• Forest for the Trees
  • THE FOREST FOR THE TREES is about writing, publishing and what makes writers tick. This blog is dedicated to the self loathing that afflicts most writers. A community of like-minded malcontents gather here. I post less frequently now, but hopefully with as much vitriol. Please join in! Gluttons for punishment can scroll through the archives.

    If I’ve learned one thing about writers, it’s this: we really are all alone. Thanks for reading. Love, Betsy

Sometimes Your Dreams Get Broken In Pieces

I think I’m done with the five part series on fame. It’s all such a mind fuck anyway. There’s no winning the fame game because everything fades. Because someone else will be anointed, crowned, bequeathed, and beheaded. Of the many lies I hear writers say is that they would just be happy to have their book published. That’s like not being asked to dance after you’ve put on your party dress and stood eagerly all night on the sidelines. It’s like being the last girl at the bar, 3 a.m. with your legs shaved. You are the tree in the forest no one heard fall. The nail in your own casket.

How are we to understand this desire to write and the desire to be read. Are they the same or different? Is writing enough in itself. Would you quit if someone told you that you will never be published?

When I Give Love I Want Love in Return

FAME – A Five Part Series

Part Four

The all time best moment of my life was at a Christmas party last year. This scene actually happened IN FRONT OF MY DAUGHTER. I am introduced by the host to a young woman:

Host: This is Betsy, she’s written a book.

Young Woman: That’s cool. Is it anything I would have heard of?

Betsy: It’s a writing book.

Young Woman: Wait, are you Betsy Lerner?

Betsy: Yeah.

Young Woman: Oh my god, you wrote The Forest for the Trees. That’s a classic.

The only other moment that came close was when my dentist’s receptionist read my book, really liked it and now gives me preferential scheduling.

And fan letters. I think the fan letter may be the purest form of author appreciation. I receive two kinds  of fan letters. The first is where the person loves my book and wants me to sell theirs. As far as I’m concerned these don’t count. It’s like expecting a blow job just because you gave one. The other is where the person just loves the book and has no agenda. I get very few of these.

Please “share” a moment of fame or appreciation for doing that thing you do.

I Can’t Help It If I’m Lucky

FAME – A Five Part Series

Part III

When Food and Loathing was published, something exciting happened. I was invited to go on The Today Show. How the publicist scored this, I will never know. In short order, I was told that I needed a) a new look and b) media coaching. The shopping trips resulted as they always have since fifth grade: in tears. The media coaching was worse. A petite, perky woman with frosted hair,  a fat belt slung around her hips, and bright lipstick tried very hard to get me to sit up straight, look into the camera, and break me of the habit of going silent after a questions was asked, which apparently made me look brain dead. DNR!

I was summoned to the publisher’s office. He had seen the tapes. He said watching me was like playing violin at Auschwitz. I saw myself pulling the bow over the strings. I saw myself standing in Schindler’s line. As a child I had nursed many Anne Frank fantasies — this was not a reach. Look, he said you’ve got to get  a hold of this thing. He said I needed a universal response, a line I could use in any interview that would give me the upper hand, steer the conversation to make my points. He then brainstormed with me, helped me boil my book down into one beautiful sound bite.

Inside the NBC studios, the wardrobe lady ran a lint brush over my body, tsked, and sent me on my way. A make up lady coated me in pancake, and a hair stylist did what she could. I saw Matt Lauer in the hall. Tall! I was seated across from Al Roker, newly thin from his belly band. Four, three, two one: Al holds up the book and calls it the “feel bad” book of the year. High praise, indeed! Then he asked me what I was trying to say, and I pulled out my line. Well,  I said, all women have a secret eating life. That was it, the line the publisher gave me. And three minutes later it was over. Amazon figures dropped into the 100’s for a brief shining moment then skyrocketed back into the ether.

The way I figure it, I have 12 minutes left. What did you or would you do with your fifteen minutes of fame? Besides an Oprah bj.

A Hustle Here and a Hustle There

FAME: A Five Part Series

Part II

Your Picture Here

Do you have to court fame to get it? Network. Schmooze. Glad hand. Rub shoulders. Back slap. Kiss kiss? Do you need to drink all night at Breadloaf, hold court at Yaddo dinners, buy rounds at Kingfisher? Wear your tangerine seersucker to the latest Paris Review bash? Or did you fall off the parsnip truck, spit and cough your way to life? Did you shove your manuscript through the gate of a reclusive agent, meet an editor, by chance, on a plane?Do you serve yourself up like shrimp at a buffet. Do you dip yourself in cocktail sauce, pull a skewer through you vital organs?Do you write all night on the fire escape, in the boiler room, on a night train to the Czech Republic.

What do you want and how badly do you want it?

