• Forest for the Trees
  • THE FOREST FOR THE TREES is about writing, publishing and what makes writers tick. This blog is dedicated to the self loathing that afflicts most writers. A community of like-minded malcontents gather here. I post less frequently now, but hopefully with as much vitriol. Please join in! Gluttons for punishment can scroll through the archives.

    If I’ve learned one thing about writers, it’s this: we really are all alone. Thanks for reading. Love, Betsy

I’ll Send You All My Love Every Day In a Letter

I’ve been so preoccupied with my heating pad that I’ve completely forgotten to make arrangements for next week when I’m on vacation. I have no guest bloggers lined up and these things don’t write themselves.

Here’s what I’m hoping. I’m hoping that one of you motherfuckers will FINALLY write a vampire novel for me to sell in April at the INTERNATIONAL London Book Fair for seven figures. And here’s what I’m thinking (and you’ll notice I’m GIVING THIS AWAY), do not make the vampire beautiful with pale skin and large incisors, or zombie-like with rivulets of blood escaping the corner of his mouth, or mashed up with Pearl S. Buck. Why can’t the vampire just be a normal guy who sucks the life blood from you, shits on your face, and then leaves you when he finds someone better. We could call it Harvard Vampire or Vampire Empire, or Drink It.

And here’s the ideal client: please be younger than 25, please be going to Harvard, have graduated from Harvard, or dropped out of Harvard but not because you had a run of the mill nb, but more in the G/Z fashion. Please have a story published in the New Yorker or work at the New Yorker or New Yorker. Please don’t get an MFA unless it’s from Iowa. Be hot! Have lips! You could also look like  Colin Firth.  Be striking! You could have a British accent. You could be Eastern European. Or from Fond du Lac. Please do not have worked a gillion jobs including anything on a freighter or short order cook and feel the need to talk about it. You could date a top writer on The Daily Show.You could write articles in New York Magazine about sex at private schools. You could have soup with Lorin Stein. Or share Tina Brown’s acupuncturist.  Or you could  be the child of someone famous like the one of the Farrows or Hailie Jade Mathers or Frances Bean.

Have a great writing week. I’ll miss you more.

I Am I Said

A lot of people ask me why I, Betsy Lerner, read Daily Variety. Excuse me? I’m a baller. Do the words executive producer mean anything to you? Have you understood nothing, that I would gladly wrap my legs around a television and fuck it to death. And here’s another reason: the announcement of new pilot orders. I think my favorite this season might be the one where Amanda Peet stars as a recently divorced mother who tries not to fall for her surfer-dude contractor. I have one word for the casting director: Keanu. Another one that sounds really spooky involves a family recovering from a brutal murder who move to an island off Maine where they discover a mystical doorway. We had one of those in the house where I grew up only  it led to a Polish pogrom. I also like the pilot where two young, smart female detectives who are bff’s can “discuss fashion while solving crimes.” I know it sounds good, a little like Legally Blonde. But hey, there’s nothing new under the sun lamp. I would kill to have my show listed in Variery and while I couldn’t really opine on hemlines, I could fall for Keanu and remind both of us while we’re making love in a dental chair that when God closes one door, that door is closed.

When You Were a Tender and Callow Fellow

Dearest darling readers of this blog:

I can’t thank you enough for all the words of encouragement, how every night I let loose a gerbil up my asshole and we see where it goes. This is a gift, if not from god, then from Richard Gere. Friends, it’s the old story, will they buy the cow if they can get the cud for free? Have I made a dollar I can tape to my wall and proudly say: why is that dollar taped on my wall? Will it be next to a picture of Jerry Orbach wishing me the best and thanking me for years of quality dry cleaning? I think not.

Friends, there’s no money in this potato no matter how you fry it. Has it sold any more copies of my lovingly revised book the Forest for the  Whores? Let’s ask my publisher:  how are we doing?? Okay, you know me, focus on the positive: what good has come out of this:

–friends, friends, friends with no dinner invitations. praise the lord.

–invitation to write YA novel and working on update of The Good Earth as you know, set in 90210.

–invitation from NBC to write pilot for update of the Brady Bunch where everyone is gay except Alice.

–three marriage proposals (Sadly, not from August. And you ladies can GET IN LINE.)

–increased self-esteem

So, thank you haters, lovers, lurkers, industry friends, thank you India, thank you providence, thank you silence. Thank you for these gorgeous tits.  What are you grateful for? Vince?

And THis Bird You Cannot Change

This could still be the oxy talking, but I’m fed up with the whole blogging mishegos. People are mean, the stats go up. I clean up my act, the stats plummet. Are stats all you care about? Yes, motherfucker. I can’t see the forest, the trees, the leaves, the vein in the leaves. Am I really working on my “other projects?” Is Vince Passaro really commenting about the asking of questions. Vince, there is only one question. You told me years ago. Plastics. Rosebud. Mergers and Acquisitions. And that angel Al Desetta with the Robert Lowell hairline and the Buddy Holly glasses and the Levis that fit like love in a bottle limned with luminous sex. O Dear Heating Pad! O Beautiful Books! O darling young writer with beauty and gifts beyond reason, long may you wave. You could be doing anything but you are doing this: this.

What are you doing?

 

 

Do You Really Want To Live Forever

Whenever I  was set up on a date or about to meet a boy, I always imagined it was IT. You know, the Big Love. The station wagon with a blue peg and a pink peg and a golden retriever if I weren’t allergic to dogs. We wouldn’t be like anyone we were, flawed and ugly and twisted with shame. We wouldn’t have terrible secrets, or the calloused hands of others all over our bodies. We would be like the stiff spine of a new bank book, a virgin passport, something to swipe for the first time. We would be the first man to ever touch a woman there, the first woman to slip beneath a wave of pleasure. With french fries dragged through thick ketchup, your fingers in my mouth, fat thumb!

