• Forest for the Trees
  • THE FOREST FOR THE TREES is about writing, publishing and what makes writers tick. This blog is dedicated to the self loathing that afflicts most writers. A community of like-minded malcontents gather here. I post less frequently now, but hopefully with as much vitriol. Please join in! Gluttons for punishment can scroll through the archives.

    If I’ve learned one thing about writers, it’s this: we really are all alone. Thanks for reading. Love, Betsy

I Don’t Wanna Say Goodbye For the Summer

Summer hate list:

1) Scoopers who are cheap with jimmies and act like they don’t know what they’re doing.

2) Schlongathongs.

3) People still asking if I’ve read Hornet Girl. Still no.

4) Dropping my Kindle (if I had one) in the sand.

5) People asking what I did on vacation.

6) No new episodes of Glee.

7) Sandals, especially the “Gladiator” style.

8 ) Tentpole movies.

9) Sunny days that people refer to as “perfect.”

10) The pressure to have fun and eat corn.

Give me your best summer hate-on. Bring it.

If You LIke Pina Coladas and Getting Caught in the Rain

There are a few used bookstores here and I could happily die inside any one of them. Where do floorboards better crick? Where is the smell of death and must more erotic? Books that bear inscriptions speak of happier times. I sometimes wish I wore a hat when perusing the poetry section, belles lettres, autobiography. The only marketing here is the conversation among the books themselves. The undead. Why is the store owner always eating a sandwich on black bread? Why does he seem not to notice our patronage until we pile a stack of books by the register. Did I wake you? One store has a candy dish filled with gum drops. Another a picture of a golden retriever now certainly gone.

What’s your favorite used bookstore?

Don’t Tell Me You Don’t Know What Love Is

 

I brought an “upmarket” commercial novel to the beach and all I can say in a word, marshaling all of my critical skills, is: feh. From time to time, I choose a book from the bestseller list because I feel it is incumbent on me to know why certain books sell and have wide commercial appeal. Sometimes, it may be better not to look under the hood and just take the car for a ride. I wish I could do it, wish I could feel the wind through my hair. I think the bottom line for me is that I don’t look to books for entertainment. I will sit through the most flatulent Jennifer Anniston romcom twice, but I can’t read a crappy book. My interest in reading is in the writing. I don’t care that much about anything else or even what it’s about. If the writing is interesting, I’ll read about horseshoes.

What’s the last crap novel you read and why did you like it?

Daisy Dukes, Bikinis On Top


I’m at my sister’s vacation house, typing from a hammock on a roof deck. I’m beginning to relax, which is always a little dangerous for me. I’m more of a worker than a relaxer. I’ve only very recently, and only in small doses, been able to tolerate vacations. Instead, I’ve always used vacation as time to write. I’m actually petrified of letting down, coupled with the fact that I generally can’t stand being with people for more that 4-5 hours. Don’t ask me to rent a house with you! I have a one night sleepover limit. Plus, I hate eating new foods, trying new things, and going to new places. Otherwise, I’m a ball of fun. I was once asked for an interview where was  my ideal vacation spot: a twelveplex.

What is your ideal vacation? And does it include writing?

It’s Hard To Get By Just Upon a Smile

Guys, it’s here. My article in Poets and Writers. I don’t think you can actually read it on-line. If you go buy it, it’s the issue with the four agents on the cover called, “The Game Changers.” Seems just a touch inaccurate since I wasn’t part of the photo shoot.  It’s a picture of four hot, young agents. I think a better cover would have been a collage of me: at five cutting with scissors, me reenacting the Carrie bathroom scene with my bunkmates at camp, then me, again, ironically as prom queen, then me accepting a poetry prize in 1978 for a poem I still don’t understand.

That’s me in Greece. That’s me at the Tate writing another bad poem. Here I am riding up the elevator on my first day of work at Simon and Schuster! I’m soooo nervous.  That’s me being driven around in the Hollywood Hills by an author high out of her fuck on cocaine playing LA Woman. What a cliche! But perfect as they go. Here’s me at the National Book Awards shaking hands with Jonathan Franzen’s mother. Me, smoking a doob with Mrs. Franzen and James Franco. How did that get in there?

Game changer? You never saw a girl more excited than me to get a job in publishing, to sit in a cubicle and clear permissions for some asshole, to copy manuscripts, and type up letters, and answer phones, and fetch a bottle of water for an author no one’s ever heard of.  You never saw a girl so happy to work until seven or eight every night, schlepping manuscripts home to read late into the night, who got rid of her tv, because like heroin, it would ruin her. I was so shy I couldn’t even sneak into the shrimp and wine parties S&S had when books hit the list. If you asked me what I thought, I blushed. Game changer? I was glad I could change my underwear. I’m lucky because everywhere I went, a mentor appeared and helped me. I found my passion early, it took longer to find my way.

