• Forest for the Trees
  • THE FOREST FOR THE TREES is about writing, publishing and what makes writers tick. This blog is dedicated to the self loathing that afflicts most writers. A community of like-minded malcontents gather here. I post less frequently now, but hopefully with as much vitriol. Please join in! Gluttons for punishment can scroll through the archives.

    If I’ve learned one thing about writers, it’s this: we really are all alone. Thanks for reading. Love, Betsy

That’s Where You’ll Find Me

Do you ever regret anything you’ve written, wish you hadn’t published it, or even just shared it with another person? Now that my daughter is a teen, I sometimes gulp hard to think of what she will think of me if she reads my memoir. I was quite cavalier when I wrote it. My motto: secrets did the most damage. It was the stuff under the carpet that kills. Now, the carpet’s looking mighty fine.

Please tell me about literary regrets. The more self-flagellating and recriminating the better.

Sun Down, Yellow Moon

I’ve been trying to write about something that happened two weeks ago. I was in therapy and I did something I’ve never done before: I told my shrink what my screenplay was “about.” Actually, I told her the plot, more specifically about the two main characters and how I couldn’t write what I had planned about them. Just as I said it, I knew for the first time what the story was really about, who these characters were. I had led myself right back into the central drama of our family (once again) even as I believed I was writing about entirely different creatures.

I raced home and wrote the ending. And another new experience: it wrote itself. All the plot lines like a row of dominoes falling in a long line of deeply pleasurable inevitability capped off with the pure satisfaction of the final tile hitting the table. Done. Only then, an angel descended and gave me a final image so strange I could have never thought of it.

Are you in therapy? Does it help you? Your work? Do you think it’s bad for your work? Did you ever sleep with your therapist. Do you give your therapist your writing/books? Have you ever solved a specific writing problem in therapy?

You’re Leaving There Too Soon

You talkin' to me?

Two summers ago, Irwin Winkler became interested in my screenplay, Sugar Mountain. Over a six week period, he gave me notes and expected me to turn them around in a week, which I dutifully did, gleefully did. I didn’t agree with all the notes, and when I bravely objected once or twice he disarmingly replied, “Give it a try.” It was impossible to refute. I was old enough to appreciate what I came to feel was a master class in screenwriting. Irwin, in essence, taught me action.

At the end of the six weeks, his assistant called and asked if I could meet Irwin, now back from Capri, at this apartment in the Pierre. Okay. We spent one hour together going over the script. As he thumbed through it, he suggested a few more tweaks. One or twice he said something like, nice job.  I would send in the cleaned up draft and he would send it to the actor for whom he had it in mind. Someone, by the way, who I always felt was wrong for the part, but if Irwin wanted Charlie the Tuna to play my lead male, that would have been hunky dory with moi.

When I left the apartment that night, Irwin shook my hand. “One question,” he said, “Sugar Mountain, what does it mean?”

Obviously it didn’t go anywhere. I sent it to a bunch of other producers. One nibble, enough to start crafting my academy award speech once again. Then, silence. This post is dedicated to close calls. Do they kill you or make you stronger?

I’m Gonna Live Forever

Can you guess who the writer is?

While we are on the subject of the undead, let’s talk about day jobs. I want to know where you guys work and if your colleagues know that there is an undead among them. I also want to know if you think writing in the night, and later night, the dead of night and wee hours is good for your writing. And if being an undead helps your writing or sucks all the life blood out of you.

I would like to complain about how being in publishing is probably the worst thing for my writing life, but that’s not true. For fuck’s sake, I eat, live and breath the shit. Does taking 15% make me a vampire?

But what’s it like working among civilians, people who don’t understand or care that you are not really alive unless you are bathed in the light of the computer screen. After all, what’s a book but a bid for immortality? Suck it.

Little Old Lady Got Mutilated Late Last Night

Literary Novelist Turns to Vampires and Finds Pot of Gold

Justin Cronin at an annual book industry convention in New York last week.
Chad Batka for The New York Times — DOESN’T THIS LOOK LIKE A LOT OF FUN??

By JULIE BOSMAN
Published: June 1, 2010

Justin Cronin is the author of an epic, multimillion-dollar, 766-page novel that stars bloodthirsty creatures that run in packs and savagely kill people at night. And he’s planning to turn it into a trilogy.

Dearest darling readers of this blog: Take a moment to read the NYT article about Justin Cronin if you haven’t already. And then tell me, WTF, why isn’t that US? Why aren’t we buying our daughter a pony. Why didn’t we initiate a game “Let’s Plan a Novel Together?” (I actually play this with my daughter all the time but we’ve never gotten past the first few sentences.) Why didn’t we sell film rights to Scott Free Productions with John Logan writing? Why are we not Justin Cronin. And try as I might to hate him and his good fortune, he seems great. Kids, for the umpteenth time: a vampire novel! Please!

What I really want to know, though, is how do these articles make you feel? Hopeful? Inspired? August?

Didn’t I Give You Nearly Everything That a Woman Possibly Can?

Exhausted. Fell asleep on the train. All my manuscripts slipped off my lap and on to the floor. The woman next to me didn’t flinch or shift her legs as I frantically gathered my pages (today’s haul: four new chapters by a client, 50 pages of a project my business partner wants a second opinion on, four prospective proposals, and two contracts). The bitch who won’t move is immersed in a library copy of Debbie Macomber’s novel, A Good Yarn. (The head line on Debbie’s website is, “Wherever you are, Debbie takes you home.”) Debbie, can you take me home?

