• Forest for the Trees
  • THE FOREST FOR THE TREES is about writing, publishing and what makes writers tick. This blog is dedicated to the self loathing that afflicts most writers. A community of like-minded malcontents gather here. I post less frequently now, but hopefully with as much vitriol. Please join in! Gluttons for punishment can scroll through the archives.

    If I’ve learned one thing about writers, it’s this: we really are all alone. Thanks for reading. Love, Betsy

I Still Don’t Know WHat I Was Waiting For

MEMO TO SELF: Take head out of sand. Here’s an article from today’s Galley Cat about self-published authors getting on The List. I gotta say, even though it puts me out of a job, I really admire people who get their work out there. I know I’ve asked before if you feel self-publishing is an option. Most people say as a last resort. When I’ve asked how many read on devices, very few say they do. From this I glean that this group is a bunch of beautiful papyrus loving luddites. We like to hold books, feel paper and sniff the glue.
Is tomorrow’s bestseller languishing your computer?

Self-Published Authors Make NY Times Best Sellers List

By Dianna Dilworth on August 2, 2012 2:42 PM

Four Smashwords authors made The New York Times Best Sellers list for eBook fiction this week. Many of these authors have also topped our Self-Published Bestsellers List.

AppNewser has more: “Author Colleen Hoover‘s book Slammed is No. 8 on the list and her title Point of Retreat hit No. 18). Author R.L. Mathewson‘s book Playing for Keeps ranked at No. 16 on the list and author Lyla Sinclair‘s book Training Tessa hit the No. 17 position and Bella Andre had three titles on the list If You Were Mine at No. 22, Can’t Help Falling in Love at No. 23, and I Only Have Eyes for You at No. 24.”

Smashwords CEO Mark Coker encouraged writers to consider his platform when he blogged about the news: “maybe tomorrow’s bestseller is languishing on an undiscovered writer’s computer, still waiting for a publisher to give it a chance. Maybe that writer will now realize they don’t need the blessing of a publisher to become a published author, or to reach readers. Maybe they’ll realize that that the tools to publish and distribute a book are available at no cost, and the knowledge to professionally publish is available for the taking. It just takes effort.”

To help GalleyCat readers discover self-published authors, we have compiled weekly lists of the top eBooks in three major marketplaces for self-published digital books: Amazon, Barnes & Noble and Smashwords.

How Could SO Much Love Be Inside Of You

Lately, I have to say, and I don’t mean to brag, my clients are killing it. Almost everyone is writing at the top of his game.  Sentences are unfurling. Ideas realized. Great titles pulled, like rabbits, from hats. Killer blurbs delivered. Films optioned.  Most of all: great writing. Right now I love opening attachments from my writers and you know who you are. It’s an amazing feeling after 27 years to feel so happy and proud of the scoundrels and thieves also known as your clients. When they are healthy and writing and being productive, that’s the happiest feeling for me. And it’s hard  won, pushing those boulders up those mountains. Take a Client to Work Day. I Heart Clients. I Break for Clients. It’s not to say that these relationships don’t wear you down, are sometimes fraught and intense and difficult, but there is also this: trust. A client putting his faith in an agent, an agent putting his faith in a writer.

You know I love bad agent stories, but tonight indulge me: any good stories?

A Girl Put a SPell On Me

Twelve years ago, when I was just starting out as an agent, a manuscript came my way that was haunting, deeply sad, and at its center was a mother daughter drama played out against the world of clairvoyance and the occult. There was also a murder any one of us could have committed. Amazing book I was very proud to have worked on.  Afterlife  has just been reissued as part of the wonderful librarian Nancy Pearl’s Book Lust Rediscoveries. Tonight, the author Rhian Ellis has graciously agreed to answer some questions. Also for your viewing pleasure is a promotional video for the book. Thank you, Rhian! And congrats.

1)      What kinds of writing do you outside writing fiction?

Emails, shopping lists, letters to the editor, doctor’s notes, and anonymous blog comments. I would like to write ruminative essays, but I can never get the tone right. I constantly turn ranty.

2)      How much do you plan in advance and how much develops as you write.

I like to see the end when I start, or at least an end. Seeing the end is a kind of rudimentary structure — you can veer off-track, but at least there is a track. I’ve found that if I don’t have a good sense of where I’m going, I follow my whims into the swamp. But on the other hand, if I outline too much I get bored. It has to be a careful balance between surprising myself and keeping myself focused. To be honest, I find it a really difficult thing.

3)      What is the secret to writing characters?

I try to pay attention to how I perceive real people and make characters who inhabit the world in a similar way. What makes people distinctive? I think physical description is really important — not “six feet tall, blue eyes,” but maybe “awkwardly tall, crazy eyebrows.” Once I can see them, the personality follows. I used to steal stuff from people I know, but that’s a really bad idea. No matter how hard you try to disguise them, people recognize themselves.

4)      Your novel asks the questions: what is real? What is faked? How does that apply to fiction?

The book is really about writing, which I’d forgotten. Writing and mediumship both depend on the ambiguity of truth. Fiction has to feel true, even though you know it’s made up. It has to say true things. I came to decide that’s how mediumship works, too. A lot of the things Naomi says about being a medium is actually channeling me, talking about writing.

5)      Did you research clairvoyance; how did you create the world?

There is a real town like Train Line in Western New York state — Lily Dale, NY. I grew up nearby and spent a couple of summers working there. So the world was pre-created, which was handy. I also read a lot of books. For years I’d been finding stuff in the paranormal section of the library — I love that stuff.

6)      Can you talk about the mother/daughter relationship and how you created the tension between them?