What You Like Is In The Limo

This begins a five part series on fame. I met with a publisher who talked about a writer we both knew at the beginning of his meteoric career. Now, twenty years later, this writer is still a big deal. The friendship had its ups and downs over the years, but the two were solid now. I asked if the quality of the friendship was still as good. No, not really, the publisher answered, he’s changed. How, I asked, though of course I new the answer as soon as I asked it. Fame.

We talked about that for a while. Some people seem to feel that fame confirms what they felt all along about themselves. For others, it brings on imposter complexes, insecurities, paranoia, etc. I wonder if it’s possible to remain unchanged by fame. What is it and why is is so desirable, cash and babes aside.

It’s Just A Box of Rain, Or a Ribbon For Your Hair

Meds? Check. Passport? Check. Notebook? Check. Panties, socks, striped shirts.  Check. Secret project? Check. Powerbars, pencils, lucky necklace, crap magazines, manuscripts. Check. Did I say Passport? Jesus Christ where did this day go? Going to London to bid farewell to one of my dearest friends and the agent who taught me the only thing you really need to know: play it straight. No matter what mess I was in, I could call Abner for advice. He’d listen carefully, turn it over, you could feel his mind working like a master chess player, and then he would  say, you know, I think you should play straight. Every time I went to London, he found a new restaurant for us to try that specialized in Dover sole because he knew I liked sole. And every time, after I took a few bites, he’d look at me and smile and say, “how’s the sole?”

Stayin’ Alive Stayin’ Alive Ah Ha Ha Ha

I met a BDP (big deal producer) today who was amazing. When he was a PYT, he optioned a magazine article from New York Magazine that became Saturday Night Fever. Saturday Fucking Night Fever. Bam! Better yet, he wasn’t a one hit wonder or the kind of person who keeps talking about his one big thing. I once had lunch with an agent who had one hit, and he literally talked about it all through the lunch. I had no idea what he was talking about but played along, or played dumb. When I got back to the office, I discovered that the book he was talking about was TWENTY years old.

My BDP became a studio head, had a great run, and is producing again with a very cool slate of MMP. (Off the record, in my heart of hearts, I believe I could have been a studio exec if I hadn’t been derailed by twenty years of depression. Totally ridiculous and arrogant, but there it is.) Anyway, this man struck me as the quintessential producer: curious, passionate, disparate and wide ranging taste, the ability to bring people together, working like a conductor who brings the forty-odd instruments together in a Mozart symphony.

Tonight’s question is, and I leave it to you to  make the leap, what will be in your obit? Mine will say that I was never convicted in a court of law for allegedly putting a candy corn in Amy Hahn’s ear at Janet Granger’s sixth grade birthday party sleepover. (Her parents took us to see Dr. Zhiviago which we were very upset to discover was in black and white, and add insult to injury they brought cut veggies and wouldn’t let us buy junk food even with our OWN MONEY); I wrote a CLASSIC on writing, a sink-under-the-waves memoir, I represented some thieves and geniuses. And please remember this above all: I never lived for the present nor did I make the most of every day.

Keep Your Freedom For As Long As You Can Now

It’s the Jon Stewart hour after a long Monday. I have a stack of manuscripts that still need reading and a 378 page Restoration Hardware catalogue. It is the mother of all RH catalogues. There’s a also a Garnett Hill and Eddie Bauer, but they seem lame compared to this tome from RH. I realized some time ago that home decor catalogues were almost as good as Valium and twice as addictive. I tell myself to read at least one more proposal. But I just want one little peak inside the catalogue. One little peek at the nickel finishes, the “antique” sconces or  the generously proportioned mirror recalling the shape of Moorish windows — a zinc finish lends the wood molding an aged patina. I wonder if I could do mash up of Pride and Predge with Restoration Hardware? Maybe I could do a mash up of my ass and my face.

What’s your favorite catalogue? Or mash up?

I’m Ready To Go Anywhere I’m Ready For To Fade

I have a little problem, among many larger problems, and I’m going to break the news here and first on my blog, among my nearest and dearest strangers: Whenever I write, I fall asleep. Boom! One minute I’m typing and the next I’m out, nodding off in front of the monitor. It wouldn’t be so embarrassing if it didn’t also happen in front of my writing partner.  At first, I tried to pretend it wasn’t happening, like the way you head snap at the movies or the opera and hope the person next to you doesn’t notice. As if.

I would label it narcolepsy, but it ONLY happens when I’m writing. Maybe it’s a subset of narcolepsy. It’s as if the power of my gift exhausts me and I’m temporarily spent. It’s as if the Gods are massaging my neck, whispering to me, readying me for the next round of thunder. It’s as if I’m under a deep spell while Aliens  implant pods in my side and thigh as a new scene comes to me in Mayan code.  It’s as if I’m a drunk on a stoop fingering change in a greasy pocket.

What do you do in front of the power of your own words?