Hello Ms LernerFiled under: Uncategorized | 31 Comments »
Hello Ms LernerFiled under: Uncategorized | 31 Comments »
When I packed up my bag for work this morning and hoisted the 500 or so pages of manuscript on my shoulder, I actually thought for the first time that maybe I should get a Kindle or a Nook. Then I thought, I’d rather be a hunchback than read on a screen. When I got on the train and unfurled my NYT, I noticed the man next to me reading from the well lit place of his ipad. Gosh, it sure looked cheery in there. And then I thought I can’t cope with any more chargers, passwords, etc. I imagined myself dangling from the end of a charger, the screen flashing: low battery, low battery. My epitaph: She Forgot Her Password.
Am I caving, softening, dropping a big fat Christmas hint? NO. No. no. (That was a diminishing echo.) Am I being knee jerk, Ludditious, digitally challenged? And what about the trees, the great north woods, the humming birds. Am I hurting the earth by reading your manuscript? Am I killing the planet with your memoir?
Some people say that all that matters are the words, the “delivery system” is irrelevant. Isn’t that like saying all that matters is the sperm, not the hot hunk of burning flesh that delivers it?
Let’s not get into a big debate. I just want to take an informal poll. So please, fill in the blank. My preferred delivery system is __________________________, and everyone else can go fuck themselves.
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Ruth Stone 1915-2011
The poet Ruth Stone died on Thanksgiving. She was 96. At the tender age of 85 she won a National Book Critics Circle Award, and at 87 she won the National Book Award for her collection In the NExt Galaxy. In the NY Times obituary, I was startled to learn that her husband, also a promising poet, committed suicide just as her first book was about to be published. They had three young daughters, who she raised in near poverty according to the article. She somehow made it as an “itinerant” professor, and she published thirteen poetry collections. I’ve just ordered two of her books and this will be my Christmas project. I should have discovered her sooner. She led the life I always fantasized about, was romanced by as a young girl, love and suffering, language, tragedy, living that one life and no other, ta tum, ta tum, ta tum, ta tum, one slim volume after another, spines skinny as matchbooks.
When she won the National Book Award, Stone said in her acceptance speech, “They probably gave it to me because I’m old. I’ve been writing poetry, or whatever it is, since I was 5 or 6 years old. I don’t know why I did it. It was like a stream alongside me. It just talks to me, and I write it down.”
A stream alongside me.
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One day in a high school English class, a teacher handed out construction paper and crayons. Then he wrote a short poem on the board by William Carlos Williams.
so much depends
upon
a red wheel
barrow
glazed with rain
water
beside the white
chickens.
He asked us to draw the scene as we saw it in our mind’s eye. Then, like first graders, we taped our pictures to the board. No two pictures were alike. Some had two chickens, some had more. Some of us drew the chickens on the right, on the left, in front of, in back of, etc. The wheelbarrow was many shades of red: blood, rust, crimson, maroon. And the wheelbarrow was everything from a classic three wheeler to a wooden cart out of a shtetl. Of course, our poor drawing skills were largely to blame, but the teacher’s point was blatant: a reader’s imagination took its cues from a writer’s words. Much is left open to interpretation. And it’s always stayed with me.
Does a great writer better control what a readers sees, feels, experiences. Is this what it means to have a reader in the palm of your hand? This is a huge topic, what goes on between a reader’s imagination and the words on the page. Are we even reading the same book? How many chickens?
Over to you.
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Well, here we are again, a season in hell. Thanksgiving through New Years. If I had my druthers (druthers? who the fuck am I?), I’d be on a valium drip at a twenty-plex. I know it’s a cliche to hate the holidays, but I really hate them. All that enforced gaiety. All those carbs. All the guilt over what you do or don’t do, give or don’t give. The happy families in holiday sweaters or sailing on a brighter horizon: merry xmas from the Knopfs! The Jew on Christmas. The crescendo of family failings. The wrong gift. Please write. The new year is upon us. It doesn’t mean a thing. Just write. Every fucking day. Finish the fucker.
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If you don’t have a referral, a newly minted writing prize like the Whiting, or a story in the New Yorker, you need to introduce yourself and your work to editors and agents. Query letters come in all shapes and sizes and sadly most of them fail to accomplish what they most desperately need to do: spark interest. That’s all you really have to do: spark interest. You can do this with your title, your credentials, the one or two sentences that sum up your project. Mostly, you need to do this with the writing. Writers know how to write, how to manipulate, seduce, win friends and influence people. My advice: keep it simple. No bells, no bows, no bending over. Don’t over promise. Don’t make something out of nothing. Don’t try something stupid, whacky, quirky or attention getting. This is first and foremost a professional gambit.‘Pelt and Other Stories’ is a collection of characters (some interlinked) living in Africa and Europe, whose lives all undergo surprising and even unwilling evolution: two English snowboarders challenge the savagery of mountain weather in the Dolomites; a pregnant Ghanaian woman strokes across a hotel pool in the tropics; Celeste visits her suicidal brother and his lover in Berlin and realises she will never see them again.