The mother in the book is nothing like my own mother, in that mine is not hectoring and overbearing, but I did draw on our own intensely close relationship. It nearly killed me to break away and go to college, back in those days when it was too expensive to call more than once a week. I gave Naomi the same kind of relationship with a different mother, and then gave her reasons to never break away.

7)      What are you working on next?

You know I have been working on something “next” since late last century. I am a mess: I start too many things and finish too few. But it is my life’s goal to send you something before you retire from agenting and become a full-time screenwriter. So I’m taking suggestions!

P.S. Of all the wonderful gifts clients have given me over the years, this one from Rhian holds a special place in my heart.

If I Can Make It There

It’s official. I move to Brooklyn tomorrow for the month of August. Got the keys. Dropped off a suitcase. Tonight: pack meds and computer, leave a check for the dog walker. I’m not going to set myself up for failure with unrealistic goals. The plan is to finish my screenplay, write my new sitcom, adapt Food & Loathing into a YA (hey, I already have the first sentence), lose 10 pounds, run every day, and invent the next Facebook. (Oh, and agenting. Hello?) Wish me luck!

What does your August look like? What are you getting done?

That Her Face At First Just Ghostly

Some consider it morbid, but the only thing I like writing more than my Oscar acceptance speech is my obituary. My husband has lovingly reminded me that agents don’t generally get eulogized in the NYT, but a girl can dream. I would like my obituary to mention that I devoted my life to writers and books. I’d like it to say that I was punctual.  And of course I would like a handful of books to be mentioned, those that were career defining, those that people truly love. I think I will die in my mid-Eighties from accidentally lighting myself on fire with a cigarette,which I will be smoking in a linen closet at the nursing home.

How will you die and what will your obit say?

What If Your WOrld Should Fall Apart

What were you hoping for? A thick medal with a ribbon the colors of the flag. A long line of people shifting their weight? Was it fingers smudged with typewriter ribbon from fixing a sticky key. Were you hoping to find a new way to describe a flock of geese, a craggy promontory, a kiss goodnight? Is this your notebook? Is this seat taken? Are you elevating, this being August? Did you go to the reading? Did you fuck a great writer? Did you lose his favorite pen or steal it? Does time fold in on itself like some gorgeous origami? Is that your writing desk? Can I see what you’re working on?

What is it like, your writer dream?

Pimps and Players Platinum Diamonds East to West Coast We Riders

 

Writers often ask me to recommend other agents after I’ve declined their work. Fair enough, I suppose, doesn’t hurt asking and all that, but it’s awkward. If I pass on a project but feel that I know the perfect agent, I will volunteer that agent’s name. Otherwise, I feel uncomfortable and somewhat put upon. There are so many ways to research agents now…   but I often do supply a name or two even though I don”t want to. I’m sympathetic with the writer, I really am, but it’s also really uncomfortable. When I do give a few names, I always say, please do not use my name. Agents don’t take kindly to agent referrals. In the words of a publisher I once worked for: damaged goods. I often think that’s ridiculous, what’s right for the goose isn’t necessarily  right for the cow. And yet, and yet, when an agent sends a writer my way (and they often do if the manuscript is about weight, mental illness, quirky, memoir, jewy etc.) I’m immediately turned off. If it’s so good, why did you pass? Of course, referrals from clients, famous writers, entertainment lawyers, astrophysicists, casting agents, and hemoglobins are TOTES welcome. Am I a fuckface or what? I feel like fucking off.

How do you get agent names?

You Get What You Need

Perfect NYC day. After a grueling day as a power agent, meaning I had a power breakfast, power lunch, power meeting at a law firm right out of Grisham, and a visit to my beloved psychopharmacologist, I went to see Uncle Vanya with Cate Blanchett. It was a star studded night of literati, of indie actors, Broadway war horses, a sit com actor in a straw hat and a lot of short men with Chekhovian facial hair, which is to say unkempt. Afterwards, John and I walked down to Soho and this may have been the best part of the night: everyone, literally everyone, looked amazing in the sultry New York night. Then m&m’s in bed. Some days life doesn’t suck.

If You Don’t Know Me By Now

Someone asked if I would write another book. Not if I can help it. I really want to write movies. I think I might have mentioned that I got kicked out of NYU film school. I would like to get an Oscar and say, “no thanks to NYU.” Do I know that I’m too old to break in (yes, yes, the King’s SPeech)? Do I know that most indie movies are made by writer-directors? Do I know that family dramas are the last thing anyone wants (yes, yes The Kids Are All RIght, The Descendants) And yes, the rules are made to be douche bags. But I do have book ideas. Especially during the month of August when the sun follows me. THere’s my old idea, THe RIng of Truth which looks at why people have mini orgasms when they read or go to readings; My Carrie-inspired YA, I want to adapt Food & Loathing as a YA, or rather a publisher asked me if I ever thought to then disappeared.  I want to write LOVE IS BLINd and Other Cliches. I want to write  a book called  Knowing When To Quit (about Family, love, and work). A sort of counter-intuitive self help that suggests quitting and giving up is just as valid if not more than persisting. I’d like to write a book about seeds. A cultural history.

What about you? Got any ideas kicking around?

You Could Have Been Anyone To Me

 

Hey GUys: Here’s an interview I just did with LitStack. I have no idea who they are or what they believe. THe woman (man?) who sent the questions never identified her or himself. I think they might be some kind of rogue literary organization that doubles as a prostitution ring or puppy mill or kosher caterer or plus size dress shop on Boston Post Road. I tried to be clever and honest but real and slightly ironic and mysterious and powerful and fitful and fetching.

Any other questions?