• Forest for the Trees
  • THE FOREST FOR THE TREES is about writing, publishing and what makes writers tick. This blog is dedicated to the self loathing that afflicts most writers. A community of like-minded malcontents gather here. I post less frequently now, but hopefully with as much vitriol. Please join in! Gluttons for punishment can scroll through the archives.

    If I’ve learned one thing about writers, it’s this: we really are all alone. Thanks for reading. Love, Betsy

FAQ: If I Want to Write, Should I Get a Publishing Job?

 N.G. asks a very good question:  if I want to be a writer should I try to get a job in publishing, or avoid the business altogether?

This is a can of worms. Lots of people who go into publishing have the desire to write. Some do. Many don’t. Would they have realized their writing ambitions had they stayed away? We’ll never know.

Also, what branch  of publishing? Clearly, editing is the closest to the writing process, but does that work sap your creative juices most? In my case, I didn’t write for the first twelve years I worked in publishing as I climbed my way up the editorial ladder. I even stopped keeping my diary. It wasn’t a conscious decision; I became completely wrapped up in my authors’ lives and work.

The time factor:  editoral work is extremely time consuming, most reading and editing is done on nights and weekends. It’s almost impossible to write. Also, if you’re struggling with your own work and what you want write, it’s “easy” to get absorbed in someone else’s work and avoid your own. I’ve seen some editors and other publishing people become competitive with their authors. This is the sure sign of a frustrated writer.

One reason to go into publishing is to make connections and see how it’s done. I would have never sold my first book had I not known agents and reviewed hundreds of non-fiction proposals to see how to put them together. 

Ultimately, I think it’s probably better to do something that leaves you more time to write. And, more important, read.  The day you step into a publishing cubicle, your life is consumed with reading a lot of sub-standard material as you comb through stacks of submissions.

When I was an assistant editor at Ballantine, my boss handed off a how-to book for me to edit. The woman barely knew how to string a sentence together. We must have gone through eight drafts and the Dingleberry still didn’t get it. In the end, all that work raised a D- manuscript to a C- book. All editors have zillions of stories like this — it comes with the territory.  But the whole time working with her I remember thinking, I will have read eight drafts of this piece of crap and go to my grave having never read War and Peace.

You know how they say you have to play tennis with someone above your level to improve? I think the same is true with writing. You could be reading slush or you could be reading Tolstoy.

 

2 Responses

  1. thank you so much for sharing this!! i have been pondering the question myself lately…. after reading your book, that is beautifully written, and since you have found so much success in the industry as well, i think would like to try a publishing job.

  2. It’s so true. I was writing and publishing regularly in anthologies, etc. before I started working as a managing editor. These days I spend the vast majority of my “spare” time reading and editing other people’s manuscripts and have absolutely no time for my own. I keep telling myself I’ll get back to them, but for me it just hasn’t proven logistically possible in the last years in this business. I do think it’s important for more people to understand this, since I know I originally got into this to be closer to books and writers. That I am, but in the process I’ve distanced myself from my own writing. I love my work and the writers and editors I work with, but I do sometimes grieve the loss of that time to produce my own work.

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