I’m posting from the train from my blackberry so please forgive the even greater number of errors. I saw my psychopharmacologist today. I see him every four months for a tune up. He’s French. I’ve been going to him for a hundred years. He knows how I am just from looking at me.
I feel this way about some of my writers. It was easier when there was no email and we were forced to talk. I could usually tell by the way they said hello when they answered the phone if they were productive, stuck, depressed, manic, suspicious, blazed, or loaded for bear (whatever the fuck that means). It’s more difficult to tell how someone is on email, easier to hide. Silences are also tricky. I don’t like it when I haven’t heard from a client in too many months. I often make a mental note to call but then the day goes to the squeaky wheels.
I’m starving. I talked to students at City College tonight. So cool. I’m missing Glee re-run. It was worth it. Big day tomorrow. Five meetings starting with breakfast with the new editor in chief of Hyperion.
What meds are you on?
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This post is about living with writers. Can’t live with them, can’t get them to pay attention to you. Sometimes, my husband and I will hear someone say something and recognize that it’s a perfect line of dialogue, and one of us will say, “I call it,” like children fighting over the last piece of french toast.
My favorite part of any reading is the q&a that follows, just as my favorite part of most museum visits is the gift shop. And last night was no different. First, that awful anxiety when the crowd is asked: do you have any questions. No hands. No questions? People all squirmy. Finally, a hand goes up in the front row. Phew. A young man begins by professing his love for this author’s work, then he talks about his own generation of writers and what they have learned from her. Finally, the question comes: is there a young artist or writer who you feel carries your torch?
Janet Reid’s got a great
My husband sold his first novel last month. When we were just out of college, we’d meet on Friday nights, go for dinner at the Second Avenue Deli, go to the St. Marks Poetry Workshop, and then spend hours at the Cloisters Cafe talking poetry, love, life. I smoked Marlboro Lights. He smoked Parliaments. We didn’t become romantically involved until much later, but we cemented a friendship that was fueled in part by a belief in the other as a writer. Neither of us chose the path of a writer’s life. We’ve both worked full time in publishing for more than 25 years and have done all our writing on weekends, nights, or pre-dawn. When we had our daughter, we spelled each other for long weekend days so the other could write. We understood the desire to be alone. It’s more than a desire. It’s a necessity, an imperative.
How are you supposed to behave when a good friend becomes a famous writer? When she invites you to a reading and you feel the urge to rush out the moment she heads back to her seat, but you can’t figure out how to exit? What are you supposed to do, wave at her across the room as you lope outside for air?
I was on a flight from Amsterdam to Newark the other day when I noticed that every other person was reading a Kindle. Then it hit me. I am almost fifty years old and I might never have a book published. By that I mean a real book that I can hold next to my heart and then put away on a shelf. Even better, on my mother’s shelf. Something I can finish. Something I can dedicate. I have written all my life, but nothing has ever been really truly finished. I enjoy my status as a late bloomer, but now I see I may be too late for a real book.


