Titles. They can be a bitch. I always felt I had a bit of a knack for them because of my poetry days. You have to think up a lot of titles when you write poems. My finest (in my humble): “My Life as a Rash”; “Two Poets Assemble a VCR”, and my signature sestina, “Calories and Other Counts.”

First Place
I push my clients very hard to come up with good (selling) titles before we send out their books. And I toil beside them. It just makes it that much easier to sell if you can get the concept/tone/hook in the title. When the editor on the other end of the line says great title, you’re through the door.

Second Place
I’m always astonished by some of the titles for deals reported in Publisher’s Marketplace. Today, for instance, Pacific Rims. Is it just me or does this sound like a gay book set in Hawaii? Mahu Blood: this one is set in Hawaii and it’s a detective story. Mahu? Is this a fish?I love the sound of this one: Tarnsman of Gor, a 27-volume fantasy series (oh, to sell a franchise!). I really like Think of a Number. It’s a thriller and I love titles that take a figure of speech and creepify it. I felt that way about my client Eli Gottlieb’s Now You See Him. Then we have the generic titles: Small Miracles, Escape and, god help us, Window to the Soul.
Third Place
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Spent the last two days going over page proofs with a writer. One of my favorite moments in the publishing process is when you see the manuscript transformed into typeset pages. I’ve always had great respect for book designers and all the decisions that go into making a page.





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