Luv,
Your Best Friendz
M&R (age 12)

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Luv,
Your Best Friendz
M&R (age 12)

Filed under: Uncategorized | 12 Comments »
I am writing from my childhood bedroom. Some of the books that still line the shelves: The Yearling, One Flew Over the Cuckoo’s Nest, On the Road, The Tempest, Rabbit Run, Deliverance, The Tales of Edgar Allan Poe, The Ox-Bow Incident, Franny and Zooey, Final Harvest: Emily Dickinson’s Poems, and Hooray for Yiddish.
When cars come down Northrop Road, their headlights ricochet through the room’s corner windows. Tucked into my bed, at ten years old, I often imagined I was Anne Frank as the high-beams circled the room, soon to be followed by angry Nazi boots on the stair. Only we lived in a ranch. Later, I imagined a Helter Skelter scenario in our suburban neighborhood; when I learned that Sharon Tate was murdered on MY BIRTHDAY, I nearly plotzed*. But my most terrifying fantasy of all was imagining that we were the Clutter family, waiting to be murdered in our sleep by some two-bit criminals immortalized in one of my favorite books of all time.
I know, it explains a lot.
*Plotz: plats (standard) Yinglish, with juice. Rhymes with “dots.” German: platzen: to burst.
–from Hooray for Yiddish, Leo Rosten
Filed under: Books, The End of the World as We Know It | 3 Comments »
Nation, tonight on The Colbert Report, please check out Neil de Grasse Tyson. Yes, he’s the guy on Nova, the director of the Rose Center and Hayden Planetarium, author of Merlin’s Tour of the Universe, Death by Black Hole, and the Pluto Files among others. He’s the guy who downgraded Pluto’s cold ass from beloved planet to icy comet, and thereby became Public Enemy #1 to fifth graders everywhere. Most important, People named him sexiest astrophysicist of the year.
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I know, with the cinematic magic out there like The Hangover, The Proposal, and Year One, it’s no one’s fault but my own that I went to see My Sister’s Keeper.
So, I go up to the candy counter and order two small popcorns. The well meaning girl with a jagged part and tilted visor says brightly, “For twenty five cents more you could have a medium.” No thanks.
Then, I order a water and a small iced tea. “For fifty cents more,” she says, still upbeat, “You could have a large.”
What’s up with that? Why can’t I be trusted to know what size beverage or popcorn I want? How many people actually “upgrade” upon hearing of these tremendous savings?
Then, she asks me what movie I’m seeing. Why? For a quarter more could I run the fucking studio? For fifty cents more sit on Robert DeNiro’s lap? For seventy-five cents more tell Hugh Grant that it’s really okay if he doesn’t want to star in my screenplay. I’m over it, really.
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Amy L. from Los Angeles asks: How do I know if my agent is doing a good job? What can I expect?
God did not create all agents equally, and likewise no two clients need exactly the same thing from their agent. So having a good working relationship is as much about the right fit as anything else. If you can communicate easily with your agent and you feel he or she is responsive, then you’re ninety percent of the way there.
I would think the basic services include:
Guess which agent went on to become a star of stage and screen, or more precisely an author, an hilarious fixture on the Jon Stewart Show, and a shill for Apple?


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Just came from my thrice yearly dinner with my oldest publishing friends. Did I say dinner? I meant bloodletting. I’m talking about the kind of gossip that soothes the soul. We also talked about a few books: Man Gone Down, Olive Kittredge, Eat Pray Love (her ex-husband just sold his memoir — Starve Sin Hate), Eden’s Outcasts, Words In Air, The Looming Tower. 
Lest you think we’re just a bunch of publishing bitches up to no good.
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A writer, we’ll call her Joan, thinks she should wait until her parents are dead to write her memoir. What do I think about that? Well, Joan, you haven’t told me what’s at stake. For instance, an Astor-sized inheritance might be worth putting the prose on hold. I don’t know. It’s a tough question.
I do believe that writers are the designated hitters in their families. The whistle blowers. Or as I refer to them in my (ahem) book, The Wicked Children. Not all writers are damaged by or isolated from their families, I just don’t know any. Most great art, whether created with a knife or a scalpel, an electric or acoustic guitar, is a savage act. And most great artists are savages. I think this is what I most admire in them.
When I was nineteen, I met a ninety year old woman called Ninette T. Loos Blanc. There is much to say about Ninette, but for now I’ll just say that she was a hero, and the words she lived by: Loyalty to the family is tyranny to the self.
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Last night, when I was packing up all the poetry, a little piece of paper fluttered out of Anne Sexton’s Live or Die, a book I lived and died by at sixteen. It was a poem cut out of The New Yorker. It was “For Sheridan” by Robert Lowell. I had no idea who he was at the time, and I didn’t really understand the poem. But I felt the poem understood me. That is when I started buying up collections of Lowell’s poems. And now, thirty years later, the love affair continues as I finish reading the exquisite collection of letters between him and Elizabeth Bishop.
I tend not to worry too much about the end of the book and the digital revolution. But I did have the thought that one of things that might be missed if books go the way of screens is the loss of a poem, clipped by a sad teenager, fluttering out of a book many years later to land at the feet of a sad woman.
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Had the great pleasure of seeing Conor Lovett of the Gare St. Lazare Players perform Beckett’s First Love. I usually nap for the first twenty minutes of any play, but I was riveted by the performance, the language (omg), and the great themes: love, abandonment, loss, death. Heaven, I was in.
Then, as if that weren’t enough, Paul Muldoon on the Colbert Report. Poets, tempting as it may be, do not go on the Report. You are not helping the cause. You will only look shaggy and twee. Unless you’re Mark Strand.
Genius talk show host: 1 Esteemed poet: 0
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Yesterday, I had lunch with one of the smartest editors in the business. She allowed how she keeps a file for letters from authors that express their gratitude — and that these letters buoy her on particulary rough days.
I allowed how I keep an “asshole” file. I started it when I first became an agent, and I didn’t quite know how to handle the sting of rejection. After all, as an editor, I had been on the rejecting side for so long.
I didn’t put just any letter in there. No, the rejection had to strike a particular note of condescension, arrogance, falsehood — you see where I’m going with this.
Eventually, some client letters made it into the file, especially the three page single-spaced letter dipped in acid from the gnome who fired me –who will go unnamed. You know who you are, and that was a fuckin’ brilliant letter, completely raising the bar. I salute you.
The best letter so far, however, is from a distinguised editor who wrote that if the book I was submitting was my idea of art, I should look into a career in real estate. That’s a keeper!
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