• Forest for the Trees
  • THE FOREST FOR THE TREES is about writing, publishing and what makes writers tick. This blog is dedicated to the self loathing that afflicts most writers. A community of like-minded malcontents gather here. I post less frequently now, but hopefully with as much vitriol. Please join in! Gluttons for punishment can scroll through the archives.

    If I’ve learned one thing about writers, it’s this: we really are all alone. Thanks for reading. Love, Betsy

Then You Should Have Put a Ring On It

baby-teeth-12507341

One more thing from that stroll down memory lane. One young man asked me how much I read of a manuscript before I reject it.  I told the students that after all these years, I pretty much know by the first paragraph. The young man said Ooof. I thought I was demonstrating my confidence as a reader gained over many years, but of course from their vantage point I had just become the rim greaper.

Then he asked what I look for in a first paragraph to keep me reading. Baby teeth, silver charms, brass buckles, nameless women, faceless men. I want that thing called language, just one startling simile. Or VOICE. Or tap shoes, orthodontia, a character named Buck, or Puck, or Peanut, or Slim. I want I want I want to see five rats walking down the street, I want you to bring me the tattoo of Lena Dunham, Johnny Carson’s cravat, the last great kiss, or good kiss, or mediocre kiss or dry mouth or vermouth. I want a writer who is in so control so I can relax.

How much of a book do you read before you quit?

Michigan Seems Like A Dream to Me Now

hunt_captive_unicorn1

On Wednesday, I was invited to speak to a group of MFA students at Columbia. WHERE I WENT. Let’s talk about PTSD. The first day of graduate school thirty-something years ago, I climbed the steps to Dodge Hall, tripped, fell and all my shit went sprawling. I always felt it was a harbinger of things to come: many stumbles, one great terrible fall.

I’m looking at the faces of the students and it’s all there: the anxiety, competition, bravado, meekness, the sheer ambition, the massive insecurities. Their questions painted the gulf between their world and mine. I felt happy that I no longer had to spend so much energy wondering if I would amount to anything. I also felt caught up short when they asked why didn’t I pursue poetry, art. Was it failure of imagination, belief, ego? What does it even mean to ask: do you have what it takes? Maybe the question should be: what do you have to give? One young woman really pressed me: why didn’t you become an artist. Why did you make your choice. I took a breath and said I had a mental breakdown while I was in graduate school, and I learned that I needed structure, a regular paycheck, and health benefits.

What about you?