making top lists. I’m proud to say that Dave Cullen’s Columbine has made it on to 15 Best lists and still counting including NYT, Chicago, Salon, LA Times, Entertainment Weekly, etc.

For the record, here is my Top Ten List of Things I Hate (in 2009):

1) “Apps”

Where's the app for self-loathing?

2)Watching people use their iphone, especially men.

3) “Vacay” and “Staycation”

4) Robert Downey, Jr. and Mickey Rourke robbed at 2009 Oscars.

Sean Fuckin' Penn

5)”Man up.”

6) Jay Leno more than ever

Stinker

7) Did Michael Jackson die?

8) Mad Men withdrawal

I wd die 4 u

9) “Sexting”

10) Upping the Best Picture Category to Ten Oscar Nominations

Nominees or a minyan?

DID I MISS ANYTHING?

You Talk Too Much You Never Shut Up

I always feel that it’s a big mistake to tell people what you’re working on. In part, if you talk too much about it there’s a greater chance that you won’t do it. There’s also the feeling that if you give too much away, you leech the project of its essential oils. I’m never paranoid that anyone is going to “steal” my ideas; I don’t think people really can steal your ideas, or execute them the way that you would. Still, blabbing too soon is like an artist showing his subject the portrait when it is half done. You leave yourself wide open.

Also, I always feel like an ass when I talk about a work in progress. Last week at a memorial services, someone asked me what I was working on and I described an intricate plot for a screenplay I haven’t written a word of. Call me superstitious, but I’m pretty sure I jinxed it and never will write a word of it. Whereas if I kept my big fat fucking mouth closed, the idea would continue to blossom in my head rather than be dispelled. Maybe I will, but I think it’s a point well taken. Don’t go on about the most important work in your life at a cocktail party, spinning class, at the dry cleaner or the mikvah. Protect it, keep it under wraps, let it marinate and percolate before it takes its first breath of air. Is yakking every beneficial to your project? Or best to keep it corked?