This is my weekend: four new manuscripts each one might save me, each one might walk down the aisle, each one might fuck you and you and you and you. This, too, is what I live for, some insane hope that I might cry or forget or remember or torment the small cloud for covering the sun. We read all weekend or  go antiquing in hope that a small pot of clay from the 17th century might be glazed with a yellow horse and you alone will understand its terrible meaning. You alone will think these pages, these pages, these pages. Hoof print, lily of the valley, formica boomerang, oxycodone, skim milk, Houdini’s handcuff, the sentences you worship, the thread count. The thread count! Do not be gentle! Do not be kind! Wake me from the almost dead. Hush, Saxon, say it again.

The First Cut Is The Deepest

The Hose and I sent out our script to two more readers for notes and they were excellent. One had the forest in mind, forcing us to take a closer look at our main character.The second reader saw the trees. Like a dowser, he picked up every piece of dialogue that was off, every bit of illogic, and stuff that simply could and should be better. He also, without knowing who had written which sections, praised all of the Hose’s writing, while mine were meh.

Hey, I’m a professional. I can take it (up the ass). Look, great feedback, even good feedback, is very difficult to come by. I’m grateful for it, inspired by it. Do I also have script-fatigue? Yes. Get over it. Don’t seek and use feedback at your own peril. Do you believe the truism that the comments you hate the most are probably the most useful? Kill your darlings, blah, blah, blah? How do you handle feedback?

The Best Things In Life Are Free I Want Money (That’s What I Want)

I always promised myself that if I ever sold a book, I would buy myself a Cartier tank watch. I got the idea in my head from reading Michael Korda’s superb book on publishing where he tells the story of how Jacqueline Susann’s husband had a Cartier tank sent to him, which he assumed was an expression of thanks. Only, a bill followed. If memory serves, Korda returned the watch. He said he’d buy his own damn watch if he wanted one. For some reason, I got it in my noggin’ that I had to have one of these watches. So when I sold the Forest for the Trees,  I marched my fat ass into Cartier on Fifth Avenue and did just that. I couldn’t contain myself and told the salesman how it was a present to myself for selling my first book. He acted impressed and said that he always breaks down and gets himself a gift whether he meets a goal or not.

What are you gonna get?

I Ain’t No Monkey But I Know What I Like

This is so fucked up, but I hate it when people recommend books or movies to me and say, you are really going to love this. Or, this is right up your alley, or: you have to read this, it’s so you. I may not be a mystery wrapped in an enigma, but how the hell can you possibly know what I would like or why I even read  or go to movies in the first place. Look, I’m perverse. Everyone loved Mr. Burns in seventh grade, the hip history teacher who talked about Jethro Tull in his plaid polyesters. Everyone loved ET. And Elton John and Joni Mitchell. I do not do. I don’t like something because it’s dark or mentally ill or self-hating or Jewish or calorically challenged. I have inexplicable prejudices, pet peeves, and I read with a glow in the dark ring. This weekend I read a book that three separate friends said I would love. I loathed it.

Is there something wrong with me?

The Death of Oscar

I love old people as much as the next person, but even I was shocked by the tone of tonight’s 83rd Academy Awards. With all the hype surrounding relative infants Anne Hathaway and James Franco’s hosting debut, it appeared that this was the year that the Facebook generation might shake things up at the old Kodak Theater. But unfortunately, that was not to be. Yes, Natalie Portman, not yet 30, beat the long suffering Annette Bening for Best Actress, but other than that, Oscar was all about the Olds. And even James Franco had a hard time staying awake for his segments. Look, I don’t really have that many nice things to say. I think Helen Mirren looked fucking great. She almost overshadowed the ingenues, many of whom looked kind of whatevs. Jennifer Lawrence, for all her youth and beauty, looked a lot like an extra on Bay Watch, Betsy correctly pointed out. A lot of people weren’t even fitting into their gowns. Christian Bale had a bushel of ginger pubes on his face, and that was almost as distracting as his awful Australian accent on the red carpet (yes, I know he’s British). The biggest asshole of the night had to be Melissa Leo, for her appalling James Cameron-esque display upon winning Best Supporting Actress. I hate when people who know they’re going to win act all stunned and then take forever getting up to the damn stage, etc. Her expletive infused speech was just a sad commentary on what happens when we let these old people win stuff. Then she stole Kirk’s cane! (I was happy to see the old dildo used her left breast to prop himself up in response.) Whatever, they gave Best Everything to The King’s Speech, a film about a British guy who manages to get through a whole sermon without stuttering. The King’s Speech: soon to replace Cocoon on movie nights at nursing homes across the land. Awesome job, Hollywood! -The Hose

It’s Getting To The Point Where I’m No Fun Anymore

Do you ever wish you could just give up on this whole fucking thing and join the human race? Why do you have to write shit down? Why do you have to set yourself apart and pledge your allegiance to sentences that, like bratty children, didn’t ask to be born?  Why must you pull your pants down, raise your freak flag, let it wave? Why do you have to sit all alone up there in your office while we are playing whist by the fire?  Why can’t you walk down a city street or through a field of thistles and leave it alone? So what it if looks like something else? So what if your life is a perfect metaphor for being an asshole, or an ass wipe, or a door mat? So what if sentences are coiled in your soul. If you could turn the world on with your bile?  Or cross Narcissus with Icarus and watch yourself burn? So what?

Wouldn’t you rather have a life?