Getting ready for the London Book Fair. This entails begging the dry cleaner to do my slacks same day, begging my pharmacist to fill my meds same day, begging the shoe repair man to heel my boots, yes, same day. I also need to put the finishing touches on our agency list of titles we’re working to sell abroad. Get the jackets and quote sheets for my folder. Type up my schedule. File my taxes. And finally, most important, decide what to bring on the plane to read. I want to take the Bolano but it weighs about seven pounds. I think I might bring it anyway. I am so lost inside this book. Like a great drug.
Choosing what to read on a plane is one of my great pleasures. I start to ponder weeks in advance, start to pull books from shelves, make piles, read a few pages here and there. Put some books away, drop into Posman’s in Grand Central, cruise the tables of new books, fiction and non-fiction. I’m curious about The Immortal Life of Henrietta Lacks, and I already bought Elif Batuman’s first novel, The Possessed.
How do you choose what to read, purely for pleasure?
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I studied pottery throughout high school. Junior year, we had a teacher who started the term by asking us to make kiln gods to “protect and bless” our firings. These were, in effect, clay finger puppets. To show what I thought of the project and my eternal hipness, I created a little man giving the finger.

Today, walking to my lunch date, I had a brainstorm about my first screenplay and how to adapt it for television. And in the next moment, a scene for the fucker I’m currently “working on” started writing itself in my head. I took out my pad and wrote down the three key words that would help me remember the scene later: fidelity, regression, wrap around dress.
Dear Betsy,
Dearest Readers of This Blog:
On February 1, 2010, I posted what I believe is the first ever 