Do you have a mentor?

A Saxophone Someplace Far Off Played

I’m going to speak on a panel tonight at NYU. I went to school there and I can’t set foot in Washington Square Park without hearing almost any song from Blood on the Tracks, remembering where I met my first boyfriend,  the classrooms that overlooked the park, the teacher droning on about Them by Joyce Carol Oates, the the skies that went from white to green, and the back of the neck of a young man I fancied, pebbled and red. I remember filling notebooks I would never read again. Eating sunflower seeds. Making love or dreaming about it in the library carrel while I wound my way through the Canterbury Tales and nursed a crush on a man named Rasam. Once, I read Group Portrait with Lady instead of Portrait of  a Lady. Ha ha ha! And I still passed the test.  I was so lonely in college.  I spent a lot of time alone. I wrote a million poem fragments in appreciation of my pain.

What did you write in college?

I Took A Wrong Turn and I Just Kept GOing

Dear Betsy:

My question concerns blogs written by writers. When are these blogs a good idea, and when are they not?  Because you work in the publishing industry, I’m wondering how they’re perceived there.  I also wonder what kinds of things agents and editors wish writers would not do in their blogs.   –Name Withheld

Dear Wondering:

First came the wave of book contracts based on blogs, perhaps the most famous being Julie and Julia, I Hope They Serve Beer in Hell, and Stuff White People Like. A blog is a great way to develop a voice, and to find an audience. My sense is that the best blogs have a real focus. So writing about writing generally is probably less interesting than writing about first novels, or rejection, or writers and fondue. When you submit a book to an agent/editor, you will probably include your website or blog link — or the agent will probably Google you if he or she is interested. You want that site or blog to look great, even if you don’t have a ton of content or a following. You want it to look like you have a web presence. I essentially started my blog to convince my publisher that I wasn’t dead yet, to convince them to let me do a revision of Forest for the Tree. Mission accomplished.

What do you all think out there — what’s the up or downside of all this blogging? Has it helped your cause?


Dear Sir or Madam, will you read my book? It took me years to write, will you take a look?

Three hot paperbacks for summer. A fast paced thriller set in the ugly world of Manhattan real estate from Edgar nominee, Justin Peacock; a heartbreaking WWI story about brothers and survival by the author of A Long Retreat, Andrew Krivak; and an exotic tale of travel over five continents and fifteen years by Elisabeth Eaves, the author of Bare.

Reading Blind Man’s Alley is a life experience to be savored and returned to, and Justin Peacock a brilliant novelist to watch.”–John Lescroat

 

 

“The Sojourn is a fiercely wrought novel, populated by characters who lead harsh, even brutal lives, which Krivak renders with impressive restraint, devoid of embellishment or sentimentality. ”  Leah Hager Cohen

  

  

 “Eaves conveys the nomadic romance of an adventurous soul traversing the vivid world and yet retains the intimacy of a voice confiding its secrets, taking you with her, smuggling you along…there”ll be no place else you’d rather be.”  –James Wolcott

The Room Was Humming Harder

 I was all set to get back on the horse this morning, but I find myself doing laundry, grappling with IRS bill from 2008, writing checks, examining pinky toe, considering something violent. My head feels like an overripe melon. I’ve spilled my decaf twice in the same place. Even the dog doesn’t want to play with me. My jaw is a vice. Stepping on the scale would be suicidal. Does it matter that I did three deals this week. That the hopes and dreams of three writers have been wound like a fat gold watch swinging through the night skies. Why did I wear those shoes? Why did I cut my own hair? How can I sit by the side of the road and wait for an email that never comes? Can I find the thread, does it already exist like a silver hair, or  glistening spittle? Where was I when my father died? Did he hear me sing Winchester Cathedral? My baby left town.

She Walked Just Like You

How many writers does it take to screw in a light bulb?

Two.

One to screw it in. The other to say it was his idea.

 

When does being inspired by something cross the line into stealing. If nothing is original, what can you claim as your own?  What is yours, mine, ours? We like things because they remind us of things we like, unless they are derivative. Rip off! I know a poet who described an idea for a poem to some of his poet friends over a beer. One went home that night and wrote it up. They never spoke again. Would they have written the same poem? What is the worth of an idea? That was my red wheel barrow! My white chickens! Glaze! Glaze! Sometimes when my husband and I hear something or see something that is a really good image or snatch of dialogue, we’ll say, “I’m using that,” as if we are children calling the plate with more macaroni or the tv clicker. And then we fight over who saw or heard it first. Sometimes,  I’ll say, “take it,” as if I’m the big shit. As if I don’t need that line or any line because I have more  lines than I can possibly use. Steal from me. Do me a favor.

Thou shalt not steal. Agree? Disagree? Define steal.