This works for me because I love the title PELT. Then, I like the brief descriptions that zoom all over the world from snowboarding, pregnant swim strokes to a suicidal brother in Berlin. I’m in and I don’t like stories.
I knew my father for only a very short time as an adult, and I associate two things with him: science and loss.
I like this a lot. It’s simple. Science and loss. Again, what comes next is critical. You might be tempted to explain, but I think the simplicity should speak for itself.
If Independent Clause and Catherine would like to send their letters to me at askbetsylerner@gmail.com, I will critique the letters for you. Let me know if I can post the letter for feedback from everyone. Either way is fine. Thanks to everyone for participating. If you have more questions about the query letter, please ask. I want your letters to get you through the door. If the manuscript sucks, well, it sucks. But I want to help you get through that fucking door.
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Top Ten Query Letter First Line Misfires
1) I have written a 134,569 word novel…..
2) Would you consider my fictional novel…
3) I have written two trilogies, a novella, and one cook book that I would like to publish.
4) I know getting published is all about connections but I hope you will be interested in me…
5) If you like a hot, sizzling read…
6) I read on your website that you like the “hard to categorize…..”
7) Melanie thought she knew everything she had to know about men.
8 ) You rejected my first novel when you were an editor at Doubleday…
9) I am a big fan of your fucking blog! And I think you might like my memoir.
10) There are approximately 35 million Irish Americans who I think would be interested in my novel, Erin’s Locket.
What’s the first line of your query letter?
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They say that children aren’t developmentally ready to accept losing until they are about seven or eight years old. I still remember when my daughter was around that age and she would quit a game before losing or start insanely cheating and fiercely deny it. I would tell her that she could carry on like that with me, at home, but I urged her to understand that out there in the big wide world, no one likes a sore loser. And that if she wanted to have any friends at all that she’d better learn how to be gracious, win or lose.
Tonight, the National Book Award for Fiction goes to Jesmyn Ward, Salvage the Bones (Bloomsbury USA). Congratulations. Your acceptance speech was beautiful and gracious. Shout to my pal, her editor, Kathy Belden. First rate editor and great person. It was a magical evening, and I’m not just saying that because a cab pulled up just as I was leaving my building in the pouring rain.
John Ashbery, a poet I’ve loved since I was sixteen, received a lifetime achievement award . He laughed at his own jokes, twice remarked how difficulty has gone out of fashion in favor of accessibility, and how you wouldn’t be caught dead telling someone you were a poet at a cocktail party for fear of looking too taken with yourself. My great friend Mitch Kaplan, owner of Book & Books and founder of the Miami Book Fair, received a big deal award, too. He is the soul of book selling. The other winners were also magnificent. Inspiration in the form of Nikky Finney’s amazing acceptance speech, which John Lithgow called the greatest acceptance speech of all time. And John Lithgow himself (pronounced LITH-GO): witty and dapper and charmant. Wondered what it would be like if literary luminaries hosted award nights for the entertainment business: Philip Roth hosting the Oscars, for example, or Joan Didion hosting the Emmy’s.
I can’t tell you how proud I was to be there with Andrew Krivak. If you haven’t yet had a chance to read The Sojourn, treat yourself. LIke his book, he is economical, spare, smart and handsome. Beneath that facade is an intensity matched with purpose, desire with discipline. It is a pleasure and honor to be his agent. And a shout out, too, to his intrepid and passionate publisher, Erika Goldman at Bellevue Press. Long may she wave.
Tiaras, ribbons, roses, rain-drenched red carpets. I could’t find a cab home. I missed the late train, and the train after that.
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Tonight, at the National Book Award reading, the evening’s host thanked all the finalists (including my brilliant client Andrew Krivak, author of The Sojourn) for spending their time writing and revising instead of all the other great things they could be doing like having great early morning sex. Was it me or did a wave of nostalgia sweep over the room? She riffed on all the things a person could be doing besides writing. For me, I always thought the big thing I could be doing besides writing is living. I could give that a try.
What would you do in lieu of scribbling?
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I grind my teeth. I have nightmares. I try to call out but I can’t. My nightgown is twisted with the sheet. I have to pee. Then I have to drink. Sometimes my right foot burns with a passion. I realize what is wrong with my screenplay. I realize what is wrong with me. I want to get up and take my lap top into the tv room. It’s 3:33. Christ. It’s not about making my lead more sympathetic. The whole thing is in the wrong key. INT. BEDROOM – 3:33 A.M. Emily Dickinson twists in her bed covers, checks her Blackberry for comments. Craves apple juice, room temperature. What keeps you up at night? Regrets. Mistakes. Scenes at the altar of I should have said that. All those sentences. The parade of punctuation marks. Period. Period. Period. Are you with me tonight? Am I tapping at your window? Can you write a word? On a quiet wave? On the beaded glass? Inside your small palm?
How do you sleep?
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