The lady who doesn’t move wears pale salmon huarache style loafers. I notice them because I am still on the floor picking up pages. It’s times like these when you think about an iPad. Only knowing me, the iPad would probably slip off my lap and break. And as a result some other dumb ass agent will read the proposal first and procure a seven figure advance while I’m still playing with myself. Or maybe, everything will come to nothing, except my book bag which will be on display at the Smithsonian as a relic of when people used to read books.

And this permanent knot in my shoulder from carrying my book bag, it too will be under glass at the museum. And the twitch in my right eye that moves like filigree, that’s a popular exhibit. In fact, all of my twitches are on display. And that is a case of my cuticles. And my middle finger, behind glass, spot lit. And the small of my back. And my back. And my throat.

Is this a post or a cry for help?

Faces Come Out of the Rain

On the other hand

Hello Betsy,

Thank you for making yourself available for questions. I’ve read conflicting opinions about the following:

Is it a good idea to include a photograph in the bio portion of the book proposal?

Thank you,

Name Withheld

Dear Name Withheld:

No, it is not. I’ve seen quite a few. Everything from 8 x 10 glossy head shots to a guy standing in a motor boat holding a big fish. I’ve seen bikini clad women, candid photos of friends at Hooters, college year book photos, at a lectern giving a speech, you name it. Unless you are a body builder writing about body building, please keep your pecs to yourself. For some reason author photos look amateurish and grasping when they arrive with proposals and manuscripts. How then can it be explained why we love having them inside book jackets?

Another publishing conundrum.

Thanks for writing. Betsy

Any Love Is Good Love

Dear Betsy
I have just finished reading your book “The Forest for the Trees” which I picked up in a second hand bookstore and as soon as I started to read it turned into a “must have”. I have to say the book was a very enjoyable read in its on right. I feel that even with all the difficulties described, the literary world is not an exclusive club that one is shut out from. In that sense you have demystified the business of publishing and given it a human attainable quality. For that I thank you. Now for the question(s): Your book is a few years old. Obviously much in it still applies, but are their any sections or chapters you feel would now have to be complety re-wriiten in view of today´s market? Or do you think that inspite of all the tecnological changes basically the book world is for the most part still the same ?
Thank you and kind regards. Name Left Off (Portugal)
Dear Portugal:
I love second hand book stores, but I can’t believe some a-hole sold my book, unless they were aware that a fully revised edition would be released in October, 2010. And there is the answer to your question. A lot has changed. Email was just beginning to take hold when I wrote the book ten years ago. Now all newborns emerge with a blue tooth in their ear and a bar code on their butts. When I started in publishing 25 years ago, we still sent telexes to Europe and Asia, writers banged on typewriters and editors drank at lunch. Now, people are reading on devices, tweeting, and editors carry yoga mats around town. Barf!
I have to proof the pages for the revision over the weekend. I’m curious to see if it’s as seamless and scintillating as I think it is. Ha Ha.
Well, I tried. The old girl is ten and I can’t believe it. You know, I started the blog to convince the publisher to let me revise the book; it was just a tool to convince him that there was still a market. But now, the blog has gone much further than the book for me. And I just want to thank everyone who reads, links, lurks, and especially the bold, the few, who comment. You are an amazing group of readers and writers and, what the fuck, I love you.
Hope you have a great holiday weekend. I’m back on Tuesday. Get some writing done. Betsy

I’ll Cry If I Want To

Came to NYC to go to BEA parties: Google, Bookforum, Tin House.  Wore my one frock, high heels (and if you know me this is absurd), and a touch of make-up. It was 92 degrees a full moon refused to focus above the Chrysler Building. I had my game face on when something happened, not a panic attack exactly, just a flush of anxiety tinged with desperation and petulance. Did I really want to go? Who would I see? Should show my face. Why? And so it goes, a revolving door of doubt, immaturity, ennui. Am I part of this world? Am I a part of any world? The funny thing is, I always have a really good time at parties. I suspect that when your expectation is dread, nothing can be so terrible.

Instead, at the charmless midtown hotel, my husband and I shared a can of peanuts and a bottle of wine. We had a really good talk, even about some really difficult stuff to talk about. The moon came into focus.

Dearest darling readers of this blog: are you party animals or do you chew off your own limb in some dark corner of your mind. xxo

p.s. this post is late because I was too cheap/principled to pay for wi-fi in the hotel in case you were wondering.

This Is Not Your Beautiful House

Yes, I am aware that the Book Expo is on. Do I care? Yes and no. When I was a little girl, my dad took me to lumber trade shows and I loved them. Especially the displays of knobs and pulls, hundreds of them. Racing down the aisles in search of candy and any free crap we could get our hands on like levelers and mini tool boxes (which I still have).

I hear things are heating up at the Javitz Center with dog fights breaking out over e-book royalties, the undead everywhere, and Barbra Streisand as the big draw with her book about her “passion” for design, which is a euphemism for control which is about how no matter what she achieves her mother will never be impressed. (Anyone else belong to that club?)

I understand that there will be fewer giveaways, fewer galleys, and t-shirts, and tote bags. Fare thee well swag! Fare thee well bowls of candy for grubby hands! When I was younger, the best part of the fair was scoring free galleys of favorite writers, sometimes getting them signed. Going to parties at night and sleeping with Knopf writers. (You know who you are.) Ha ha. The best part for me was scouring the small presses and university presses, such cool shit. Just soaking it all in, each publisher’s booth with its glossy blown up jackets. Watching people in meetings talk like squirels with their mouths full of nuts.

Do I care about BEA? Yes and no. It seems like more dancing on the Titanic.  Earlier today when I looked up above the convention center I saw something quite extraordinary: our beloved books getting in formation and flying away high above the Javitz Center, above the sad fray.

I’m glad I got to do this with my life. Lucky.